Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-gvvz8 Total loading time: 0 Render date: 2024-12-28T00:04:09.007Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  07 May 2020

Sonia Massai
Sonia Massai
Affiliation:
King's College London
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Shakespeare's Accents
Voicing Identity in Performance
 , pp. 207 - 227
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

A. R. 1615. The Valiant Welshman (STC 16).Google Scholar
ACE (Arts Council England) 2018. ‘Our National Portfolio, 2018–2022: Diversity Narrative’. www.artscouncil.org.uk/sites/default/files/download-file/Diversity.pdf. Last accessed: 8 November 2018.Google Scholar
Adamson, Sylvia, Hunter, Lynette, Magnusson, Lynne, Thompson, Ann and Wales, Katie eds. 2001. Reading Shakespeare’s Dramatic Language: A Guide. London: Thomson Learning.Google Scholar
Agamben, Giorgio 1991. Language and Death: The Place of Negativity. Minneapolis: University of Minnesota Press.Google Scholar
Allain, Paul and Harvie, Jen 2006. ‘Festivals’ in The Routledge Companion to Theatre and Performance. Abingdon, Oxon and New York: Routledge, 155–7.Google Scholar
Anderson, Benedict 2006. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Revised edition. London and New York: Verso.Google Scholar
Anonymous c. 1550. Wit and Science (MS) in Arthur Brown 1951. Wit and Science. By Redford, John. The Malone Society Reprints. Oxford: Oxford University Press.Google Scholar
Anonymous 1596. The Reigne of King Edward III. STC 7501.Google Scholar
Anonymous 1602. The Contention between Liberality and Prodigality. STC 5593.Google Scholar
Anonymous 1605a. The Life and Death of Captain Thomas Stukeley. STC 23405.Google Scholar
Anonymous 1605b. The London Prodigal. STC 22333.Google Scholar
Anonymous 1605c. The True Chronicle History of King Leir. STC 15343.Google Scholar
Anonymous 1742. ‘A Clear Stage, and no Favour: Or, Tragedy and Comedy at War, Occasion’d by the Emulation of the two Theatric Heroes, David and Goliah. Left to the impartial Decision of the Town’. London.Google Scholar
Anonymous 1751. The Theatrical Manager: A Dramatic Satire [upon David Garrick]. London.Google Scholar
Anonymous 1756. Original Prologues, Epilogues, and Other Pieces never before printed. London.Google Scholar
Anonymous 1756a. ‘Art XVI. The Spouter, or, The Triple Revenge. A Comic Farse in Two Acts’ in The Critical Review, or, Annals of Literature. Vol. 1, issue 2, March, 146–7.Google Scholar
Anonymous 1758. ‘The Case of the Stage in Ireland; Containing the Reasons for and against a Bill for limiting the Number of Theatres in the City of Dublin’. Dublin.Google Scholar
Anonymous 1760. An Essay upon the present State of the Theatre in France, England and Italy. London.Google Scholar
Anonymous 1768. The Essence of Theatrical Wit: Being a Select Collection of the best and most admired Prologues and Epilogues, that have been delivered from the Stage. London.Google Scholar
Anonymous 1769. The Court of Thespis; Being A Collection Of the most admired Prologues and Epilogues That have appeared for many Years; Written by some of the most approved Wits of the Age, viz. Garrick, Coleman, Foote, Murphy, Lloyd, &c. London.Google Scholar
Anonymous 1770?. The Sprouter’s Companion; Or, The Theatrical Remembrancer. To which is added, the Sprouter’s Medley … . London.Google Scholar
Anonymous 1772?. The Sprouter’s Companion; Or, The Theatrical Remembrancer. … To which is added, the Sprouter’s Medley … Together with The Sprouting Club in an Uproar; Or, The Battle of Socks and Buskins. London.Google Scholar
Anonymous 1787a. A Review of the Present Contest between the Managers of the Winter Theatres, the Little Theatre in the Hay-Market, and the Royalty in Well-Close Square. London.Google Scholar
Anonymous 1787b. ‘The Royalty Theatre’ in The World, Fashionable Advertiser. 27 June.Google Scholar
Anonymous 1787c. A Letter to the Author of the Burletta called Hero and Leander, in Refutation of what he has advanced in his Dedication to Philips [sic] Glover, Esq. On the Statutes for the Regulation of Theatres, The Conduct of Mr. Palmer, of Mr. Justice Staples, and the other Justices; and also of his Observations on the Consequences that must arise to the Citizens of London and to Government from the Parliamentary Establishment of a Theatre in Wellclose Square. London.Google Scholar
Anonymous 1787d. ‘An Accurate Description of the Building, Decorations, and Convenience of the New Royalty Theatre’ in The Gentleman’s Magazine 61.Google Scholar
Anonymous 1791. The Thespian Oracle. London.Google Scholar
Anonymous 1810. The Prompter, or Cursory Hints to Young Actors. A Didactic Poem, to which are prefaced Strictures on Theatrical Education. Dublin.Google Scholar
Anonymous 1952a. ‘Our London Correspondence’ in The Manchester Guardian, April.Google Scholar
Anonymous 1952b. ‘Our London Correspondence’ in The Manchester Guardian, July.Google Scholar
Anonymous 1952c. ‘Our London Correspondence’ in The Manchester Guardian, November.Google Scholar
Anonymous 1997. ‘Review’ in The Express, 29 May.Google Scholar
Anonymous 1997a. ‘Review’ in The Financial Times, 23 May.Google Scholar
Anonymous 1997b. ‘Review’ in The Evening Standard, 2 February.Google Scholar
Anonymous 1998. ‘Review’ in The Evening Standard, 5 February.Google Scholar
Archer, Stephen M. 1992. Junius, Brutus Booth: Theatrical Prometheus. Carbondale and Edwardsville: Southern Illinois University Press.Google Scholar
Armin, Robert 1609. The Two Maids of Moore-clacke. STC 773.Google Scholar
Barber, Charles Laurence 1986. ‘“You” and “Thou” in Shakespeare’s Richard III’ in Salmon, Vivian and Burness, Edwina, eds. A Reader in the Language of Shakespearean Drama, 163–79 [273–89].Google Scholar
Barber, Charles Laurence 1997. Early Modern English. Edinburgh: Edinburgh University Press.CrossRefGoogle Scholar
Barker, Clive 1971. ‘A Theatre for the People’ in Richards, Kenneth and Thomson, Peter, eds. Essays on Nineteenth-Century British Theatre, 3–24.Google Scholar
Barker, Felix 1972. ‘Review’ in Evening News, 4 April.Google Scholar
Barthes, Roland 1982 [1977]. Image / Music / Text. Third edition. London: Fontana.Google Scholar
Bassett, Kate 2011. ‘Review’ in The Independent, 4 December.Google Scholar
Bate, Jonathan and Rasmussen, Eric, eds. 2007. William Shakespeare: Complete Works. Basingstoke: Palgrave Macmillan.Google Scholar
Bate, Jonathan and Rasmussen, Eric, eds. 2013. William Shakespeare and Others. Basingstoke: Palgrave Macmillan.Google Scholar
Beaumont, Francis, Fletcher, John and Massinger, Philip 1621. Thierry and Theodoret. STC 11074.Google Scholar
Benedetti, Jean 2001. David Garrick and the Birth of Modern Theatre. London: Methuen.Google Scholar
Bennett, Susan 1997. Theatre Audiences: A Theory of Production and Reception. Second edition. New York and London: Routledge.Google Scholar
Berg, James E. 2012. ‘Moral Agency as Readerly Subjectivity: Shakespeare's Parolles and the Theophrastan Character Sketch’ in Shakespeare Studies 40, 36–43.Google Scholar
Bevington, David, Butler, Martin and Donaldson, Ian, eds. 2012. The Cambridge Edition of the Works of Ben Jonson. Seven vols. Cambridge: Cambridge University Press.Google Scholar
Bharucha, Rustom 1993. Theatre and the World: Performance and the Politics of Culture. London and New York: Routledge.Google Scholar
Bharucha, Rustom 2004. ‘Foreign Asia / Foreign Shakespeare: Dissenting Notes on New Asian Interculturality, Postcoloniality, and Recolonization’, in Theatre Journal 56, 1–28.Google Scholar
Billington, Michael 1980. ‘Review’ in The Guardian, 21 March.Google Scholar
Billington, Michael 1997. ‘Review’ in The Guardian, 20 August.Google Scholar
Billington, Michael 2005. ‘Review’ in The Guardian, 5 May.Google Scholar
