Book contents
- Shakespeare Survey 73
- Shakespeare Survey
- Shakespeare Survey 73
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Continental Shakespeare
- The Stranger at the Door: Belonging in Shakespeare’s Ephesus
- City Origins, Lost Identities and Print Errors in The Comedy of Errors
- The Circulation of Youthful Energy on the Early Modern London Stage: Migration, Intertheatricality and ‘Growing to Common Players’
- In Conversation with Shakespeare in Jacobean London: Social Insanity and its Taming Schools in 1&2 Honest Whore
- Hearing Voices: Signal Versus Urban Noise in Coriolanus and Augustine’s Confessions
- Caesar and Lear in Hong Kong: Appropriating Shakespeare to Express the Inexpressible
- Before We Sleep: Macbeth and the Curtain Lecture
- ‘The Story Shall be Changed’: Antique Fables and Agency in A Midsummer Night’s Dream
- A Lawful Magic: New Worlds of Precedent in Mabo and The Winter’s Tale
- ‘Cabined, Cribbed, Confined’: Advice to Actors and the Priorities of Shakespearian Scholarship
- ‘What Country, Friends, is This?’: Tim Supple’s Twelfth Night Revisited
- Through a Glass Darkly: Sophie Okonedo’s Margaret as Racial Other in The Hollow Crown: The Wars of the Roses
- ‘Who’s There?’ Britain’s Twenty-First-Century Obsession with Celebrity Hamlet (2008–2018)
- Shakespeare Performances in England, 2019
- Productions Outside London
- Professional Shakespeare Productions in the British Isles, January–December 2018
- The Year’s Contributions to Shakespeare Studies
- 1. Critical Studies
- 2. Shakespeare in Performance
- 3. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 73
- Index
- References
2. - Shakespeare in Performance
from The Year’s Contributions to Shakespeare Studies
Published online by Cambridge University Press: 04 September 2020
Edited by
Book contents
- Shakespeare Survey 73
- Shakespeare Survey
- Shakespeare Survey 73
- Copyright page
- Editor’s Note
- Contributors
- Contents
- Illustrations
- Continental Shakespeare
- The Stranger at the Door: Belonging in Shakespeare’s Ephesus
- City Origins, Lost Identities and Print Errors in The Comedy of Errors
- The Circulation of Youthful Energy on the Early Modern London Stage: Migration, Intertheatricality and ‘Growing to Common Players’
- In Conversation with Shakespeare in Jacobean London: Social Insanity and its Taming Schools in 1&2 Honest Whore
- Hearing Voices: Signal Versus Urban Noise in Coriolanus and Augustine’s Confessions
- Caesar and Lear in Hong Kong: Appropriating Shakespeare to Express the Inexpressible
- Before We Sleep: Macbeth and the Curtain Lecture
- ‘The Story Shall be Changed’: Antique Fables and Agency in A Midsummer Night’s Dream
- A Lawful Magic: New Worlds of Precedent in Mabo and The Winter’s Tale
- ‘Cabined, Cribbed, Confined’: Advice to Actors and the Priorities of Shakespearian Scholarship
- ‘What Country, Friends, is This?’: Tim Supple’s Twelfth Night Revisited
- Through a Glass Darkly: Sophie Okonedo’s Margaret as Racial Other in The Hollow Crown: The Wars of the Roses
- ‘Who’s There?’ Britain’s Twenty-First-Century Obsession with Celebrity Hamlet (2008–2018)
- Shakespeare Performances in England, 2019
- Productions Outside London
- Professional Shakespeare Productions in the British Isles, January–December 2018
- The Year’s Contributions to Shakespeare Studies
- 1. Critical Studies
- 2. Shakespeare in Performance
- 3. Editions and Textual Studies
- Abstracts of Articles in Shakespeare Survey 73
- Index
- References
Summary
The title of Thomas Cartelli’s Reenacting Shakespeare in the Shakespeare Aftermath: The Intermedial Turn and Turn to Embodiment calls for some clarification, which is provided in due course. Cartelli addresses the question of exactly what it is in which our ‘faith’ must be ‘awaked’ for Shakespeare’s plays ‘to engage their receivers/audiences with the kind of “nervous novelty” they presumably brought to the Elizabethan stage when Shakespeare himself took old matter and remixed it into new theatrical blends’ (17).
- Type
- Chapter
- Information
- Shakespeare Survey 73Shakespeare and the City, pp. 266 - 276Publisher: Cambridge University PressPrint publication year: 2020
References
Works Reviewed
Bessell, Jaq, ed., Shakespeare in Action: 30 Theatre Makers on Their Practice (London, 2019)CrossRefGoogle Scholar
Bladen, Victoria, Hatchuel, Sarah and Vienne-Guerrin, Nathalie, eds., Shakespeare on Screen: ‘King Lear’ (Cambridge, 2019)CrossRefGoogle Scholar
Cartelli, Thomas, Reenacting Shakespeare in the Shakespeare Aftermath: The Intermedial Turn and Turn to Embodiment (New York, 2019)Google Scholar
Forsyth, Neil, Shakespeare the Illusionist: Magic, Dreams and the Supernatural on Film (Athens, OH, 2019)Google Scholar
Jensen, Michael P., The Battle of the Bard: Shakespeare on U.S. Radio in 1937 (Leeds, 2018)Google Scholar
McCullough, Lynsey, and Shaw, Brandon, eds., The Oxford Handbook of Shakespeare and Dance (Oxford, 2019)CrossRefGoogle Scholar
Ney, Charles, ed., Directing Shakespeare in America: Historical Perspectives (London, 2019)Google Scholar
Reynolds, Paige Martin, ed., Performing Shakespeare’s Women Playing Dead (London, 2019)Google Scholar
Sawyer, Robert, Shakespeare Between the World Wars: The Anglo-American Sphere (New York, 2019)CrossRefGoogle Scholar
Sillars, Stuart, Shakespeare as Seen: Image, Performance and Society (Cambridge, 2019)Google Scholar
Wyver, John, Screening the Royal Shakespeare Theatre: A Critical History (London, 2019)Google Scholar