Adlung, Jakob.
Anleitung zu der musicalischen Gelahrtheit.
Erfurt:
Jungnicol,
1758; reprint, Kassel: Bärenreiter, 1953.
Google Scholar Adlung, JakobMusica mechanica organoedi. 2 vols.
Berlin:
Friedrich Wilhelm Birnstiel,
1768; reprint, Kassel: Bärenreiter, 1931.
Google Scholar Alpenburg, Johann Neopomuk Ritter von.
Deutsche Alpensagen.
Vienna:
Wilhelm Braumüller,
1861.
Google Scholar Altemark, Joachim. “
Gedanken bei leisem Orgelspiel.” In
Die Orgel in der Gegenwart. Ed.
Gotthold Frotscher, pp.
23–26.
Wolfenbüttel and Berlin:
Georg Kallmeyer,
1939.
Google Scholar Anthes, F. C.Die Tonkunst im evangelischen Cultus.
Wiesbaden:
Friedrich,
1845.
Google Scholar Apel, Willi.
The History of Keyboard Music to 1700. Trans. and rev.
Hans Tischler.
Bloomington:
Indiana University Press,
1972.
Google Scholar Archbold, Lawrence and
William J. Peterson, eds.
French Organ Music: From the Revolution to Franck and Widor.
New York:
University of Rochester Press,
1995.
Google Scholar Atkinson, Catherine.
Inventing Inventors in Renaissance Europe: Polydore Vergil’s “De inventoribus rerum” (1499 and 1521).
Tübingen:
Mohr Siebeck,
2007.
Google Scholar Bach, Carl Philipp Emanuel. “
Auszug eines Schreibens aus – – – vom 27sten Febr. 1788.”
Allgemeine deutsche Bibliothek,
81 (
1788), Pt. 1,
295–303.
Google Scholar Bach, Carl Philipp EmanuelOrgan Works. Series I/9. Ed.
Annette Richards and
David Yearsley (
Los Altos Hills, California:
Packard Humanities Institute,
2008.
Google Scholar Bach, Johann Sebastian.
Clavierübung Dritter Theil.
Leipzig:
the author,
1739; reprint, Paris: Fuzeau, 1989.
Google Scholar Bach, Johann SebastianMusicalisches Opfer / Musical Offering, BWV 1079. Book 1:
Ricercari. Ed.
Christoph Wolff.
Leipzig:
Deutscher Verlag für Musik,
1981.
Google Scholar Bach, Johann SebastianNeue-Bach-Ausgabe: Orgelwerke. 11 vols.
Kassel:
Bärenreiter,
1957–2007.
Google Scholar Bach, Johann SebastianSechs Choräle von verschiedener Art.
Zella:
Schübler,
1746; reprint, Innsbruck: Helbling, 1985.
Google Scholar Baclawski, Karen.
The Guide to Historic Costume.
London:
Batsford,
1995.
Google Scholar Barger, Judith.
Elizabeth Stirling and the Musical Life of Female Organists in Nineteenth-century England.
Aldershot, UK; Burlington, USA:
Ashgate,
2007.
Google Scholar Beckmann, Klaus.
Repertorium Orgelmusik: Komponisten, Werke, Editionen, 1150–2000. 3rd edn.
Mainz:
Schott,
2001.
Google Scholar Bédos de Celles, Francois.
L’art du facteur d’orgues. 3 vols.
Paris:
L. F. Delatour,
1766–1778; reprint, Kassel: Bärenreiter, 1963–1966.
Google Scholar Bédos de Celles, FrancoisKurzgefaßte Geschichte der Orgel aus dem französischen des Dom Bédos de Celles nebst Herons Beschreibung der Wasserorgel. Trans. and ed.
J. C. Vollbeding.
Berlin:
Ernst Felisch,
1793.