Billington, Michael 2008. ‘Review’ in The Guardian, 9 October.Google Scholar
Billington, Michael 2011. ‘Review’ in The Guardian, 30 November.Google Scholar
Billington, Michael 2012. ‘Review’ in The Guardian, 9 August.Google Scholar
Billington, Michael 2013a. ‘Review’ in The Guardian, 26 July.Google Scholar
Billington, Michael 2013b. ‘The National Theatre at 50: Michael Billington’s View from the Stalls’ in The Guardian, 18 October.Google Scholar
Billington, Michael 2018a. ‘Ecclestone Is Every Inch the Rugged Soldier’ in The Guardian, 21 March. www.theguardian.com/stage/2018/mar/21/macbeth-review-christopher-eccleston-royal-shakespeare-theatre. Last accessed: 8 November 2018.Google Scholar
Billington, Michael 2018b. ‘Twelfth Night, Review: Kwame Kwei-Armah Brings Carnival Spirit to Young Vic’ in The Guardian, 9 October. www.theguardian.com/stage/2018/oct/09/twelfth-night-review-kwame-kwei-armah-young-vic. Last accessed: 8 November 2018.Google Scholar
Blackwell, Michael and Carole, Blackwell 2007. Norwich Theatre Royal. Norwich: Connaught Books.Google Scholar
Blank, Paula 1996. Broken English: Dialects and the Politics of Language in Renaissance Writings. London: Routledge.Google Scholar
Blank, Paula 2006. ‘The Babel of Renaissance English’, in Mugglestone, Lynda, ed. The Oxford History of English, 212–39.Google Scholar
Bloom, Arthur 2013. Edwin Booth: A Biography and Performance History. Jefferson, NC: McFarland & Company.Google Scholar
Bloom, Gina 2007. Voice in Motion: Staging Gender, Shaping Sound in Early Modern England. Philadelphia: University of Pennsylvania Press.Google Scholar
Blount, Thomas 1656. Glossographia. B3334.Google Scholar
Boaden, James 1831–32. The private Correspondence of David Garrick, with the most celebrated persons of his times, now first published from the originals ... with notes, and a new biographical memoir of Garrick. London.Google Scholar
Bolton, Betsy 2014. ‘Theorizing Audience and Spectatorial Agency’ in Swindells, Julia and Taylor, David Francis, eds. The Oxford Handbook to Georgian Theatre, 1737–1832, 31–52.Google Scholar
Bragg, Melvyn 1989. Rich: The Life of Richard Burton. London: Hodder and Stoughton.Google Scholar
Brantley, Ben 1998. ‘Theater Review: A Down-to-Earth Iago: Evil Made Ordinary’ in The New York Times, 11 April.Google Scholar
Brayne, Charles 2004. ‘James Lacy’ in ODNB. www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-39770?rskey=kJ3AYH&result=1. Last accessed: 1 December 2017.Google Scholar
Britton, Derek 1993. ‘The Meaning of Geances in Jonson’s A Tale of a Tub’ in Notes & Queries 40(1), 26–9.Google Scholar
Brome, Richard. Richard Brome Online. www.hrionline.ac.uk/brome. Last accessed: 18 December 2018.Google Scholar
Brome, Richard 1659. The English Moor, in Richard Brome. Five New Plays.Google Scholar
Brome, Richard 1659. Five Plays. B4872.Google Scholar
Brown, Ivor 1952. ‘A Throne for Two’ in The Observer, 14 September.Google Scholar
Bryden, Ronald 1969. ‘The Comedy of Blasphemy’ in Frow, Gerald, ed. The Mermaid 10: A Review of the Theatre 1959–1969, Published to Mark the Anniversary of the Opening of the Mermaid Theatre, Puddle Dock, 6–52.Google Scholar
Buchanan, Brenda J. 2004. ‘John Palmer, 1742–1818’ in ODNB. www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-21199?rskey=btr7Ez&result=1. Last accessed: 5 December 2017.Google Scholar
Buchanan, James 1766. ‘An Essay towards Establishing a Standard for an Elegant and Uniform Pronunciation of the English Language throughout the British Dominions, as practised by the Most Learned and Polite Speakers’. London.Google Scholar
Buchanan-Brown, John ed. 2000. John Aubrey: Brief Lives. London, Penguin.Google Scholar
Bull, John 2004. ‘John Palmer, 1744–1798’ in ODNB. www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-21198?rskey=RCXA26&result=1. Last accessed: 5 December 2017.Google Scholar
Bullokar, John 1616. An English Expositor. STC 4083.Google Scholar
Bulman, James C. 2008. Shakespeare Re-dressed: Cross-gender Casting in Contemporary Performance. Madison: Fairleigh Dickinson University Press.Google Scholar
Bulman, James C. ed. 2017. The Oxford Companion to Shakespeare and Performance. Oxford: Oxford University Press.Google Scholar
Burgess, Sarah K. and Murray, Stuart J. 2006. ‘Review’ in Philosophy and Rhetoric 39(2), 166–69.Google Scholar
Burke, Helen 2011. ‘Integrated as Outsiders: Teague’s Blanket and the Irish Immigrant “Problem”’ in Éire-Ireland: A Journal of Irish Studies 46(1–2), 20–42.CrossRefGoogle Scholar
Burke, Jim 2006. ‘Interview with Finbar Lynch’ in Metro West Midlands, 3 July.Google Scholar
Burnett, Mark Thornton, Streete, Adrian and Wray, Ramona, eds. 2011. The Edinburgh Companion to Shakespeare and the Arts. Edinburgh: Edinburgh University Press.Google Scholar
Caines, Michael 2008. Lives of Shakespearian Actors, Volume I: David Garrick, Charles Macklin and Margaret Woffington. Marshall, Gail, ed. London: Pickering and Chatto.Google Scholar
Calder, John 2012. ‘Nicol Williamson’s Obituary’ in The Independent, 26 January.Google Scholar
Calvin, Jean 1561. The Institution of the Christian Religion. Thomas Norton, trans. STC 4415.Google Scholar
Carew, Richard 1602. The Survey of Conrwall. STC 4615.Google Scholar
Carey, David 2007. ‘Review of Troilus and Cressida by William Shakespeare, in Original Pronunciation; Directed by Giles Block, Shakespeare’s Globe, London, 2005 Season’ in Voice and Speech Review, 5(1), 403–6.Google Scholar
Cartelli, Thomas 2008. ‘Channeling the Ghosts: The Wooster Group’s Remediation of the 1964 Electronovision Hamlet’ in Shakespeare Survey 61, 147–60.Google Scholar
Cavarero, Adriana 2005. For More Than One Voice: Toward a Philosophy of Voice Expression. Kottman, Paul A., trans. Stanford: Stanford University Press.Google Scholar
Cavendish, Dominic 2001. ‘Review’ in The Telegraph, 30 June.Google Scholar
Cavendish, Dominic 2003. ‘Review’ in The Telegraph, 17 May.Google Scholar
Cavendish, Dominic 2015. ‘Review’ in The Telegraph, 12 June.Google Scholar
Cavendish, Dominic 2016. ‘Hamlet at the RSC: A New Star Is Born’ in The Telegraph, 22 March. www.telegraph.co.uk/theatre/what-to-see/hamlet-at-the-rsc-a-new-star-is-born. Last accessed: 11 December 2018.Google Scholar
Cavendish, Dominic 2018a. ‘Paapa Essiedu Is a Prince of Sweetness and Wonder in This West African Hamlet from the RSC’ in The Telegraph, 1 February. www.telegraph.co.uk/theatre/what-to-see/paapa-essiedu-prince-sweetness-wonder-west-african-hamlet-rsc. Last accessed: 11 December 2018.Google Scholar
Cavendish, Dominic 2018b. ‘Macbeth Review, RSC, Stratford-upon-Avon: A Case of Theatrical Overkill’ in The Telegraph, 21 March. www.telegraph.co.uk/theatre/what-to-see/macbeth-review-rsc-stratford-upon-avon-christopher-eccleston/. Last accessed: 8 November 2018.Google Scholar
Cavendish, Dominic 2018c. ‘Twelfth Night, Review, Young Vic: Kwame Makes Mark by Reinventing Shakespeare’s Tale of Reinvention’ in The Telegraph, 8 October. www.telegraph.co.uk/theatre/what-to-see/twelfth-night-review-young-vic-kwame-makes-mark-reinventing/. Last accessed: 8 November 2018.Google Scholar
Cawdry, Robert 1604. Table Alphabeticall … of hard vsuall English wordes, borrowed from the Hebrew, Greeke, Latine, or French &c. STC 4884.Google Scholar
Cercignani, Fausto 1981. Shakespeare’s Works and Elizabethan Pronunciation. Oxford: Clarendon Press.Google Scholar
Chapman, George, Jonson, Ben and Marston, John 1605. Eastward Ho! STC 4970.Google Scholar
Chettle, Henry and Haughton, William 1603. Patient Grissel STC 6518.Google Scholar
Christopher, James 1994. ‘Review’ in Time Out, 26 January.Google Scholar
Cibber, Theophilus 1755. ‘An Epistle from Mr. Theophilus Cibber, to David Garrick, Esq.’ London.Google Scholar
