Book contents
- Frontmatter
- Contents
- Preface and Acknowledgments: People and Places
- Introduction: Living in Relation: Plants, Place-Making, and Social Justice
- 1 Landscapes: Infrastructures, Power Topographies, and Feral Gardens in Juli Zeh's Unterleuten (2016), Valeska Grisebach's Western (2017), and Anna Sofie Hartmann’s Giraffe (2019)
- 2 Uncanny Gardens: Migration and Belonging in Dörte Hansen's Altes Land (2015) and Saša Stanišić's Herkunft (2019)
- 3 Trees, Roots, and Anti-Racism in Ilija Trojanow's Nach der Flucht (2017), Mo Asumang's Roots Germania (2007) and Die Arier (2014), and Elliot Blue's Home? (2018)
- 4 Defiant Flowers and ManufacturedHappiness in Vera Chytilová's Daisies (1966), Pipilotti Rist's Pepperminta (2009), and Jessica Hausner's Little Joe: Glück ist ein Geschäft (2019)
- 5 Senses, Queer Interrelations, and Decolonial Geographies in Yōko Tawada's Das nackte Auge (2004), Shari Hagen's Auf den zweiten Blick (2012), and Faraz Shariat's Futur Drei (2020)
- Epilogue: Erasures and Different Stories
- Bibliography
- Index
Contents
Published online by Cambridge University Press: 09 January 2024
Book contents
- Frontmatter
- Contents
- Preface and Acknowledgments: People and Places
- Introduction: Living in Relation: Plants, Place-Making, and Social Justice
- 1 Landscapes: Infrastructures, Power Topographies, and Feral Gardens in Juli Zeh's Unterleuten (2016), Valeska Grisebach's Western (2017), and Anna Sofie Hartmann’s Giraffe (2019)
- 2 Uncanny Gardens: Migration and Belonging in Dörte Hansen's Altes Land (2015) and Saša Stanišić's Herkunft (2019)
- 3 Trees, Roots, and Anti-Racism in Ilija Trojanow's Nach der Flucht (2017), Mo Asumang's Roots Germania (2007) and Die Arier (2014), and Elliot Blue's Home? (2018)
- 4 Defiant Flowers and ManufacturedHappiness in Vera Chytilová's Daisies (1966), Pipilotti Rist's Pepperminta (2009), and Jessica Hausner's Little Joe: Glück ist ein Geschäft (2019)
- 5 Senses, Queer Interrelations, and Decolonial Geographies in Yōko Tawada's Das nackte Auge (2004), Shari Hagen's Auf den zweiten Blick (2012), and Faraz Shariat's Futur Drei (2020)
- Epilogue: Erasures and Different Stories
- Bibliography
- Index
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- Plants, Places, and PowerToward Social and Ecological Justice in German Literature and Film, pp. v - viPublisher: Boydell & BrewerPrint publication year: 2021