Google Scholar Beißwenger, Kirsten. “
Zur Chronologie der Notenhandschriften Johann Gottfried Walthers.” In
Acht kleine Präludien und Studien über BACH: Georg von Dadelsen zum 70. Geburstag. Ed. Collegium of the Bach Institute, Göttingen, pp.
11–39.
Wiesbaden:
Breitkopf & Härtel,
1992.
Google Scholar Belotti, Michael. “
Buxtehude und die norddeutsche Doppelpedaltradition.” In
Dietrich Buxtehude und die europäische Musik seiner Zeit. Ed.
Arnfried Edler, and
Friedhelm Krummacher, pp.
235–244.
Kassel:
Bärenreiter,
1990.
Google Scholar Bendeler, Johann Philipp.
Organopoeia.
Frankfurt and Leipzig:
Calvisius,
1690; reprint, Amsterdam: Knuf, 1972.
Google Scholar Best, William T.Studies for the Pedal.
London:
Novello,
1914.
Google Scholar Bicknell, Stephen.
The History of the English Organ.
Cambridge University Press,
1996.
Google Scholar Böhm, Georg.
Sämtliche Orgelwerke. Ed.
Klaus Beckmann.
Wiesbaden:
Breitkopf & Härtel,
1986.
Google Scholar Boyvin, Jacques.
Premier Livre d’Orgue.
Paris:
Christophe Ballard,
1689–90. 2 vols. Ed.
Jean Bonfils. Paris: Les Éditions Ouvrères, 1969.
Google Scholar Brahms, Johannes.
Briefwechsel mit Philipp Spitta. Ed.
Carl Krebs.
Berlin:
Verlag der Deutschen Brahms-Gesellschaft,
1920.
Google Scholar Bruhns, Nicolaus.
Sämtliche Orgelwerke. Ed.
Harald Vogel.
Wiesbaden:
Breitkopf & Härtel,
2008.
Google Scholar Buchner, Hans.
Sämtliche Orgelwerke. Ed.
Jost Harro Schmit. 2 vols.
Frankfurt:
H. Litolff,
1974.
Google Scholar Bünting, Heinrich.
Itinerarium Sacrae Scripturae.
Magdeburg:
Ambrosius Kirchner,
1589.
Google Scholar Burg, Josef. “
Quelques remarques sur les séjours d’Adolf Friedrich Hesse à Paris.”
L’Orgue Francophone,
13 (
1992),
42–58.
Google Scholar Burkholder, J. Peter. “
The Organist in Ives.”
Journal of the American Musicological Society,
55 (
2002),
255–310.
CrossRef | Google Scholar Burney, Charles.
An Account of the Musical Performances in Westminster-Abbey, and the Pantheon, May 26th, 27th, 29th; and June the 3d, and 5th, 1785.
Dublin:
Moncrieffe, Jenkin, White, H. Whitestone, Burton, and Byrne,
1785.
Google Scholar Burney, CharlesA General History of Music. 4 vols.
London:
Becket, Robson, and Robinson,
1776–1789.
Google Scholar Burney, CharlesThe Present State of Music in France and Italy.
London:
T. Becket and Co.,
1771; reprint, New York: Elibron Classic, 2005.
Google Scholar Burney, CharlesThe Present State of Music in Germany, the Netherlands, and United Provinces. 2 vols. 2nd edn.
London:
Becket, Robson, and Robinson,
1775.
Google Scholar Bush, Douglas E. “
Musicus Consummatissimus: the Biography and Organ Music of Arnolt Schlick.”
Organ Yearbook,
16 (
1985),
26–46.
Google Scholar Buxtehude, Dieterich.
Dieterich Buxtehude: Collected Works. Vol.
xv, Pt. 1. Ed.
Michael Belotti.
New York:
Broude Trust,
1998.
Google Scholar Byrd, Penelope.
Male Image: Men’s Fashions in England, 1300–1970.
London:
Batsford Academic,
1979.
Google Scholar Cave, William.
Scriptorum ecclesiasticorum historia literaria.