Collins, Beverly and Inger M., Mees 1998. The Real Professor Higgins: The Life and Career of Daniel Jones. Berlin: Mouton de Gruyter.CrossRefGoogle Scholar
Conekin, Becky 2003. The Autobiography of a Nation: The 1951 Festival of Britain. Manchester: Manchester University Press.Google Scholar
Connolly, Annaliese and Hopkins, Lisa, eds. 2013. Essex: The Cultural Impact of an Elizabethan Courtier. Manchester: Manchester University Press.Google Scholar
Cooke, Jo. 1614. Greenes Tu Quoque. STC 5673.Google Scholar
Cordner, Michael and Holland, Peter, eds. 2007. Players, Playwrights, Playhouses: Investigating Performance, 1660–1800. Basingstoke: Palgrave Macmillan.Google Scholar
Coupland, Nikolas 2000. ‘Sociolinguistic Prevarication about “Standard English”’ in The Journal of Sociolinguistics 4, 622–34.Google Scholar
Coveney, Michael 1983. ‘Review’ in The Financial Times, reproduced in The Theatre Record 3(17) July–December 1983, 8–11 August, 639.Google Scholar
Craik, George L. 1857. The English of Shakespeare, Illustrated in a Philological Commentary on his ‘Julius Caesar’. London.Google Scholar
Craik, T. W. ed. 1990. William Shakespeare: The Merry Wives of Windsor. The Oxford Shakespeare Series. Oxford: Oxford University Press.Google Scholar
Crompton, Sarah 2012. ‘Michael Boyd: The Modest Man Who Saved the RSC’ in The Telegraph, 14 September.Google Scholar
Crowl, Samuel 2014. Screen Adaptations: Shakespeare’s ‘Hamlet’: The Relationship between Text and Film. London: Bloomsbury.Google Scholar
Crowley, Tony 1988. The Politics of Discourse: The Standard Language Question in British Cultural Debates. Basingstoke: Macmillan.Google Scholar
Crystal, David 1995. The Cambridge Encyclopedia of the English Language. Cambridge: Cambridge University Press.Google Scholar
Crystal, David 2005. Pronouncing Shakespeare: The Globe Experiment. Cambridge: Cambridge University Press.Google Scholar
Crystal, David 2012. ‘Interview’ in Shakespeare’s Original Pronunciation (CD). London: British Library.Google Scholar
Crystal, David 2013. ‘Early Interest in Shakespearean Original Pronunciation’ in Language & History 56, 5–17.Google Scholar
Crystal, David 2016a. The Oxford Dictionary of Original Shakespearean Pronunciation. Oxford: Oxford University Press.Google Scholar
Crystal, David 2016b. ‘In Original Pronunciation the Plays Become Easier to Understand’ in Exeunt Magazine, 5 May. http://exeuntmagazine.com/features/34086/. Last accessed: 15 November 2018.Google Scholar
Culpeper, Jonathan 2001. Language and Characterization: People in Plays and Other Texts. Harlow: Longman.Google Scholar
Curtis, Nick 1994. ‘Review’ in The Evening Standard, 19 January.Google Scholar
Cushman, Robert 1983. ‘Review’ reproduced in The Theatre Record 3(17) July–December 1983, 18–21 August, 640.Google Scholar
Daniel, Samuel 1599. Poeticall Essayes. STC 6261.Google Scholar
Davies, John 1603. Microcosmos: The Discovery of the Little World, with the Government thereof. STC 6333.Google Scholar
Davies, Robertson 2008. ‘Irving, Sir Henry’ in ODNB. www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-34116?rskey=ITejev&result=1. Last accessed: 4 October 2018.Google Scholar
Davies, Serena 2016. ‘A Chilling End to The Hollow Crown’ in The Telegraph, 21 May.Google Scholar
Dean, William 1977. ‘The Law of Criminal Procedure in the Contention between Liberality and Prodigality’ in Renaissance and Reformation / Renaissance et Réforme. New series. 1, 59–71.Google Scholar
de Francisci, Enza and Chris, Stamatakis, eds. 2017. Transnational Exchange between Shakespeare and Italy. London and New York: Routledge.Google Scholar
Dekker, Thomas [and John Ford?], 1920 [1921]. The Welsh Embassador. The Malone Society Reprints. Littledale, H., ed. Oxford: Oxford University Press.Google Scholar
Dekker, Thomas 1600. Old Fortunatus. STC 6517.Google Scholar
Dickson, Andrew 2012. ‘A Life in the Theatre: Barrie Rutter’ in The Guardian, 9 March.Google Scholar
Dillon, Janette 1994. ‘Is There a Performance in This Text’ in Shakespeare Quarterly 45, 74–86.Google Scholar
Dobson, E. J. 1968. English Pronunciation 1500–1700. Oxford: Clarendon Press.Google Scholar
Dobson, Michael 1992. The Making of the National Poet: Shakespeare, Adaptation, and Authorship, 1660–1769. Oxford: Clarendon Press.Google Scholar
Dobson, Michael 2011. Shakespeare and Amateur Performance: A Cultural History. Cambridge: Cambridge University Press.Google Scholar
Dollimore, Jonathan and Sinfield, Alan, eds. 1994. Political Shakespeare: Essays in Cultural Materialism. Second edition. Manchester: Manchester University Press.Google Scholar
Donald, Caroline 1991. ‘Never Mind the Meaning, Just Enjoy the Show’ in The Independent, 21 August.Google Scholar
Donohue, Joseph 2004. ‘Introduction: The Theatre from 1660 to 1800’ in Joseph Donohue, ed. The Cambridge History of British Theatre, 1660–1895, 2, 3–52.Google Scholar
Donohue, Joseph ed. 2004. The Cambridge History of British Theatre, 1660–1895, vol. 2. Cambridge: Cambridge University Press.Google Scholar
Duncan-Jones, Katherine 2007. ‘Complete Works: Essential Year? (All of) Shakespeare Performed’ in Shakespeare Quarterly 58, 353–66.Google Scholar
Dymkowski, Christine and Carson, Christie, eds. 2010. Shakespeare in Stages: New Theatre Histories. Cambridge: Cambridge University Press.Google Scholar
Edmondson, Paul, Prescott, Paul and Sullivan, Erin, eds. 2013. A Year of Shakespeare: Re-living the World Shakespeare Festival. London: Bloomsbury.Google Scholar
Edwards, Christopher 1987. ‘Review’ in The Spectator, 2 October.Google Scholar
Eklund, Hillary, ed. 2017. Ground-Work: English Renaissance Literature and Soil Science. Pittsburgh, Pennsylvania: Duquesne University Press.Google Scholar
Ellis, Alexander John 1869–1889. On Early English Pronunciation. 5 vols. London.Google Scholar
Eschenbaum, Natalie K. and Correll, Barbara, eds. 2016. Disgust in Early Modern English Literature. London: Routledge.Google Scholar
Escolme, Bridget 2005. Talking to the Audience: Shakespeare, Performance, Self. London and New York: Routledge.Google Scholar
Fabricius, Anne 2006. ‘The “vivid sociolinguistic profiling” of Received Pronunciation: Responses to gendered dialect in discourse’ in Journal of Sociolinguistics 10, 111–22.Google Scholar
Falocco, Joe 2010. Reimagining Shakespeare’s Playhouse: Early Modern Staging Conventions in the Twentieth Century. Cambridge: D. S. Brewer.Google Scholar
Farnsworth Smith, Dane 1936. Plays about the Theatre in England from ‘The Rehearsal’ in 1671 to the Licensing Act in 1737; or, the Self-Conscious Stage and Its Burlesque and Satirical Reflections in the Age of Criticism. London and New York: Oxford University Press.Google Scholar
Fenton, Rose de Wend 1991. ‘End of Festival Report’ in the LIFT Living Archive (LLA), LIFT/1991, held in the Special Collections Library at Goldsmiths, University of London.Google Scholar
Fenton, Rose de Wend and Neal, Lucy, eds. 2005. The Turning World: Stories from the London International Festival. London: Calouste Gulbenkian Foundation.Google Scholar
Fitzmaurice, Susan and Smith, Jeremy 2012. ‘Evidence for the History of English: Introduction’ in Nevalainen, Terttu and Closs Traugott, Elizabeth, eds. The Oxford Handbook of the History of English, 19–36.Google Scholar
Fitzpatrick, Thaddeus 1760. ‘An Enquiry into the Real Merit of a Certain Popular Performer’. London.Google Scholar
Folkerth, Wes 2002. The Sound of Shakespeare. New York and London: Routledge.Google Scholar
Foster, Peter 2006. ‘An Indian Dream’ in The Daily Telegraph, 3 June.Google Scholar
Foulkes, Paul and Docherty, Gerard, eds. 1999. Urban Voices: Accent Studies in the British Isles. London: Arnold.Google Scholar
Foulkes, Richard 2008. Henry Irving: A Re-evaluation of the Pre-eminent Victorian Actor Manager. Aldershot: Ashgate.Google Scholar
