Book contents
- How Plato Writes
- How Plato Writes
- Copyright page
- Contents
- Preface
- Acknowledgements
- Introduction
- Part I Approaches to the Corpus
- Part II Argument and Dialogue Architecture
- Part III Myth and Allegory in the Republic
- Part IV Projects, Paradoxes, and Literary Registers in the Laws
- Chapter 9 Religion and Philosophy in the Laws
- Chapter 10 The Laws’ Two Projects
- Chapter 11 Plato, Xenophon, and the Laws of Lycurgus
- Chapter 12 Injury, Injustice, and the Involuntary in the Laws
- Chapter 13 Plato’s Marionette
- Chapter 14 Paradoxes of Childhood and Play in Heraclitus and Plato
- References
- Index
Chapter 14 - Paradoxes of Childhood and Play in Heraclitus and Plato
from Part IV - Projects, Paradoxes, and Literary Registers in the Laws
Published online by Cambridge University Press: 27 July 2023
- How Plato Writes
- How Plato Writes
- Copyright page
- Contents
- Preface
- Acknowledgements
- Introduction
- Part I Approaches to the Corpus
- Part II Argument and Dialogue Architecture
- Part III Myth and Allegory in the Republic
- Part IV Projects, Paradoxes, and Literary Registers in the Laws
- Chapter 9 Religion and Philosophy in the Laws
- Chapter 10 The Laws’ Two Projects
- Chapter 11 Plato, Xenophon, and the Laws of Lycurgus
- Chapter 12 Injury, Injustice, and the Involuntary in the Laws
- Chapter 13 Plato’s Marionette
- Chapter 14 Paradoxes of Childhood and Play in Heraclitus and Plato
- References
- Index
Summary
For Aristotle, the main thing to grasp about a child is what it is not – a creature that has not yet reached the age of reason: childish. But Heraclitus had exploited that ‘deficit’ view of childhood to create characteristic paradoxes in which he exhibits children as however also wiser and sharper than adults. In one of his most enigmatic aphorisms (Fr. 52), he represents the dynamism that propels and sustains us right through life as that of a child at play. After analysis of that paradox and other Heraclitean sayings about children, the chapter turns to Plato’s interest in children and their play, and to his no less paradoxical thesis in the Laws that what, if anything, is truly serious in human life is playful activity, conceived as participation in the ordered play of the gods. We see here an anticipation of Huizinga’s thesis (in Homo Ludens) that in application of the concept of play lies the route to understanding not only children’s games and the place of sport in the lives of adults, but all of what may be regarded as the higher forms of culture, not least law and religious ritual.
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- Information
- How Plato WritesPerspectives and Problems, pp. 275 - 289Publisher: Cambridge University PressPrint publication year: 2023