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doi:10.1017/9781108768290.035

Messiaen, Olivier, ‘Ariane et Barbe-Bleue’, La Revue musicale (May–June 1936), 79–86.Google Scholar

Messiaen, Olivier Conférence de Bruxelles (Paris: Leduc, 1958).Google Scholar

Messiaen, Olivier Conférence de Notre-Dame (Paris: Leduc, 1978).Google Scholar

Messiaen, Olivier ‘Essai de théorie de mon langage musical’, RES VMA MS-1580, Fonds Messiaen (F-Pn).Google Scholar

Messiaen, Olivier Guide du concert, 3 April 1959.Google Scholar

Messiaen, Olivier ‘Introduction to the Programme Booklet for Paris, 1978’, in Beiträge zur geistigen Welt Olivier Messiaens, ed. Almut Rössler (Duisberg: Gilles und Francke, 1984), trans. Barbara Dagg and Nancy Poland as Contributions to the Spiritual World of Olivier Messiaen (Duisburg: Gilles and Francke, 1986), 10.Google Scholar

Messiaen, Olivier ‘Maurice Emmanuel: Ses “trente chansons bourguignonnes”’, La Revue Musicale, Special edition on Maurice Emmanuel No. 206 (1947), 107–8.Google Scholar

Messiaen, Olivier ‘Message from Olivier Messiaen’, in ‘Gagaku and Serialism: A Portrait of Matsudaira Yoritsune’, eds. Benitez, Joaquim M. and Kondō, Jō, Contemporary Music Review, Vol. 17, No. 4 (1998), 15.CrossRef Google Scholar

Messiaen, Olivier ‘Obstacles’, in 20e siècle, images de la musique française, collected by Derrien, Jean-Pierre (Paris: Sacem et Papiers, 1986), 168–72.Google Scholar

Messiaen, Olivier ‘Preface’, in Sauvage, Cecile, L’Âme en bourgeon (Paris: Séguier Archimbaud, 1987), 7–15.Google Scholar

Sauvage, Cecile ‘Prélude aux Chansons’, in Chansons folkloriques au Canada, eds. d’Harcourt, Marguerite and d’Harcourt, Raoul (Paris: Presses Universitaires de France, 1956), xi–xii.Google Scholar

Sauvage, Cecile ‘Querelle de la musique et de l’amour’, Volontés (16 May 1945), 1.Google Scholar

Sauvage, Cecile ‘Résponses à une enquête’, Contrepoints Vol. 1, No. 3 (March–April 1946), 73–5.Google Scholar

Sauvage, Cecile ‘Saint François d’Assise’, liner note for Cybélia recording of Saint François d’Assise, CY833/6 (1988).Google Scholar

Sauvage, Cecile Technique de mon langage musical, 2 vols. (Paris: Leduc, 1944); trans. John Satterfield as The Technique of My Musical Language (Paris: Leduc, 1956) and reprinted in a single volume (Paris: Leduc, 2001); trans. Lien Hsien-Sheng as Wo de yinyue yuyan de jiqiao (Taipei: China Music Book House, 1992).Google Scholar

Sauvage, Cecile Traité de rythme, de couleur, et d’ornithologie (TRCO) 7 Tomes (Paris: Leduc, 1994–2002).Google Scholar

Sauvage, Cecile ‘Trois petites liturgies de la présence divine’, La Revue des Amis de Saint François 34 (June 1945), 13.Google Scholar

Bruyr, Jose, ‘Olivier Messiaen’, in L’Écran des musiciens (Vol. 2) (Paris: José Corti, 1933), Messiaen interviewed in October 1931, 124–31.Google Scholar

Goléa, Antoine, Rencontres avec Olivier Messiaen (Paris: René Julliard, 1960) (later edition Paris: Slatkine, 1984).Google Scholar

Guth, Paul, ‘Nébuleuses spirales, stalactites et stalagmites suggèrent des rythmes à Olivier Messiaen’, Le Figaro Littéraire (14 February 1953), 4.Google Scholar

Marti, Jean-Christophe, ‘Entretien avec Olivier Messiaen’, in Saint Franćois d’Assise: Libretto, Analyse, Kommentare, Dokumentation, Salzburger Festspiele (Paris: L’Avant-Scène Opéra, 1992), 8–18; repr. in disc notes for Deutsche Grammophon recording of Saint Franćois d’Assise, 445 176-2.Google Scholar

Massin, Brigitte, Olivier Messiaen: une poétique du merveilleux (Aix-en-Provence: Alinéa, 1989).Google Scholar

Messiaen, Olivier, ‘Entretien avec Claude Samuel’, Erato ECD75505 (October 1988).Google Scholar

Messiaen, Olivier ‘Olivier Messiaen en 12 questions’, interview with Messiaen (with an unnamed interviewer), Diapason No. 234 (December 1978), 38–9.Google Scholar

Rössler, Almut, Beiträge zur geistigen Welt Olivier Messiaens (Duisberg: Gilles und Francke), trans. Barbara Dagg and Nancy Poland as Contributions to the Spiritual World of Olivier Messiaen (Duisburg: Gilles and Francke, 1986).Google Scholar

Samuel, Claude, Entretiens avec Olivier Messiaen (Paris: Belfond, 1967).Google Scholar

Samuel, Claude, Olivier Messiaen: Musique et couleur, nouveaux entretiens avec Claude Samuel (Paris: Pierre Belfond, 1986); trans. E. Thomas Glasow as Olivier Messiaen: Music and Color, Conversations with Claude Samuel (Portland, OR: Amadeus Press, 1994).Google Scholar

Samuel, Claude, Permanances d’Olivier Messiaen: Dialogues et commentaires (Paris: Actes Sud, 1999).Google Scholar

Samuel, Claude, Entretien avec Olivier Messiaen, recorded some time during the sessions for the recording of Messiaen’s Turangalîla Symphonie, 11–13 October 1961, Vega 30 BVG 1363.Google Scholar

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Balmer, Yves and Murray, Christopher Brent, ‘La Classe d’Olivier Messiaen: retour aux sources’, in De la Libération au Domaine musical: Dix ans de musique en France (1944–1954), ed. Feneyrou, Laurent and Poirier, Alain (Paris: Vrin, 2018), 162–79.Google Scholar

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Bruhn, Siglind, Messiaen’s Contemplations of Covenant and Incarnation: Musical Symbols of Faith in the Two Great Piano Cycles of the 1940s (Hillsdale, NY: Pendragon, 2007).Google Scholar

Bruhn, Siglind Messiaen’s Explorations of Love and Death (Hillsdale, NY: Pendragon Press, 2008).Google Scholar

Bruhn, Siglind Messiaen’s Interpretations of Holiness and Trinity: Echoes of Medieval Theology in the Oratorio, Organ Meditations, and Opera (Hillsdale, NY: Pendragon Press, 2008).Google Scholar

Bruhn, Siglind Musikalische Symbolik in Olivier Messiaens Weihnachtsvignetten (Frankfurt: Peter Lang, 1997).Google Scholar

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