London:
Chiswell,
1688–1698.
Google Scholar Chase, Mary Ellen.
Life and Language in the Old Testament.
New York:
Norton,
1955.
Google Scholar Chorley, Henry Fothergill.
Modern German Music. 2 vols.
London:
Smith, Elder, and Co.,
1854.
Google Scholar Chorley, Henry FothergillMusic and Manners in France and Germany. 3 vols.
London:
Longman, Brown, Green, and Longmans,
1844.
Google Scholar Coppy, Joseph and
Jean Willy Kunts.
Helmut Walcha: Nuit de lumière.
Paris:
Broché,
2007.
Google Scholar Dähnert, Ulrich.
Der Orgel- und Instrumentenbauer Zacharias Hildebrandt.
Leipzig:
Breitkopf & Härtel,
1960.
Google Scholar David, Hans T. and
Arthur Mendel, eds., rev.
Christoph Wolff.
The New Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents.
New York:
Norton,
1998.
Google Scholar Dohr, Christoph, ed.
Johann Christian Heinrich Rinck: Dokumente zu Leben und Werk.
Cologne:
Verlag Dohr,
2003.
Google Scholar Douglass, Fenner.
Cavaillé-Coll and the Musicians. 2 vols.
Raleigh:
Sunbury,
1980.
Google Scholar Dürer, Albrecht.
Hierinn sind begriffen vier Bücher von menschlicher Proportion.
Nuremberg:
Albrecht Dürer’s Widow,
1528.
Google Scholar Edler, Arnfried. “
Arnolt Schlick – Musicus consummatissimus ac organista probatissimus.” In
Von Isaac bis Bach: Festschrift Martin Just zum 60. Geburstag, ed.
Frank Heidlberger,
Wolfgang Osthoff and
Reinhard Wiesend, pp.
115–126.
Kassel:
Bärenreiter,
1991.
Google Scholar Edwards, Lynn. “
The Thuringian Organ 1702–1720: ein wohlgerathenes gravitätisches Werk.”
Organ Yearbook,
22 (
1991),
119–150.
Google Scholar Eggebrecht, Hans Heinrich. “
Zwei Nürnberger Orgel-Allegorien des 17. Jahrhunderts.”
Musik und Kirche,
27 (
1957),
170–181.
Google Scholar Ehrenhofer, Walter Edmund.
Taschenbuch des Orgelbau-Revisors.
Graz:
Universitäts-Buchdruckerei,
1908; reprint, Buren, The Netherlands: Fritz Knuf, 1980.
Google Scholar Eichler, Anja.
Albrecht Dürer, 1471–1528, trans.
Fiona Hulse.
Cologne:
Könemann,
1999.
Google Scholar Faulkner, Quentin.
J. S. Bach Keyboard Technique: a Historical Introduction.
St. Louis:
Concordia,
1984.
Google Scholar Faulkner, Quentin “
Musica Mechanica Organoedi and the ‘Bach Organ.’”
BACH: Journal of the Riemenschneider Bach Institute,
21 (
1991),
42–59.
Google Scholar Fétis, François-Joseph.
Biographie universelle des musiciens et bibliographie générale de la musique. 8 vols.
Brussels:
Melines, Cans et Compagnie,
1837–1844.
Google Scholar Fétis, François-JosephBiographie universelle des musiciens, 2nd edn. 8 vols.
Paris:
Firmin-Didot,
1860–1865.
Google Scholar Fischer, Carl August. “
Ein Beitrag zur Geschichte des Orgelwesens in unserem Nachbarlande Böhmen.”
Euterpe,
14 (
1854),
43–45.
Google Scholar Flade, Ernst. “
Literarische Zeugnisse zur Empfindung der ‘Farbe’ und ‘Fabrigkeit’ bei der Orgel.”
Acta musicologica,
22 (
1950),
97–127.
CrossRef | Google Scholar Fock, Gustav.
