Book contents
- Frontmatter
- Contents
- List of illustrations
- List of contributors
- Acknowledgments
- Introduction
- 1 Short “Takes” on Austen: summarizing the controversy between literary purists and film enthusiasts
- 2 Janeite culture: what does the name “Jane Austen” authorize?
- 3 “Such a transformation!”: translation, imitation, and intertextuality in Jane Austen on screen
- 4 Two Mansfield Parks: purist and postmodern
- 5 Sense and Sensibility in a postfeminist world: sisterhood is still powerful
- 6 Regency romance shadowing in the visual motifs of Roger Michell's Persuasion
- 7 Filming romance: Persuasion
- 8 Emma, interrupted: speaking Jane Austen in fiction and film
- 9 Reimagining Jane Austen: the 1940 and 1995 film versions of Pride and Prejudice
- 10 Emma and the art of adaptation
- 11 Clues for the clueless
- Questions for discussion
- Filmography
- Bibliography
- Index
List of contributors
Published online by Cambridge University Press: 05 June 2012
Book contents
- Frontmatter
- Contents
- List of illustrations
- List of contributors
- Acknowledgments
- Introduction
- 1 Short “Takes” on Austen: summarizing the controversy between literary purists and film enthusiasts
- 2 Janeite culture: what does the name “Jane Austen” authorize?
- 3 “Such a transformation!”: translation, imitation, and intertextuality in Jane Austen on screen
- 4 Two Mansfield Parks: purist and postmodern
- 5 Sense and Sensibility in a postfeminist world: sisterhood is still powerful
- 6 Regency romance shadowing in the visual motifs of Roger Michell's Persuasion
- 7 Filming romance: Persuasion
- 8 Emma, interrupted: speaking Jane Austen in fiction and film
- 9 Reimagining Jane Austen: the 1940 and 1995 film versions of Pride and Prejudice
- 10 Emma and the art of adaptation
- 11 Clues for the clueless
- Questions for discussion
- Filmography
- Bibliography
- Index
- Type
- Chapter
- Information
- Jane Austen on Screen , pp. ix - xiPublisher: Cambridge University PressPrint publication year: 2003