Foulkes, Richard 2012. ‘Shakespeare in the Provinces’ in Marshall, Gail ed. Shakespeare in the Nineteenth Century, 169–86.Google Scholar
Fox, Adam 2000. Oral and Literate Culture in England, 1500–1700. Oxford: Oxford University Press.Google Scholar
Fox, Sue 2007. ‘The Demise of Cockneys? Language Change among Adolescents in the “Traditional” East End of London’. PhD Dissertation, University of Essex.Google Scholar
Frow, Gerald ed. 1969. The Mermaid 10: A Review of the Theatre 1959–1969, Published to Mark the Anniversary of the Opening of the Mermaid Theatre, Puddle Dock. London: The Mermaid Theatre.Google Scholar
Fullard, Joyce 2004. ‘William Woty’ in ODNB. www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-30006?rskey=ZZQVEp. Last accessed: 7 December 2017.Google Scholar
G. I. 1615. A Refutation of the Apology for Actors. STC 12214.Google Scholar
Garrick, David 1785. The Poetical Works of David Garrick, Esq. London.Google Scholar
Gielgud, Val 1957. British Radio Drama, 1922–1956: A Survey. London: George G. Harrap.Google Scholar
Gil, Alexander 1619. Logonomia Anglicana. STC 11873.Google Scholar
Giles, Howard 1970. ‘Evaluative Reactions to Accents’, in Educational Review 22, 211–27.Google Scholar
Gilroy, Paul 1987. There Ain’t No Black in the Union Jack: The Cultural Politics of Race and Nation. London: Hutchinson.Google Scholar
Gilroy, Paul 1993. The Black Atlantic: Modernity and Double Consciousness. London: Verso.Google Scholar
Gimson, Alfred Charles 1970. An Introduction to the Pronunciation of English. Second edition. London: Edward Arnold.Google Scholar
Goddard, Lynette 2010. ‘“Haply for I am black”: Shifting Race and Gender Dynamics in Talawa’s Othello’ in Dymkowski, Christine and Carson, Christie, eds. Shakespeare in Stages: New Theatre Histories, 248–63.Google Scholar
Görlach, Manfred 1999. ‘Regional and Social Variation’ in Lass, Roger, ed. The Cambridge History of the English Language, 459–538.Google Scholar
Gosling, Nigel 1952. ‘Table Talk’ in The Observer, 27 July.Google Scholar
Gossett, Suzanne ed. 2000. Ben Jonson: Bartholomew Fair. Manchester: Manchester University Press.Google Scholar
Gosson, Stephen 1579. The Schoole of Abuse. STC 12097.5.Google Scholar
Gosson, Stephen 1582. Playes Confuted in Fiue Actions. STC 12095.Google Scholar
Greene, Robert 1592. Greene’s Groats-Worth of Wit. STC 12245.Google Scholar
Greene, Robert 1598. The Scottish History of James the Fourth. STC 12308.CrossRefGoogle Scholar
Greenhalgh, Susanne 2011. ‘Shakespeare and Radio’ in Thornton Burnett, Mark, Streete, Adrian and Wray, Ramona, eds. The Edinburgh Companion to Shakespeare and the Arts, 541–57Google Scholar
Greenslade, William 2012. ‘Shakespeare and Politics’ in Marshall, Gail, ed. Shakespeare in the Nineteenth Century, 229–50.Google Scholar
Griffiths, Huw 2010. ‘“O, I am ignorance itself in this!”: Listening to Welsh in Shakespeare and Armin’ in Maley, and Schwyzer, , eds. Shakespeare and Wales: From the Marches to the Assembly, 111–26.Google Scholar
Grimley, Terry 2006. ‘Review’ in The Birmingham Post, 22 June.Google Scholar
Guidi, Chiara and Sonia, Massai 2017. ‘Shakespeare, Tradition, and the Avant-garde in Chiara Guidi’s Macbeth su Macbeth su Macbeth’ in de Francisci, Enza and Stamatakis, Chris, eds. Transnational Exchange between Shakespeare and Italy, 277–92.Google Scholar
Gurr, Andrew 2009. Shakespeare’s Opposites: The Admiral’s Company. Cambridge: Cambridge University Press.Google Scholar
Halliburton, Rachel 1999. ‘Review’ in The Independent, 16 June.Google Scholar
Hallmark, Stephen 2006. ‘Review’ in The Coventry Evening Telegraph, 12 June.Google Scholar
Hammer, Paul E. J. 2008. ‘Devereux, Robert, Second Early of Essex’, in ODNB. www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-7565?rskey=8DnGHh&result=9. Last accessed: 9 December 2018.Google Scholar
Hansen, Adam and Smialkowska, Monika 2014. ‘Shakespeare in the North: Regionalism, Culture and Power’ in Prescott, Paul and Sullivan, Erin, eds. Shakespeare on the Global Stage: Performance and Festivity in the Olympic Year, 101–32.Google Scholar
Happé, Peter, ed. 2012. Ben Jonson: A Tale of a Tub, in Bevington, David, Butler, Martin and Donaldson, Ian, eds. The Cambridge Edition of the Works of Ben Jonson, vol. 6.Google Scholar
Hart, Christopher 2011. ‘Review’ in The Sunday Times, 4 December.Google Scholar
Hart, John 1569. An Orthographie. STC 12890.Google Scholar
Hassell, Graham 1993. ‘Review’ in What’s On, 27 January.Google Scholar
Hastings, Ronald 1969. ‘Waiting for the Bang’, in Frow, Gerald, ed. The Mermaid 10: A Review of the Theatre 1959–1969, Published to Mark the Anniversary of the Opening of the Mermaid Theatre, Puddle Dock, 4–5.Google Scholar
Hazlitt, William 1817. Characters of Shakespeare’s Plays. London.Google Scholar
Hazlitt, William 1818. A View of the English Stage. London.Google Scholar
Heywood, Thomas 1599. 1 and 2 Edward IV. STC 13341.Google Scholar
Heywood, Thomas 1612. An Apology for actors. STC 13309.Google Scholar
Hill, John 1759. To David Garrick, Esq; The Petition of I. London.Google Scholar
Hillman, David 1996. ‘Puttenham, Shakespeare, and the Abuse of Rhetoric’ in Studies in English Literature, 36, 70–93.Google Scholar
Holland, Peter 2007. ‘Hearing the Dead: the Sound of David Garrick’ in Cordner, Michael and Holland, Peter, eds. Players, Playwrights, Playhouses: Investigating Performance, 1660–1800, 248–70.Google Scholar
Holland, Peter and Orgel, Stephen, eds. 2006. From Performance to Print in Shakespeare’s England. Basingstoke: Palgrave Macmillan.Google Scholar
Holland, Peter and Poole, Adrian, eds. 2013. Poel, Granville Barker, Guthrie, Wanamaker: Great Shakespeareans Series. Vol. 15. London: Bloomsbury.Google Scholar
Holmberg, Börje 1964. On the Concept of Standard English and the History of Modern English. Lund: C. W. K. Gleerup.Google Scholar
Hope, Jonathan 1999. ‘Shakespeare’s “Native English”’ in Kastan, David Scott, ed. A Companion to Shakespeare, 237–55.Google Scholar
Hope, Jonathan 2008. ‘Varieties of Early Modern English’ in Momma, Haruko and Matto, Michael, eds. A Companion to the History of the English Language, 216–23.Google Scholar
Hope, Jonathan 2010. Shakespeare and Language: Reason, Eloquence and Artifice in the Renaissance. London: Bloomsbury.Google Scholar
Hotson, Leslie 1928. The Commonwealth and Restoration Stage. Cambridge, MA: Harvard University Press.Google Scholar
Huston, J. Dennis 1970. ‘“Some Stain of Soldier”: The Functions of Parolles in All’s Well That Ends Well’ in Shakespeare Quarterly 21, 431–8.Google Scholar
Hytner, Nicholas 2011. ‘Director’s Notes’ in Theatre Programme, deposited at the National Theatre Archive, London.Google Scholar
Jackman, Isaac 1787. Royal and Royalty Theatres. Letter to Phillips Glover, Esq. of Wispington, in Lincolnshire; In a Dedication to the Burletta of ‘Hero and Leander’, now performing, with the most distinguished applause at the Royalty Theatre in Goodman’s Fields. London.Google Scholar
Jensen, Michael P. 2008. ‘“Lend Me Your Ears”: Sampling BBC Radio Shakespeare’ in Shakespeare Survey 61, 170–80.Google Scholar
Johnson-Haddad, Miranda 1991. ‘The Shakespeare Theatre at the Folger, 1990–91’ in Shakespeare Quarterly 42, 472–84.Google Scholar
Jones, Daniel 1909. The Pronunciation of English: Phonetics and Phonetic Transcriptions. Cambridge: Cambridge University Press.Google Scholar
Jones, Daniel 1917. An English Pronouncing Dictionary. London: Dent.Google Scholar
Jones, Daniel 1949. ‘The Tongue That Shakespeare Spake …’ in The Radio Times, 16 December.Google Scholar
Jones, Rebecca 2018. ‘Christopher Ecclestone: Northern Accent “Held Me Back”’. BBC News. www.bbc.co.uk/news/entertainment-arts-43139805. Last accessed: 8 November 2018.Google Scholar
