Theatre and Politics in Nineteenth-Century Spain Juan De Grimaldi as Impresario and Government Agent
Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgments
- Introduction
- 1 The Spanish stage, 1800–23
- 2 Grimaldi at the beginning of the “Ominous Decade”
- 3 On the eve of Romanticism
- 4 The Romantic stage
- 5 Grimaldi: journalist, historian, diplomat
- 6 Conclusion
- Appendices
- 1 “Cargas que sobre sí tienen los teatros” (Bernardo Gil, 1820)
- 2 Royal Order Concerning Conduct in the Theatre (1826)
- 3 Magical effects in La pata de cabra (1829)
- 4 Bretón de los Herreros reviews La pata de cabra
- 5 List of works approved for performance (1827)
- 6 Grimaldi's letter to Le Constitutionnel (17–IX–1836)
- Notes
- Bibliography
- Index
1 - “Cargas que sobre sí tienen los teatros” (Bernardo Gil, 1820)
Published online by Cambridge University Press: 05 May 2010
Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgments
- Introduction
- 1 The Spanish stage, 1800–23
- 2 Grimaldi at the beginning of the “Ominous Decade”
- 3 On the eve of Romanticism
- 4 The Romantic stage
- 5 Grimaldi: journalist, historian, diplomat
- 6 Conclusion
- Appendices
- 1 “Cargas que sobre sí tienen los teatros” (Bernardo Gil, 1820)
- 2 Royal Order Concerning Conduct in the Theatre (1826)
- 3 Magical effects in La pata de cabra (1829)
- 4 Bretón de los Herreros reviews La pata de cabra
- 5 List of works approved for performance (1827)
- 6 Grimaldi's letter to Le Constitutionnel (17–IX–1836)
- Notes
- Bibliography
- Index
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Theatre and Politics in Nineteenth-Century SpainJuan De Grimaldi as Impresario and Government Agent, pp. 188 - 190Publisher: Cambridge University PressPrint publication year: 1988