Arp Schnitger und seine Schule.
Kassel:
Bärenreiter,
1974.
Google Scholar Forkel, Johann Nikolaus.
Allgemeine Geschichte der Musik.
Leipzig:
Schwickert,
1788–1801; reprint, Graz: Akademische Druck- u. Verlagsanstalt, 1967.
Google Scholar Forkel, Johann NikolausMusikalischer Almanach für Deutschland auf das Jahr 1782.
Leipzig:
Schwickert,
1782; reprint, Hildesheim: Olms Verlag, 1974.
Google Scholar Forkel, Johann NikolausUeber Johann Sebastian Bachs Leben, Kunst und Kunstwerke.
Leipzig:
Hoffmeister & Kühnel,
1802; reprint, Kassel: Bärenreiter, 1999.
Google Scholar Freylinghausen, Johann Anastasius.
Geistreiches Gesang-Buch.
Halle:
Verlegung des Waysenhauses,
1741.
Google Scholar Friedel, Robert and
Paul Israel.
Edison’s Electric Light: Biography of an Invention.
New Brunswick, New Jersey:
Rutgers University Press,
1987.
Google Scholar Frotscher, Gottfried.
Geschichte des Orgelspiels und der Orgelkomposition. 2 vols.
Berlin:
Max Hesse,
1935.
Google Scholar Frotscher, Gottfried “
Orgelideale aus vier Jahrhunderten.” In
Die Orgel in der Gegenwart. Ed.
Frotscher, pp.
17–23.
Wolfenbüttel and Berlin:
Georg Kallmeyer,
1939.
Google Scholar Frotscher, Gottfried Ed.
Die Orgel in der Gegenwart.
Wolfenbüttel and Berlin:
Georg Kallmeyer,
1939.
Google Scholar Gailíte, Zane. “
Johann Gottfried Müthel, die Bach-Familie und die ‘Wahre Art, das Clavier zu Spielen’ in Riga.” In
Die Verbreitung der Werke Carl Philipp Emanuel Bachs in Ostmitteleuropa im 18. und 19. Jahrhundert, ed.
Ulrich Leisinger und
Hans-Günter Ottenberg, pp.
480–514.
Frankfurt an der Oder:
Mess- und Veranstaltungs GmbH,
2002.
Google Scholar Gauntlett, John Henry. “
Mendelssohn as Organist.”
Musical World,
7 (
1837),
8–10.
Google Scholar Geck, Martin.
Johann Sebastian Bach: Life and Work. Trans.
John Hargraves.
Boston:
Houghton Mifflin Harcourt,
2006.
Google Scholar Gerber, Ernst Ludwig.
Historisch-biographisches Lexicon der Tonkünstler. 2 vols.
Leipzig:
Breitkopf,
1790–1792.
Google Scholar Goethe, Johann Wolfgang von.
Goethe’s Letters to Zelter: with Extracts from those of Zelter to Goethe. Ed.
A. D. Coleridge.
London:
George Bell and Sons,
1892.
Google Scholar Grieshofer, Franz. “
Die Tracht der Kleidung: Bermerkungen zur Darstellung der europäischen Nationen auf der ‘Völkertafel.’” In
Europäischer Völkerspiegel: Imagologisch-ethnographische Studien zu den Völkertafeln des frühen 18. Jahrhunderts. Ed.
Franz K. Stanzel, pp.
45–66.
Heidelberg:
Universitätsverlag C. Winter,
1999.
Google Scholar Gurgel, Anne Marlene, ed.
Dresdner Orgelmusik. Vol. 1: Orgelmusik des 19. Jahrhunderts.
St. Augustin:
Butz,
2002.
Google Scholar Gwynn, Dominic. “
Lost Worlds: The English Organ Before 1700.” In
Music and its Problems: Essays in Honor of Peter Williams, ed.
Thomas Donahue, pp.
23–47.
Richmond, Virginia:
OHS Press,
2007.