Jonson, Ben 1607. Volpone. STC 14783.Google Scholar
Jonson, Ben 1612. The Alchemist. STC 14755.Google Scholar
Jonson, Ben 1616a. Masque at Court, in Ben Jonson. The Workes.Google Scholar
Jonson, Ben 1616b. The Workes. STC 14751.Google Scholar
Jonson, Ben 1631. Bartholomew Fair (STC 14753.5).Google Scholar
Jonson, Ben 1641a. A Tale of a Tub, in Ben Jonson. The Workes.Google Scholar
Jonson, Ben 1641b. The Sad Shepherd, in Ben Jonson, The Workes.Google Scholar
Jonson, Ben 1641c. The Workes. STC 14754.Google Scholar
Kastan, David Scott, ed. 1999. A Companion to Shakespeare. Oxford: Wiley Blackwell.Google Scholar
Kenrick, William 1765. A Review of Doctor Johnson’s New Edition of Shakespeare: In Which the Ignorance, or Inattention, of That Editor is Exposed, and the Poet Defended from the Persecution of his Commentators. London.Google Scholar
Kenrick, William 1784. ‘Introduction’ in William Kenrick. A New Dictionary of the English Language, prefaced to A Rhetorical Grammar of the English Language.Google Scholar
Kerrigan, John 2008. Archipelagic English: Literature, History, and Politics, 1603–1707. Oxford: Oxford University Press.Google Scholar
Khan, Naseem 2005. ‘Building from Below’ in Fenton, Rose de Wend and Neal, Lucy, eds. The Turning World: Stories from the London International Festival, 61–72.Google Scholar
Kidnie, Margaret Jane 2006. The Shakespeare Handbooks: The Taming of the Shrew (Basingstoke: Palgrave Macmillan).Google Scholar
Kidnie, Margaret Jane 2009. Shakespeare and the Problem of Adaptation. London and New York: Routledge.Google Scholar
Kimbrough, Andrew 2010. Dramatic Theories of Voice in the Twentieth Century. Amherst, NY: Cambria Press.Google Scholar
Kingston, Jeremy 1997. ‘Review’ in The Times, 13 August.Google Scholar
Kinney, Arthur ed. 2012. The Oxford Companion to Shakespeare. Oxford: Oxford University Press.Google Scholar
Kirwan, Peter 2007. ‘“Eke Out Our Imperfections with Your Minds”: The Festival's Impact on Audience Expectations and Involvement’, in Cahiers Élisabéthains 71, 99–102.Google Scholar
Knight, Joseph, rev. by Katharine Cockin 2004. ‘Thomas Cobham’, in ODNB. www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-5746?rskey=tk2OsB&result=1. Last accessed: 14 December 2017.Google Scholar
Knowles, James 2015. Politics and Political Culture in the Court Masque. Basingstoke: Palgrave Macmillan.Google Scholar
Koenig, Rhoda 1995. ‘Review’ in The Independent, 2 June.Google Scholar
Kökeritz, H. 1953. Shakespeare’s Pronunciation. New Haven, CT: Yale University Press.Google Scholar
Kortmann, Bernd and Upton, Clive, eds. 2008. Varieties of English 1: The British Isles. Berlin and New York: Mouton de Gruyter.Google Scholar
Lahr, John 2005. ‘Talking the Talk: The Globe Goes Elizabethan’, in The New Yorker, 19 September. www.newyorker.com/magazine/2005/09/19/talking-the-talk. Last accessed: 15 November 2018.Google Scholar
Lass, Roger 1997. Historical Linguistics and Language Change. Cambridge: Cambridge University Press.Google Scholar
Lass, Roger, ed. 1999. The Cambridge History of the English Language, 1476–1776. Vol. 3. Cambridge: Cambridge University Press.Google Scholar
Lawrence, William Witherle 1922. ‘The Meaning of All’s Well That Ends Well’, in PMLA 37, 418–69.Google Scholar
Le Page, Robert Brock and Tabouret-Keller, Andrée 1985. Acts of Identity: Creole-Based Approaches to Language and Ethnicity. Cambridge: Cambridge University Press.Google Scholar
Le Roy, Louis 1594. Of the Interchangeable Course, or Variety of Things in the whole World. Robert Ashley, trans. STC 15488.Google Scholar
LeCompte, Elizabeth, Valk, Kate, Fliakos, Ari, and Shevtsova, Maria 2013. ‘A Conversation on the Wooster Group’s Hamlet’ in The New Theatre Quarterly 29. 121–31.Google Scholar
Lester, Adrian 2013. ‘Interview’ in The Telegraph, 16 April.Google Scholar
Letts, Quentin 2010. ‘Review’ in The Daily Mail, 8 October.Google Scholar
Levine, Laura 1994. Men in Women’s Clothing: Anti-theatricality and Effeminazation, 1579–1642. Cambridge: Cambridge University Press.Google Scholar
Lindley, David 1986. ‘Embarrassing Ben: The Masques of Frances Howard’, in English Literary Renaissance 16, 343–59.Google Scholar
Little, David M. and Kahrl, George M., eds. 1963. The Letters of David Garrick. Oxford: Oxford University Press.Google Scholar
Lloyd, Megan 2010. ‘Rhymer, Minstrel Lady Mortimer and the Power of Welsh Words’, in Maley, and Schwyzer, , eds. Shakespeare and Wales: From the Marches to the Assembly, 59–74.Google Scholar
Logaldo, Mara 2010. ‘“Only the immigrants can speak the Queen’s English these days” but All the Kids Have a Jamaican Accent: Overcompensation vs. Urban Slang in Multiethnic London’ in Linguistic Insights 95, 115–46.Google Scholar
Loveridge, Charlotte 2004. ‘The Winter’s Tale in the Spiegeltent’ in Curtain Up. www.curtainup.com/winterstalespiegel.html. Last accessed: 15 December 2018.Google Scholar
Macaulay, Alastair 1997. ‘Review’ in The Financial Times, 18 September.Google Scholar
Macaulay, Alastair 2006. ‘Review’ in The Financial Times, 23 June.Google Scholar
MacMahon, M. K. C. 2004. ‘Alexander John Ellis’, in ODNB. www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-8683?rskey=ZK7RD2&result=1. Last accessed: 25 September 2018.Google Scholar
Mahon, M. Wade 2001. ‘The Rhetorical Value of Reading Aloud in Thomas Sheridan’s Theory of Elocution’, in Rhetoric Society Quarterly 31(4), 67–88.Google Scholar
Maley, Willy and Tudeau-Clayton, Margaret, eds. 2010. This England, That Shakespeare: New Angles on Englishness and the Bard. Farnham: Ashgate.Google Scholar
Maley, Willy and Schwyzer, Philip, eds. 2010. Shakespeare and Wales: From the Marches to the Assembly. Farnham and Burlington, VT: Ashgate.Google Scholar
Marlowe, Christopher 1590. Tamburlaine. STC 17425.Google Scholar
Marshall, Gail 2012. Shakespeare in the Nineteenth Century. Cambridge: Cambridge University Press.Google Scholar
Marshall, Tristan 2000. Theatre and Empire: Great Britain on the London Stages under James VI and I. Manchester: Manchester University Press.Google Scholar
Marston, John 1604. The Malcontent. STC 17479.Google Scholar
Massai, Sonia 2007. Shakespeare and the Rise of the Editor. Cambridge: Cambridge University Press.Google Scholar
Massai, Sonia 2017. ‘Shakespeare With and Without Its Language’, in Bulman, James C., ed. The Oxford Companion to Shakespeare and Performance, 475–94.Google Scholar
McDonald, Russ 2001. Shakespeare and the Arts of Language. Oxford: Oxford University Press.Google Scholar
McLuskie, Kate 1999. ‘Macbeth/uMabatha: Global Shakespeare in a Post-Colonial Market’ in Shakespeare Survey 52, 154–65.Google Scholar
McMurtry, Marvyn 1999. ‘Doing Their Own Thane: The Critical Reception of Umabatha, Welcome Msomi’s Zulu Macbeth’ in Ilha Do Desterro: A Journal of English Language, Literatures in English and Cultural Studies 36, 309–35.Google Scholar
Melchiori, Giorgio ed. 1999. William Shakespeare: The Merry Wives of Windsor. The Arden Shakespeare. Third Series. London: Thomson Learning.Google Scholar
Mendes, Sam 1997. ‘Programme Note’, copy deposited at the National Theatre Archive.Google Scholar
Middleton, Thomas 1607. The Phoenix. STC 17892.Google Scholar
Middleton, Thomas c. 1616. The Witch. Malone MS 12. Bodleian Library, Oxford.Google Scholar
Miles, Bernard and Wilson, Josephine 1951. The Mermaid Theatre. London: The Mermaid Theatre Trust.Google Scholar
Milhous, Judith 2004. ‘Theatre Companies and Regulation’ in Donohue, Joseph, ed., The Cambridge History of British Theatre, 1660–1895, 108–25.Google Scholar
Minamore, Bridget 2018. ‘Paapa Essiedu on BBC’s “Press” and Identity: “The word diversity doesn’t mean anything”’ in The Guardian, 8 September.Google Scholar
