Book contents
- A History of the Harlem Renaissance
- A History of the Harlem Renaissance
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgments
- Introduction: Revising a Renaissance
- Part I Re-reading the New Negro
- Chapter 1 Cultural Nationalism and Cosmopolitanism in the Harlem Renaissance
- Chapter 2 Making the Slave Anew: History and the Archive in New Negro Renaissance Poetry
- Chapter 3 The New Negro among White Modernists
- Chapter 4 The Bildungsroman in the Harlem Renaissance
- Chapter 5 The Visual Image in New Negro Renaissance Print Culture
- Part II Experimenting with the New Negro
- Part III Re-mapping the New Negro
- Part IV Performing the New Negro
- Bibliography
- Index
Chapter 4 - The Bildungsroman in the Harlem Renaissance
from Part I - Re-reading the New Negro
Published online by Cambridge University Press: 20 January 2021
- A History of the Harlem Renaissance
- A History of the Harlem Renaissance
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgments
- Introduction: Revising a Renaissance
- Part I Re-reading the New Negro
- Chapter 1 Cultural Nationalism and Cosmopolitanism in the Harlem Renaissance
- Chapter 2 Making the Slave Anew: History and the Archive in New Negro Renaissance Poetry
- Chapter 3 The New Negro among White Modernists
- Chapter 4 The Bildungsroman in the Harlem Renaissance
- Chapter 5 The Visual Image in New Negro Renaissance Print Culture
- Part II Experimenting with the New Negro
- Part III Re-mapping the New Negro
- Part IV Performing the New Negro
- Bibliography
- Index
Summary
This chapter considers the prominence of the Bildungsroman in the Harlem Renaissance. Classically structured around the tension between self-fulfillment and social acclimation, the genre became an important site for African American authors to consider the Jim Crow logics of what childhood and maturation meant in the USA. It was also the vehicle for many of the Renaissance’s explorations of the multiple meanings of education – both education for race leadership, and conversely what W. E. B. Du Bois called the “caste schooling” system designed to replicate white hegemony. The genre also has a close relationship to the passing novel in a social situation where normative narratives of success and achievement were coded as racially white. The chapter focuses on Langston Hughes’s Not Without Laughter and Jessie Redmon Fauset’s Plum Bun, but includes discussion of fiction by Nella Larsen, W. E. B. Du Bois, and Wallace Thurman.
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- Information
- A History of the Harlem Renaissance , pp. 72 - 88Publisher: Cambridge University PressPrint publication year: 2021