Google Scholar Handel, George Frideric.
Organ Concertos, Op. 4. Arranged by W. T. Best.
London:
Novello [
1858]; reprint, New York: Dover, 2001.
Google Scholar Handel, George FridericOrgelkonzerte I. Hallische Händel Ausgabe. Ser IV/2. Ed.
Terence Best and
William D. Gudger.
Kassel:
Bärenreiter,
2001.
Google Scholar Handel, George FridericOrgelkonzerte II. Hallische Händel Ausgabe. Ser IV/8. Ed.
Eva Gerlach and
Ingeborg Schneider.
Kassel:
Bärenreiter,
1989.
Google Scholar Harrassowitz, Hermann. “
Geschichte der Kirchenmusik an St. Lorenz in Nürnberg.”
Mitteilung des Vereins der Stadt Nürnberg,
60 (
1973),
1–15.
Google Scholar Häuser, Johann Ernst.
Geschichte der christlichen, insbesondere des evangelischen Kirchengesanges und der Kirchenmusik.
Quedlinburg and Leipzig:
Basse,
1834.
Google Scholar Heller, Morton A., ed.
Touch, Representation, and Blindness.
Oxford University Press,
2000.
CrossRef | Google Scholar Hess, Joachim.
Dispositien der merkwaardigste kerk-Orgelen.
Gouda:
Johannes Vander Klos,
1774.
Google Scholar Hesse, Adolf Friedrich. “
Aus dem Schreiben von Adolph Hesse.”
Euterpe,
4 (
1844),
140–142.
Google Scholar Hesse, Adolf Friedrich “
Orgelspiel in London.”
Euterpe,
11 (
1851),
99–100.
Google Scholar Hesse, Adolf FriedrichOrgelwerke. Vol.
I, ed.
Otto Depenheuer.
St. Augustin:
Butz,
1989.
Google Scholar Hesse, Adolf Friedrich “
Musikdirector A. Hesse in London und Paris.”
Euterpe,
21 (
1862),
108–111.
Google Scholar Hill, Robert.
Keyboard Music from the Andreas Bach Book and the Möller Manuscript.
Cambridge, Massachusetts:
Harvard University Press,
1991.
Google Scholar Holmes, Edward. “
The Actual Organists of Germany.”
The Atlas,
10 (
1835),
775–776, 792.
Google Scholar Holmes, EdwardA Ramble among the Musicians of Germany.
London:
Hunt and Clarke,
1828.
Google Scholar Horton, Peter.
Samuel Sebastian Wesley: A Life.
Oxford University Press,
2004.
Google Scholar Hutchison, Jane Campbell.
Albrecht Dürer: a Biography.
Princeton University Press,
1990.
Google Scholar Joeres, Ruth-Ellen Boetcher. “
The German Enlightenment (1720–1790).” In
The Cambridge History of German Literature, ed.
Helen Watanabe-O’Kelly, pp.
147–201.
Cambridge University Press,
1997.
CrossRef | Google Scholar John, Hans.
Der Dresdner Kreuzkantor und Bach-Schüler Gottfried August Homilius.
Tutzing:
Hans Schneider,
1980.
Google Scholar Johnson, Cleveland, ed.
Orphei organi antiqui: Essays in Honor of Harald Vogel.
Orcas, Washington:
Westfield Center,
2006.
Google Scholar Jones, Peter Ward.
The Mendelssohns on Honeymoon: the 1837 Diary of Felix and Cécile Mendelssohn Bartholdy Together with Letters to Their Families.
Oxford:
Clarendon Press,
1997.
Google Scholar Kassler, Michael, ed.
The English Bach Awakening.
Aldershot, UK; Burlington, USA:
Ashgate,
2004.
Google Scholar Keyl, Stephen.
Arnolt Schlick and Instrumental Music circa 1500. Ph.D. diss.,
Duke University,
1989.