Momma, Haruko and Matto, Michael, eds. 2008. A Companion to the History of the English Language. Oxford: Wiley-Blackwell.Google Scholar
Moody, Jane 2000. Illegitimate Theatre in London, 1770–1840. Cambridge: Cambridge University Press.Google Scholar
Morgan, Fergus 2018. ‘Review Round-Up of Macbeth … at the National Theatre’ in The Stage. 8 March. www.thestage.co.uk/opinion/2018/macbeth-national-theatre-london-review-round/. Last accessed: 11 December 2018.Google Scholar
Morley, Sheridan 1983. ‘Review’ in Punch, reproduced in The Theatre Record 3(17) July–December 1983, 8–11 August, 640.Google Scholar
Morley, Sheridan 1993. The Spectator, 30 January.Google Scholar
Morley, Sheridan 2001. John G: The Authorized Biography of John Gielgud. London: Hodder and Stoughton.Google Scholar
Morley, Sheridan 2004. ‘Bernard Miles’, in ODNB. www.oxforddnb.com.libproxy.kcl.ac.uk/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-49899. Last accessed: 23 April 2018.Google Scholar
Morley, Sheridan 2005. ‘Review’ in The Express, 5 May.Google Scholar
Mountford, Fiona 2015. ‘Review’ in The Evening Standard, 12 June.Google Scholar
Mugglestone, Lynda 2007 [1995]. ‘Talking Proper’: The Rise and Fall of the English Accent as a Social Symbol. Second Edition. Oxford: Oxford University Press.Google Scholar
Mugglestone, Lynda ed. 2006. The Oxford History of English. Oxford: Oxford University Press.Google Scholar
Murphy, Andrew 2008. Shakespeare for the People: Working-Class Readers, 1800–1900. Cambridge: Cambridge University Press.Google Scholar
Murphy, Arthur 1756. The Apprentice: A Farce in Two Acts. London.Google Scholar
Murphy, Arthur 1801. A Life of David Garrick, Esq. London.Google Scholar
Murphy, Kate 2016. Behind the Wireless: A History of Early Women at the BBC. Basingstoke: Palgrave Macmillan.Google Scholar
Naunton, Robert 1870. Fragmenta Regalia, or Observations of the late Queen Elizabeth, Her Times, and Favourites. Reprinted from the Third Posthumous Edition of 1653. Arber, Edward, ed. London.Google Scholar
Nevalainen, Terttu and Closs Traugott, Elizabeth, eds. 2012. The Oxford Handbook of the History of English. Oxford: Oxford University Press.Google Scholar
Nightingale, Benedict 2006. ‘Review’ in The Times, 21 August.Google Scholar
Noël-Armfield, G. 1910. ‘Scenes from Shakespeare in the Original Pronunciation’ in Le Maître phonétique 24, 117–19.Google Scholar
O’Connor, Marion 2002. ‘Reconstructive Shakespeare; Reproducing Elizabethan and Jacobean Stages’ in Wells, Stanley and Stanton, Sarah, eds. The Cambridge Companion to Shakespeare on Stage, 76–97.Google Scholar
O’Connor, Marion 2013. Poel, Granville Barker, Guthrie, Wanamaker, in Holland, Peter and Poole, Adrian, eds. Great Shakespeareans Series, 15: 7–54.Google Scholar
Orgel, Stephen 2006. ‘The Book of the Play’, in Holland, Peter and Orgel, Stephen, eds. From Performance to Print in Shakespeare’s England, 13–54.Google Scholar
Ormsby, Robert 2011. ‘Québécois Shakespeare goes Global: Robert Lepage's Coriolan’ in Shakespeare Survey 64, 317–27.Google Scholar
Palmer, John 1781. The New and Complete English Sprouter; Or, An [sic] Universal Key to Theatrical Knowledge. Containing a Complete Collection of all Favourite and most esteemed Prologues and Epilogues. London.Google Scholar
Palmer, John 1790?. The New Sprouter’s Companion; Or, A Choice Collection of Prologues and Epilogues: Being a Complete Theatrical Remembrancer, and Universal Key to Theatrical Knowledge … A New Edition, Carefully Revised and Corrected by Mr. Palmer. London.Google Scholar
Palmer, Patricia 2001. Language and Conquest in Early Modern Ireland: English Renaissance Literature and Elizabethan Imperial Expansion. Cambridge: Cambridge University Press.Google Scholar
Pao, Angela C. 2006. ‘Ocular Revisions: Re-casting Othello in Text and Performance’, in Thompson, Ayanna, ed. Color-Blind Shakespeare: New Perspectives on Race and Performance, 27–46.Google Scholar
Parsons, Elinor 2007. ‘“This Wide and Universal Theatre”: Shakespeare in Different Voices’ in Cahiers Élisabéthains 71, 7–12.Google Scholar
Parsons, Gordon 2006. ‘Review’ in The Morning Star, 13 June.Google Scholar
Partridge, Mary 2013. ‘Prodigality and the Earl of Essex’, in Connolly, Annaliese and Hopkins, Lisa, eds. Essex: The Cultural Impact of an Elizabethan Courtier, 263–78.Google Scholar
Paster, Gail Kern 2004. Humoring the Body: Emotions and the Shakespearean Stage. Chicago and London: Chicago University Press.Google Scholar
Patterson, Christina 2009. ‘Review’ in The Independent, 6 January.Google Scholar
Peele, George 1593. Edward I. STC 19535.Google Scholar
Penlington, Amanda 2010. ‘“Not a Man from England”: Assimilating the Exotic “Other” through Performance, from Henry IV to Henry V’, in Maley, and Tudeau-Clayton, , eds. This England, That Shakespeare: New Angles on Englishness and the Bard, 234–62.Google Scholar
Petcher, Edward 1999. Othello and Interpretative Traditions. Iowa City: University of Iowa Press.Google Scholar
Peters, John 1993. ‘Review’ in The Sunday Times, 30 January.Google Scholar
Pickering, D. 1761. The Statutes at Large, from Magna Charta to ... 1761. Carefully collated and revised, with references, a preface, and a new and accurate index ... 24 vols, vol. 17. London.Google Scholar
Plastow, Jane 2013. African Theatre 12: Shakespeare in & out of Africa. Woodbridge: Boydell and Brewer.Google Scholar
Plutarch, 1603. Moralia. Philemon Holland, trans. STC 20063.Google Scholar
Poel, William 1913. Shakespeare in the Theatre. London and Toronto: Sidwick and Jackson.Google Scholar
Pons-Sanz, Sara M. 2014. The Language of Early English Literature: From Cædmon to Milton. Basingstoke: Palgrave Macmillan.Google Scholar
Prescott, Paul 2013. ‘Review of Troilus and Cressida, Directed by Elizabeth LeCompte for the Wooster Group … and Mark Ravenhill for the Royal Shakespeare Company …’, in Edmondson, , Prescott, and Sullivan, , eds. A Year of Shakespeare: Re-living the World Shakespeare Festival, 213–16.Google Scholar
Prescott, Paul and Sullivan, Erin, eds. 2014. Shakespeare on the Global Stage: Performance and Festivity in the Olympic Year. London: Bloomsbury.Google Scholar
Proudfoot, Richard and Bennett, Nicola, eds. 2017. Edward III. The Arden Shakespeare, third series. London: Bloomsbury.Google Scholar
Proudfoot, Richard, Thompson, Ann and Kastan, David Scott, eds. 2011. The Arden Shakespeare: The Complete Works. Revised Edition. London: Bloomsbury.Google Scholar
Prynne, William 1633. Histrio-Mastix. STC20464a.Google Scholar
Purchas, Samuel 1613. Purchas his pilgrimage. STC 20505.Google Scholar
Purves, Libby 2011. ‘Review’ in The Times, 30 November.Google Scholar
Puttenham, George 1589. The Arte of English Poesie. STC 20519.Google Scholar
Quarmby, Kevin 2016. ‘Review’, in The British Theatre Guide. www.britishtheatreguide.info/reviews/much-ado-about-rsc-courtyard-t-7732. Last accessed: 20 December 2016.Google Scholar
Radio Times, The 1936. ‘London Calling 1600’, Wednesday, 15 April 1936, issue 654, 42. http://genome.ch.bbc.co.uk/page/b141784e722f43b2823fd219b2226a70. Last accessed: 11 December 2018.Google Scholar
Radio Times, The 1937. ‘Take Your Choice’, Monday, 6 December 1937, issue 740, 31. http://genome.ch.bbc.co.uk/page/ae3cd719fb494fd9bbc1955e4591c7c5. Last accessed: 11 December 2018.Google Scholar
Rancière, Jacques 2011. The Emancipated Spectator. London: Verso.Google Scholar
Rees, Jasper 2013. ‘Adrian Lester Interview: Othello, ‘It’s not Just About His Colour’ in The Telegraph, 16 April 2013.Google Scholar
Refskou, Anne Sophie 2019. ‘“Not Where He Eats, but Where He Is Eaten: Rethinking Otherness in (British) Global Shakespeare’ in Refskou, Anne Sophie, de Amorim, Marcel Alvaro and de Carvalho, Vinicius Mariano, eds. Eating Shakespeare: Cultural Anthropophagy as Global Methodology. London: Bloomsbury.Google Scholar
