Book contents
- Frontmatter
- Dedication
- Contents
- Foreword
- Preface
- Introduction to the Cambridge Classical Classics edition
- Introduction
- Chapter One A moral revolution? The law against adultery
- Chapter Two Mollitia: Reading the body
- Chapter Three Playing Romans: Representations of actors and the theatre
- Chapter Four Structures of immorality: Rhetoric, building and social hierarchy
- Chapter Five Prodigal Pleasures
- Bibliography
- Index locorum
- Index of subjects and proper names
Chapter Three - Playing Romans: Representations of actors and the theatre
Published online by Cambridge University Press: 28 February 2025
- Frontmatter
- Dedication
- Contents
- Foreword
- Preface
- Introduction to the Cambridge Classical Classics edition
- Introduction
- Chapter One A moral revolution? The law against adultery
- Chapter Two Mollitia: Reading the body
- Chapter Three Playing Romans: Representations of actors and the theatre
- Chapter Four Structures of immorality: Rhetoric, building and social hierarchy
- Chapter Five Prodigal Pleasures
- Bibliography
- Index locorum
- Index of subjects and proper names
Summary
Disapproval of acting and the theatre was a distinguishing Roman characteristic, in the eyes of many ancient authors. The significance Romans attached to the different ways actors were viewed in Greece and in Rome is indicated by Cornelius Nepos, in the preface to his Lives, where he sets out some of the principal contrasts between Greek and Roman culture ... While Greeks admired actors, according to Nepos, to display oneself on stage, to make a spectacle of oneself, was considered by Romans to be shameful. Other writers, too, saw differing attitudes to the theatre as a significant indicator of the contrast between Greek and Roman culture.
- Type
- Chapter
- Information
- The Politics of Immorality in Ancient Rome , pp. 98 - 136Publisher: Cambridge University PressPrint publication year: 2025