Book contents
- Frontmatter
- Dedication
- Stop Press/ Tribute To Nadine Gordimer 1923–2014
- Contents
- Notes on Contributors
- Editorial Article: Fiction & Socio-Political Realities in Africa: What Else Can Literature Do?
- The Novel as an Oral Narrative Performance: The Delegitimization of the Postcolonial Nation in Ngũgĩ wa Thiong’o’s Matigari Ma Njirũũngi
- Abiku in Ben Okri’s Imagination of Nationhood: A Metaphorical Interpretation of Colonial-Postcolonial Politics
- Refracting the Political: Binyavanga Wainaina’s One Day I Will Write About This Place
- Ayi Kwei Armah’s The Resolutionaries: 47 Exoteric Fiction, the Common People & Social Change in Post-Colonial Africa – A Critical Review
- In Quest of Social Justice: 58 Politics & Women’s Participation in Irene Isoken Salami’s More Than Dancing
- Breaking the Laws in J. M. Coetzee’s The Childhood of Jesus – Philosophy & the Notion of Justice
- The Rhetoric & Caricature of Social Justice in Post-1960 Africa: A Logical Positivist Reading of Ngũgĩ wa Thiong’o’s Matigari
- ‘Manhood’ in Isidore Okpewho’s The Last Duty: Authenticity or Accountability?
- Remembering Kofi Awoonor (13 March 1935–21 September 2013)
- Reviews
‘Manhood’ in Isidore Okpewho’s The Last Duty: Authenticity or Accountability?
Published online by Cambridge University Press: 23 February 2023
- Frontmatter
- Dedication
- Stop Press/ Tribute To Nadine Gordimer 1923–2014
- Contents
- Notes on Contributors
- Editorial Article: Fiction & Socio-Political Realities in Africa: What Else Can Literature Do?
- The Novel as an Oral Narrative Performance: The Delegitimization of the Postcolonial Nation in Ngũgĩ wa Thiong’o’s Matigari Ma Njirũũngi
- Abiku in Ben Okri’s Imagination of Nationhood: A Metaphorical Interpretation of Colonial-Postcolonial Politics
- Refracting the Political: Binyavanga Wainaina’s One Day I Will Write About This Place
- Ayi Kwei Armah’s The Resolutionaries: 47 Exoteric Fiction, the Common People & Social Change in Post-Colonial Africa – A Critical Review
- In Quest of Social Justice: 58 Politics & Women’s Participation in Irene Isoken Salami’s More Than Dancing
- Breaking the Laws in J. M. Coetzee’s The Childhood of Jesus – Philosophy & the Notion of Justice
- The Rhetoric & Caricature of Social Justice in Post-1960 Africa: A Logical Positivist Reading of Ngũgĩ wa Thiong’o’s Matigari
- ‘Manhood’ in Isidore Okpewho’s The Last Duty: Authenticity or Accountability?
- Remembering Kofi Awoonor (13 March 1935–21 September 2013)
- Reviews
Summary
Isidore Okpewho’s 1976 novel The Last Duty takes place in a country called Zonda, in the town of Urukpe, a border zone between the Igabo peoples and the Simba peoples. The two ethnic groups formerly lived at peace, to the point of cohabiting the town and even intermarrying. However, civil war has now driven out the Simbians, and the town is occupied by federal troops. Military commander for the past two years, Brigade Major Ali S. Idris takes his duties seriously and seeks not only to safeguard the town from external attack but also to establish, as much as possible, a just and harmonious community within his jurisdiction. He feels ‘equally concerned about the safety of civilian lives and the protection of the civil rights of everybody here, no matter what tribe he belongs to’ (4). This noble sentiment echoes the ethical stance of the author and contributes to our understanding of the book’s title. However, few of the other characters in the story share or even understand Ali’s goals. Ali himself fails through short-sightedness. But in understanding his failure, he ultimately succeeds.
I agree on most counts with those who label this a ‘tragic’ novel. The two characters who most desire justice and a non-tribalistic society seemed fated to fail even before the first page. Their ineffectiveness does not forecast a promising future for Nigeria, as the problems of the present-day nation bear out. That Zonda represents Nigeria and Urukpe a mid-Western town (probably Asaba) during the Nigerian Civil War or Biafran War of Succession, no one disputes. However, too many readers treat the book as merely a sad commentary on the vicissitudes of one particular war and the disappointing internal corruption on both sides. Few question why Okpewho – or any author – bothers to revisit the war or feels moved to point the finger so long after the apparent end of the conflict. The author’s own comments on the novel, however, continue to ring as true today as they did decades ago. Okpewho describes the book as ‘essentially … the tragedy of any civil war: lofty political speeches, declarations, etc., take little notice of the lives of the small people involved in the war, yet have far-reaching effects on their fortunes’ (14).
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- Information
- Politics and Social JusticeAfrican Literature Today 32, pp. 104 - 119Publisher: Boydell & BrewerPrint publication year: 2014