Richard, Jeremy 1986. ‘“The Thing I am”: Parolles, the Comedic Villain, and Tragic Consciousness’ in Shakespeare Studies 18, 145–59.Google Scholar
Richards, Jeffrey 2005. Sir Henry Irving: Victorian Actor and His World. London and Hambledon: Continuum.Google Scholar
Richards, Kenneth and Thomson, Peter, eds. 1971. Essays on Nineteenth-Century British Theatre. London: Methuen.Google Scholar
Rickson, Graham 2017. ‘Review of Romeo and Juliet, West Yorkshire Playhouse’ in The Arts Desk. www.theartsdesk.com/theatre/romeo-and-juliet-west-yorkshire-playhouse. Last accessed: 8 November 2018.Google Scholar
Ridout, Nicholas 2009. Theatre & Ethics. Basingstoke: Palgrave Macmillan.Google Scholar
Ritchie, Fiona and Sabor, Peter, eds. 2012. Shakespeare in the Eighteenth Century. Cambridge: Cambridge University Press.Google Scholar
Ritchie, Leslie 2012. ‘The Spouters’ Revenge: Apprentice Actors and the Imitation of London’s Theatrical Celebrities’ in The Eighteenth Century 53(1), 41–71.Google Scholar
Rogers, Richard 1615. A Commentary vpon the vvhole booke of Iudges. STC 21204.Google Scholar
Rolt, Richard 1752. ‘A Poetical Epistle from Shakespear in Elysium to Mr Garrick, at Drury Lane Theatre. To which is added, a view from Heymon-Hill, near Shrewsbury; a solitudinarian ode’. London.Google Scholar
Rosewarne, David 1984. ‘Estuary English’ in Times Educational Supplement, 19 October.Google Scholar
Rothman, Jules 1972. ‘A vindication of Parolles’ in Shakespeare Quarterly 23, 183–96.Google Scholar
Rumbold, Kate 2013. ‘Review of Much Ado About Nothing, Directed by Iqbal Kahn for the Royal Shakespeare Company’, in Edmondson, Prescott and Sullivan, (eds), A Year of Shakespeare: Re-living the World Shakespeare Festival, 149–52.Google Scholar
Rutherford, Malcolm 1993. ‘Review’ in The Financial Times, 23 January.Google Scholar
Rutter, Carol 2003. ‘Rough Magic: Northern Broadsides at Work at Play’ in Shakespeare Survey 56, 236–55.Google Scholar
Salmon, Eric 2004. ‘Colley Cibber’ in ODNB. www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-5416?rskey=BvNqm1&result=1. Last accessed: 1 December 2017.Google Scholar
Salmon, Vivian and Burness, Edwina, eds. 1987. A Reader in the Language of Shakespearean Drama. Amsterdam and Philadelphia: John Benjamins.Google Scholar
Sandhu, Angie 2014. ‘Enlightenment, Exclusion, and the Theatre’ in Swindells, Julia and Taylor, David Francis, eds. The Oxford Handbook to Georgian Theatre, 1737–1832, 11–30.Google Scholar
Santor, Bar-On Gefen 2014. ‘Shakespeare in the Georgian Theatre’ in Swindells, Julia and Taylor, David Francis, eds. The Oxford Handbook to Georgian Theatre, 1737–1832, 213–28.Google Scholar
Shakespeare, William 1597. Richard II. STC 22307.Google Scholar
Shakespeare, William 1600. A Midsummer Night’s Dream. STC 22302.Google Scholar
Shakespeare, William 1602. The Merry Wives of Windsor. STC 22299.Google Scholar
Shakespeare, William 1608. The Historie of King Lear. STC 22292.Google Scholar
Shakespeare, William 1623a. Comedies, Histories and Tragedies. STC 22273.Google Scholar
Shakespeare, William 1623b. Cymbeline. In William Shakespeare. Comedies, Histories and Tragedies.Google Scholar
Shakespeare, William 1623c. Measure for Measure. In William Shakespeare. Comedies, Histories and Tragedies.Google Scholar
Shakespeare, William 1623d. The Merry Wives of Windsor. In William Shakespeare. Comedies, Histories and Tragedies.Google Scholar
Shakespeare, William 1623e. The Taming of the Shrew. In William Shakespeare. Comedies, Histories and Tragedies.Google Scholar
Shakespeare, William 1623f. The Tempest. In William Shakespeare. Comedies, Histories and Tragedies.Google Scholar
Sharpam, Edward 1606. The Fawn. STC 17483.Google Scholar
Shaughnessy, Robert 2009. ‘Accents yet unknown’, paper delivered at the Barbican Centre, 21 November.Google Scholar
Shaw, George Bernard 1920. ‘The Dying Tongue of Great Elizabeth’, reprinted from The Saturday Review, February 1905. London: the London Shakespeare League.Google Scholar
Shaw, Jonathan 2014. ‘Programme Note’, deposited at the National Theatre Archive.Google Scholar
Sheldon, Esther Keck 1967. Thomas Sheridan of Smock-Alley, recording his life as actor and theater manager in both Dublin and London; and including a Smock-Alley calendar for the years of his management. Princeton: Princeton University.Google Scholar
Shellard, Dominic 1999. British Theatre since the War. New Haven, CT, and London: Yale University Press.Google Scholar
Shepherd, Simon 2006. Theatre, Body and Pleasure. London and New York: Routledge.Google Scholar
Sheridan, Thomas 1786, Elements of English: Being a New Method of Teaching the Whole Art of Reading, both with Regard to Pronunciation and Spelling, Part the First. London.Google Scholar
Shevtsova, Maria 2010. ‘BITE at the Barbican’ in Theatre Quarterly 26(3), 293–6.Google Scholar
Shilling, Jane 2012. ‘Review’ in The Telegraph, 9 August.Google Scholar
Shrank, Cathy 2012. ‘The Formation of Nationhood’ in Kinney, Arthur ed. The Oxford Companion to Shakespeare, 571–86.Google Scholar
Shuttleworth, Ian 1993. ‘Review’ in City Limits, 28 January.Google Scholar
Shuttleworth, Ian 2006. ‘Review’ in The Financial Times, 13 June.Google Scholar
Shuttleworth, Ian 2011a. ‘Review’ in The Financial Times, 29 November.Google Scholar
Shuttleworth, Ian 2011b. ‘Review’ in The Financial Times, 1 December.Google Scholar
Siegmund, Gerald 2005. ‘Voice Masks: Subjectivity, America, and the Voice in the Theatre of the Wooster Group’ in Callens, Johan, ed. The Wooster Group and Its Traditions, 167–78.Google Scholar
Simon, John 1969. ‘My Throat Is in the Midlands’ in The New York Magazine, 19 May.Google Scholar
Sinfield, Alan 1994. ‘Royal Shakespeare: Theatre and the Making of Ideology’ in Dollimore, Jonathan and Sinfield, Alan, eds. Political Shakespeare: Essays in Cultural Materialism, 182–205.Google Scholar
Smialkowska, Monika 2013. ‘Review of Julius Caesar, Directed by Gregory Doran for the Royal Shakespeare Company’ in Edmondson, , Prescott, and Sullivan, eds. A Year of Shakespeare: Re-living the World Shakespeare Festival, 91–4.Google Scholar
Smith, Bruce R. 1999. The Acoustic World of Early Modern England. Chicago: Chicago University Press.Google Scholar
Smith, James M. 1998. ‘Effaced History: Facing the Colonial Context of Ben Jonson’s Irish Masque at Court’ in English Literary History 65, 297–321.Google Scholar
Smith, Peter J. 2007. ‘Michael Boyd Speaks to Peter J. Smith’ in Cahiers Élisabéthains 71, 13–18.Google Scholar
Smith, Peter J. 2004. ‘Romeo and Juliet: Presented by the Globe Theatre’ in Shakespeare Bulletin 22, 145–7.Google Scholar
Snyder, Susan, ed. 1998. William Shakespeare: All’s Well That Ends Well. The Oxford Shakespeare. Oxford: Oxford University Press.Google Scholar
Spencer, Charles 1993. ‘Review’ in The Daily Telegraph, 25 January.Google Scholar
Spencer, Charles 2006. ‘Review’ in The Daily Telegraph, 22 June.Google Scholar
Spencer, Charles 2006a. ‘Review’ in The Daily Telegraph, 21 August.Google Scholar
Spencer, Charles 2006b. ‘Review’ in The Daily Telegraph, 13 July.Google Scholar
Spencer, Charles 2007. ‘How to Massacre a Tragedy’ in The Telegraph, 19 April.Google Scholar
Spencer, Charles 2008. ‘Review’ in The Telegraph, 10 October.Google Scholar
Spoel, Philippa M. 2001, ‘Rereading the Elocutionists: The Rhetoric of Thomas Sheridan’s A Course of Lectures in Elocution and John Walker’s Elements of Elocution’ in Rhetorica 19(1), 49–91.Google Scholar
Sprague, Arthur Colby 1947. ‘Shakespeare and William Poel’ in The University of Toronto Quarterly 17, 1–37.Google Scholar
Steggle, Matthew 2004. Richard Brome: Place and Politics on the Caroline Stage. Manchester: Manchester University Press.Google Scholar
