Book contents
- Shakespeare in Print
- Shakespeare in Print
- Copyright page
- Dedication
- Contents
- Illustrations
- Tables
- Acknowledgements
- Preface to the Second Edition
- Abbreviations
- Part I Text
- Introduction
- Chapter 1 Bringing Shakespeare to Print
- Chapter 2 Collecting Shakespeare
- Chapter 3 The Tonson Era 1
- Chapter 4 The Tonson Era 2
- Chapter 5 Copyright Disputes
- Chapter 6 Copyright disputes
- Chapter 7 American Editions
- Chapter 8 Nineteenth-Century Popular Editions
- Chapter 9 Nineteenth-Century Scholarly Editions
- Chapter 10 The New Bibliography
- Chapter 11 Shakespeare in the Modern Era
- Chapter 12 Shakespeare beyond Print
- Appendix
- Index 1
- Index 2
- Index 3
- Index 4
- Index 5
- Notes
- Bibliography
- Main Index
Chapter 2 - Collecting Shakespeare
from Part I - Text
Published online by Cambridge University Press: 23 April 2021
- Shakespeare in Print
- Shakespeare in Print
- Copyright page
- Dedication
- Contents
- Illustrations
- Tables
- Acknowledgements
- Preface to the Second Edition
- Abbreviations
- Part I Text
- Introduction
- Chapter 1 Bringing Shakespeare to Print
- Chapter 2 Collecting Shakespeare
- Chapter 3 The Tonson Era 1
- Chapter 4 The Tonson Era 2
- Chapter 5 Copyright Disputes
- Chapter 6 Copyright disputes
- Chapter 7 American Editions
- Chapter 8 Nineteenth-Century Popular Editions
- Chapter 9 Nineteenth-Century Scholarly Editions
- Chapter 10 The New Bibliography
- Chapter 11 Shakespeare in the Modern Era
- Chapter 12 Shakespeare beyond Print
- Appendix
- Index 1
- Index 2
- Index 3
- Index 4
- Index 5
- Notes
- Bibliography
- Main Index
Summary
Begins by examining the career of the publisher Thomas Pavier in order to provide context for a puzzling collection of texts that he issued in 1619. The collection would seem to be the first attempt to offer the public a 'selected works' of Shakespeare, though, in fact, some of the plays included have only a tenuous connection to the playwright. The logistics of the project are considered, as well as the various arguments for why it appears to have been undertaken in a rather clandestine fashion. The chapter then moves on to consider the first collected edition of Shakespeare's plays, the 'First Folio', published in 1623. The volume is viewed within the context of the overarching career of Edward Blount, its primary investor. The progression of the volume through the printshop of William and Isaac Jaggard is tracked, drawing on the seminal work of Charlton Hinman, who made extensive use of the collection of First Folios established by Emily and Henry Clay Folger. The subsequent set of folio editions issued between 1632 and 1700 is also discussed.
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- Shakespeare in PrintA History and Chronology of Shakespeare Publishing, pp. 43 - 82Publisher: Cambridge University PressPrint publication year: 2021