Book contents
- Memory and Affect in Shakespeare’s England
- Memory and Affect in Shakespeare’s England
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction
- Part I Ars memoriae, ars amatoria
- Part II The Politics of Memory and Affect
- Chapter 4 “Gathered again from the ash”
- Chapter 5 “To take on me the payn / Ther fall to remember”
- Chapter 6 Jesting, Nostalgia, and Agonistic Play
- Part III Affective Memory
- Part IV Memory, Affect, and Stagecraft
- Coda
- Bibliography
- Index
Chapter 6 - Jesting, Nostalgia, and Agonistic Play
from Part II - The Politics of Memory and Affect
Published online by Cambridge University Press: 07 June 2023
- Memory and Affect in Shakespeare’s England
- Memory and Affect in Shakespeare’s England
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction
- Part I Ars memoriae, ars amatoria
- Part II The Politics of Memory and Affect
- Chapter 4 “Gathered again from the ash”
- Chapter 5 “To take on me the payn / Ther fall to remember”
- Chapter 6 Jesting, Nostalgia, and Agonistic Play
- Part III Affective Memory
- Part IV Memory, Affect, and Stagecraft
- Coda
- Bibliography
- Index
Summary
Drawing on sources such as jestbooks, compilations of apophthegms, and treatises of wit, this chapter explores the interaction between memory and the affect of pleasure in the context of the early modern culture of jesting. The genre of the Renaissance jestbook, which owes its emergence to the humanist appetite for jokes, taps into the cultural memory of classical wit and medieval exempla as well as the collective memory of pre-Reformation festive culture. In England jestbooks proliferated as commodities on the print marketplace and were avidly consumed by social aspirants, keen to acquire wit and urbanity. Jestbooks were frequently marketed as vehicles of nostalgia for a "Merry England," a fabricated age of universal amity and concord. The jests themselves, however, often harness the legacy of agonistic wit to celebrate a form of civility in which conflict is transmuted into a contest of wit, evoking the shared pleasure of competitive play.
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- Memory and Affect in Shakespeare's England , pp. 124 - 140Publisher: Cambridge University PressPrint publication year: 2023