Book contents
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- PART I “SIR JOSHUA AND HOLBEIN” (1860)
- PART II “THE STUDY OF ARCHITECTURE IN SCHOOLS” (1865)
- PART III “THE CESTUS OF AGLAIA” (1865, 1866)
- PART IV “THE RELATION OF NATIONAL ETHICS TO NATIONAL ARTS,” BEING THE REDE LECTURE FOR 1867
- PART V “ON THE PRESENT STATE OF MODERN ART, WITH REFERENCE TO THE ADVISABLE ARRANGEMENT OF A NATIONAL GALLERY” (1867)
- PART VI “FAIRY STORIES”: A PREFACE TO “GERMAN POPULAR STORIES” (1868)
- PART VII “THE FLAMBOYANT ARCHITECTURE OF THE VALLEY OF THE SOMME” (1869)
- PART VIII “THE QUEEN OF THE AIR” (1869)
- PART IX “VERONA, AND ITS RIVERS” (1870)
- APPENDIX: REPORTS OF ADDRESSES ON ART
- Plate section
PART II - “THE STUDY OF ARCHITECTURE IN SCHOOLS” (1865)
Published online by Cambridge University Press: 05 November 2011
- Frontmatter
- Contents
- LIST OF ILLUSTRATIONS
- INTRODUCTION TO THIS VOLUME
- PART I “SIR JOSHUA AND HOLBEIN” (1860)
- PART II “THE STUDY OF ARCHITECTURE IN SCHOOLS” (1865)
- PART III “THE CESTUS OF AGLAIA” (1865, 1866)
- PART IV “THE RELATION OF NATIONAL ETHICS TO NATIONAL ARTS,” BEING THE REDE LECTURE FOR 1867
- PART V “ON THE PRESENT STATE OF MODERN ART, WITH REFERENCE TO THE ADVISABLE ARRANGEMENT OF A NATIONAL GALLERY” (1867)
- PART VI “FAIRY STORIES”: A PREFACE TO “GERMAN POPULAR STORIES” (1868)
- PART VII “THE FLAMBOYANT ARCHITECTURE OF THE VALLEY OF THE SOMME” (1869)
- PART VIII “THE QUEEN OF THE AIR” (1869)
- PART IX “VERONA, AND ITS RIVERS” (1870)
- APPENDIX: REPORTS OF ADDRESSES ON ART
- Plate section
Summary
1. I suppose there is no man who, permitted to address, for the first time, the Institute of British Architects, would not feel himself abashed and restrained, doubtful of his claim to be heard by them, even if he attempted only to describe what had come under his personal observation; much more if on the occasion he thought it would be expected of him to touch upon any of the general principles of the art of architecture before its principal English masters.
But if any more than another should feel thus abashed, it is certainly one who has first to ask their pardon for the petulance of boyish expressions of partial thought; for ungraceful advocacy of principles which needed no support from him, and discourteous blame of work of which he had never felt the difficulty.
2. Yet, when I ask this pardon, gentlemen—and I do it sincerely and in shame—it is not as desiring to retract anything in the general tenor and scope of what I have hitherto tried to say. Permit me the pain, and the apparent impertinence, of speaking for a moment of my own past work; for it is necessary that what I am about to submit to you to-night should be spoken in no disadvantageous connection with that; and yet understood as spoken, in no discordance of purpose with that. Indeed there is much in old work of mine which I could wish to put out of mind.
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- Information
- The Works of John Ruskin , pp. 17 - 40Publisher: Cambridge University PressPrint publication year: 2010First published in: 1905