Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction
- 1 Yorùbá Drumming: Performance Practice and the Politics of Identity
- 2 Talking and Stammering: Toward an Analysis of Yorùbá Drumming
- 3 Songs of the King’s Wives: Gendered and Social Identities in Yorùbá Vocal Performance
- 4 The Aírégbé Song Tradition of Yorùbá Female Chiefs
- 5 Yorùbá Music in the Christian Liturgy: Notation, Performance, and Identity
- 6 Yorùbá Music in Christian Worship: The Aládǔrà Church
- 7 Yorùbá Popular Music: Hybridity, Identity, and Power
- 8 Yorùbá Islamic Popular Music
- Conclusion
- Appendixes
- Notes
- Selected Discography and Videography
- Bibliography
- Index
Contents
Published online by Cambridge University Press: 11 January 2024
- Frontmatter
- Dedication
- Contents
- Acknowledgments
- Introduction
- 1 Yorùbá Drumming: Performance Practice and the Politics of Identity
- 2 Talking and Stammering: Toward an Analysis of Yorùbá Drumming
- 3 Songs of the King’s Wives: Gendered and Social Identities in Yorùbá Vocal Performance
- 4 The Aírégbé Song Tradition of Yorùbá Female Chiefs
- 5 Yorùbá Music in the Christian Liturgy: Notation, Performance, and Identity
- 6 Yorùbá Music in Christian Worship: The Aládǔrà Church
- 7 Yorùbá Popular Music: Hybridity, Identity, and Power
- 8 Yorùbá Islamic Popular Music
- Conclusion
- Appendixes
- Notes
- Selected Discography and Videography
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Yorùbá Music in the Twentieth CenturyIdentity, Agency, and Performance Practice, pp. vii - viiiPublisher: Boydell & BrewerPrint publication year: 2014