Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-78c5997874-g7gxr Total loading time: 0 Render date: 2024-11-10T08:01:54.714Z Has data issue: false hasContentIssue false

Chapter 16 - Trouble and Strife in the Old French Fabliaux

from IV - Genre and Gender

Published online by Cambridge University Press:  28 July 2023

By
Neil Cartlidge
Edited by
Corinne Saunders  and
Diane Watt
Corinne Saunders
Affiliation:
Durham University
Diane Watt
Affiliation:
University of Surrey
Get access

Summary

Neil Cartlidgeߣs essay addresses the genre seemingly least sympathetic to women, that of fabliau, to show that the truth is more complex. Fabliaux, Cartlidge argues, deals in what is literally ߢfabulousߣ: its distortions and caricatured, often obscene or violent humour cannot be read as commenting directly on the treatment of women or reflecting general attitudes to gender but, rather, work through defamiliarisation and absurdity. The essay offers a new perspective on London, BL Harley 2253, through the analysis of four Old French fabliaux found in it, the most concentrated gathering of fabliaux in any extant English manuscript. The group offers a representative selection of the genre, depicting and undercutting sexual desire, violence, and humiliation by taking them to extremes that are both uneasy and absurd. As Cartlidge shows, such works play creatively and troublingly with attitudes to language and shame/honour cultures, marriage, sexuality, and desire. Celebrating neither gender, the fabliaux create communities of readers through the shared laughter of their audiences, male and female.

Keywords

fabliauxgenderburlesquesexual desireviolenceshamemarriagecommunity
Type
Chapter
Information
Women and Medieval Literary Culture
From the Early Middle Ages to the Fifteenth Century
 , pp. 324 - 341
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

Bloch, Howard (1986). The Scandal of the Fabliaux, Chicago: Chicago University Press.Google Scholar
Burns, E. Jane (1993). Bodytalk: When Women Speak in Old French Literature, Philadelphia: University of Pennsylvania Press.Google Scholar
Burr, Kristin L., Moran, John F., and Lacy, Norris J., eds. (2008). The Old French Fabliaux: Essays on Comedy and Context, Jefferson, NC: McFarland.Google Scholar
Crocker, Holly, ed. (2006). Comic Provocations: Exposing the Corpus of Old French Fabliaux, New York: Palgrave.Google Scholar
Fein, Susanna, ed. (2000). Studies in the Harley Manuscript: The Scribes, Contents and Social Contexts of British Library MS Harley 2253, Kalamazoo, MI: TEAMS.Google Scholar
Hines, John (1993). The Fabliau in English, London: Longman.Google Scholar
Muñoz, Nathalie (2014). Disabusing Women in the Old French Fabliaux, New York: Peter Lang.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×