The Anguish of Youth in Film Adaptations of <span class='italic'>Romeo and Juliet</span>

doi:10.1017/9781009200905.004

Chapter 3 - The Anguish of Youth in Film Adaptations of Romeo and Juliet

from Part I - Revisiting the Canon

Published online by Cambridge University Press: 10 October 2023

Delilah Bermudez Brataas

Edited by

Victoria Bladen ,

Sarah Hatchuel and

Nathalie Vienne-Guerrin

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Victoria Bladen: Affiliation:
University of Queensland
Sarah Hatchuel: Affiliation:
University Paul-Valéry Montpellier
Nathalie Vienne-Guerrin: Affiliation:
University Paul-Valéry Montpellier

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Summary

Of Shakespeare’s plays, none is so commonly adapted and appropriated in forms targeted towards youth audiences as Romeo and Juliet. This chapter considers three film adaptations of Romeo and Juliet through the lens of each film’s engagement with youth, and through their use of setting, props, performance and cinematography to affect, and thereby, emphasize the anguish of (and in) youth. It will be argued that each film’s means of affecting anguish requires a connection to youth as a privileged time of allowable indulgence. Anguish emerges as simultaneously pleasurable in its existential engagement, and painful in its tragic realism, and the effect is a privileging of anguish over the catharsis that conventionally concludes tragedy, leaving anguish and youth sustained indefinitely.

Keywords

Romeo and Juliet film youth anguish catharsis Zeffirelli Luhrmann Fellowes

Type: Chapter
Information: Shakespeare on Screen: Romeo and Juliet , pp. 48 - 61

DOI: https://doi.org/10.1017/9781009200905.004 [Opens in a new window]

Publisher: Cambridge University Press

Print publication year: 2023

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