Steggle, Matthew 2016. ‘Introduction’, in Richard Brome Online. www.hrionline.ac.uk/brome/viewOriginal.jsp?play=EM&type=CRIT. Last accessed: 4 May 2016.Google Scholar
Stewart, Lauren Mary 2011. The Representation of Northern English and Scots in Seventeenth Century Drama. Ph.D. Dissertation, unpublished: University of Edinburgh.Google Scholar
Stow, John 1580. The Chronicles of England from Brute vnto this present yeare of Christ. 1580. STC 23333.Google Scholar
Sullivan, Erin 2014. ‘Olympic Shakespeare and the Idea of Legacy: Culture, Capital and the Global Future’, in Prescott, and Sullivan, , eds. Shakespeare on the Global Stage: Performance and Festivity in the Olympic Year, 283–320.Google Scholar
Supple, Tim 2006. ‘Making the Dream: A Director’s Story’, Programme Note.Google Scholar
Swindells, Julia 2001. Glorious Causes: The Grand Theatre of Political Change, 1789–1833. Oxford: Oxford University Press.Google Scholar
Swindells, Julia and Taylor, David Francis, eds. 2014. The Oxford Handbook to Georgian Theatre, 1737–1832. Oxford: Oxford University Press.Google Scholar
Szalwinska, Maxie 2018. ‘Theatre Review: Twelfth Night, Young Vic’ in The Sunday Times, 14 October. www.thetimes.co.uk/article/theatre-review-twelfth-night-young-vic-london-se1-27bwm2lh5. Last accessed: 8 November 2018.Google Scholar
T. D. 1608. Essaies Politicke, and Morall. STC 24396.Google Scholar
Taylor, Antony 2002. ‘Shakespeare and Radicalism: The Uses and Abuses of Shakespeare in Nineteenth-Century Popular Politics’ in Historical Journal 45, 357–79.Google Scholar
Taylor, Paul 1996. ‘Review’ in The Independent, 6 September.Google Scholar
Taylor, Paul 1997. ‘Review’ in The Independent. 20 August.Google Scholar
Taylor, Paul 1998. ‘Review’ in The Independent,.9 February.Google Scholar
Taylor, Paul 2006. ‘Review’ in The Independent, 12 July.Google Scholar
Taylor, Paul 2008. ‘Review’ in The Independent, 5 August.Google Scholar
Taylor, Paul 2013. ‘Review’ in The Independent, 26 July.Google Scholar
Taylor, Paul 2015. ‘Review’ in The Independent, 15 June.Google Scholar
Thieme, John A. 1975. ‘Spouting, Spouting-Clubs and Spouting Companions’ in Theatre Notebook 29, 9–18.Google Scholar
Thomaidis, Konstantinos 2017. Theatre & Voice. Basingstoke: Palgrave Macmillan.Google Scholar
Thompson, Ann 1987. Shakespeare’s Chaucer: A Study in Literary Origins. Liverpool: University of Liverpool Press.Google Scholar
Thompson, Ayanna ed. 2006. ‘Introduction’, in Color-Blind Shakespeare: New Perspectives on Race and Performance. New York and London: Routledge, 1–26.Google Scholar
Thomson, Peter 2004a. ‘David Garrick’ in ODNB. www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-10408?rskey=xvsvZH&result=1. Last accessed: 29 November 2017.Google Scholar
Thomson, Peter 2004b. ‘Thomas Sheridan’ in The Oxford Dictionary of National Biography. www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-25371?rskey=TAXg58&result=1. Last accessed: 27 November 2017.Google Scholar
Tilley, M. P. 1950. A Dictionary of the Proverbs of England in the Sixteenth and Seventeenth Centuries: A Collection of the Proverbs found in English Literature and the Dictionaries of the Period. Ann Arbor: University of Michigan Press.Google Scholar
Trewin, Ion 1973. ‘Peter Daubeny; World Theatre’s Inspiration’ in The Times, 3 March.Google Scholar
Trudgill, Peter 2002. Sociolinguistic Variation and Change. Edinburgh: Edinburgh University Press.Google Scholar
Tudeau-Clayton, Margaret 2010. ‘Shakespeare’s “Welsch Men” and the “King’s English”’, in Maley, and Schwyzer, . Shakespeare and Wales: From the Marches to the Assembly, 91–110.Google Scholar
Upton, Clive 2008. ‘Received Pronunciation’ in Kortmann, Bernd and Upton, Clive, eds. Varieties of English 1: The British Isles. Berlin and New York: Mouton de Gruyter.Google Scholar
Various Artists 2000. Great Historical Shakespeare Recordings. Naxos Audio Books.Google Scholar
Verma, Jatinder 2008. ‘What the Migrant Saw’ in The Guardian, 10 January.Google Scholar
Wainwright, Jeffrey 1993. ‘Review’ in The Independent, 4 October.Google Scholar
Wales, Katie 2001. ‘Varieties and Variation’, in Adamson, Sylvia, Hunter, Lynette, Magnusson, Lynne, Thompson, Ann and Wales, Katie, eds. Reading Shakespeare’s Dramatic Language: A Guide, 192–209.Google Scholar
Walker, John 1791. A Critical Pronouncing Dictionary and Expositor of the English Language. London.Google Scholar
Wardle, Irving 1994. ‘Review’ in The Independent, 14 May.Google Scholar
Wells, J. C. 1999. ‘British English Pronunciation Preferences: A Changing Scene’ in Journal of the International Phonetic Association 29, 33–50.Google Scholar
Wells, Stanley and Taylor, Gary 1987. William Shakespeare: A Textual Companion. Oxford: Clarendon Press.Google Scholar
Wells, Stanley and Stanton, Sarah, eds. 2002. The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press.Google Scholar
Whitfield White, Paul and Westfall, Suzanne, eds. 2002. Shakespeare and Theatrical Patronage in Early Modern England. Cambridge: Cambridge University Press.Google Scholar
Wilkinson, Robert 1602. The Ievvell for the Eare. STC 25652.7.Google Scholar
Wilson, Richard 2010. ‘Cackling Home to Camelot: Shakespeare’s Welsh Roots’, in Maley, and Schwyzer., Shakespeare and Wales: From the Marches to the Assembly, 191–210.Google Scholar
Wilson, Robert, Drayton, Michael, Munday, Anthony and Hathaway, Richard 1600. Sir John Oldcastle. STC 18795.Google Scholar
Wilson, Thomas 1553. The Arte of Rhetorique. STC 25799.Google Scholar
Wolf, Matt 2018. ‘Double, Double: Two Troublesome Takes on Macbeth’ in The New York Times, 22 March. www.nytimes.com/2018/03/22/theater/macbeth-national-theater-royal-shakespeare-company.html. Last accessed: 8 November 2018.Google Scholar
Wood, Andy 1991. ‘International theatre does not always turn out to be theatre of the world’ in The Guardian, 6 August.Google Scholar
Woods, Leigh 1984. Garrick Claims the Stage: Acting as Social Emblem in Eighteenth-Century England. Westport, CT, and London: Greenwood Press.Google Scholar
Woods, Penelope 2013a. ‘The Two Gentlemen of Verona: Directed by Arne Pohlmeier for the Two Gents Theatre Company (Harare, Zimbabwe and London, UK)’ in Edmondson, , Prescott, and Sullivan, (eds), One Year of Shakespeare: Re-living the World Shakespeare Festival, 223–6.Google Scholar
Woods, Penelope 2013b. ‘Two Gentlemen of Zimbabwe and Their Diaspora Audience’, in Plastow, ed. African Theatre 12: Shakespeare in & out of Africa, 13–27.Google Scholar
Worrall, David 2006. Theatric Revolution: Drama, Censorship and Romantic Period Subcultures. Oxford: Oxford University Press.Google Scholar
Worrall, David 2007. The Politics of Romantic Theatricality: The Road to the Stage. Basingstoke: Palgrave Macmillan.Google Scholar
Worthen, William B. 2003. Shakespeare and the Force of Modern Performance. Cambridge: Cambridge University Press.Google Scholar
Woty, William 1760. ‘The Spouting Club’ in The Shrubs of Parnassus, 91–8.Google Scholar
Woty, William 1780?. The Stage: A Poetical Epistle, to a Friend. London.Google Scholar
Wright, Thomas 1604. The Passions of the Minde. STC 26040.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Sonia Massai, King's College London
  • Book: Shakespeare's Accents
  • Online publication: 07 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108571739.007
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Sonia Massai, King's College London
  • Book: Shakespeare's Accents
  • Online publication: 07 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108571739.007
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Sonia Massai, King's College London
  • Book: Shakespeare's Accents
  • Online publication: 07 May 2020
  • Chapter DOI: https://doi.org/10.1017/9781108571739.007
Available formats
×