Google Scholar Keyßler, Johann Georg.
Neueste Reisen durch Deutschland, Böhmen, Ungarn, die Schweiz, Italien und Lothringen. 2nd rev. edn. 2 vols.
Hannover:
Heirs of Nicolai Förster and Son,
1751.
Google Scholar Kindermann, Johann Erasmus.
Harmonia organica. Nuremberg: the author, 1645;
Stuttgart:
Cornetto,
2007.
Google Scholar Kindermann, Johann ErasmusHarmonia organica: 14 Præambulum in den Kirchentonarten, 5 Choralbearbeitungen, 4 Fugen, Magnificat im 4. und 8. Ton (Nürnberg, 1645). Ed.
Rudolf Walter.
Altütting:
Coppenrath, c. 1960.
Google Scholar Kircher, Athanasius.
Germaniae redonatus: sive artis magnae de consono et dissono ars minor. Trans.
Andreas Hirsch.
Schwäbisch Hall:
Hans Reinhold Laidigen and Johann Christoph Gräter,
1662.
Google Scholar Krebber, SabineMusurgia universalis.
Rome:
Corbelletto,
1650; reprint, Kassel: Bärenreiter, 1988.
Google Scholar Kittel, Johann Christian.
Der angehende praktische Organist. 3 vols.
Erfurt:
Beyer and Maring,
1801–1808; reprint, Buren: Knuf, 1981.
Google Scholar Kittel, Johann ChristianVierstimmige Choräle mit Vorspielen . . . für die Schleswig-Hollsteinischen Kirchen. 2 vols.
Altona:
J. F. Hammerich,
1803.
Google Scholar Knecht, Justin Heinrich.
Vollständige Orgelschule für Anfänger und Geübtere.
Leipzig:
Breitkopf,
1795; reprint, Wiesbaden: Breitkopf & Härtel, 1989.
Google Scholar Kollmann, August Frederic Christopher.
An Essay on Practical Musical Composition.
London:
the author,
1799; reprint, New York: Da Capo Press, 1973.
Google Scholar Kollmann, August Frederic ChristopherA. F. C. Kollmann’s Quarterly Musical Register (1812); an Annotated Edition with an Introduction to his Life and Works. Ed.
Michael Kassler.
Aldershot, UK; Burlington, USA:
Ashgate,
2008.
Google Scholar Komlós, Katalin. “
Mozart and the Organ: Piping Time.”
Musical Times,
143 (
2002),
59–61.
CrossRef | Google Scholar Krebber, Sabine.
Der Spaziergang in der Kunst.
Frankfurt:
Peter Lang,
2002.
Google Scholar Lahee, Henry Charles.
The Organ and Its Masters.
Boston:
L. C. Page,
1903.
Google Scholar Langley, Robin, ed.
The English Organ: An Anthology from Four Centuries in Ten Volumes. Vol.
viii:
1740–1815.
London:
Novello,
1988.
Google Scholar Langley, RobinThe English Organ: An Anthology from Four Centuries in Ten Volumes. Vol.
ix: Thomas Attwood to Thomas Attwood Walmisley.
London:
Novello,
1988.
Google Scholar Laukvik, Jon.
Orgelschule zur historischen Aufführungspraxis, trans.
Brigitte and
Michael Harris.
Stuttgart:
Carus,
1996.
Google Scholar Leaver, Robin A. “
Bach’s ‘Clavierübung III’: Some Historical and Theological Considerations.”
Organ Yearbook,
6 (
1975),
17–32.
Google Scholar Leaver, Robin A.Bach’s Theological Library.
Neuhausen-Stuttgart:
Hänssler-Verlag,
1983.
Google Scholar Lendon-Bennett, Mark.
The Organist’s Pedal Callisthenics or Gymnastic Exercises – for the Development of the Muscles Brought into Action in Organ Pedal Playing.
London:
Guild of Church Musicians,
1899.
Google Scholar Leyding, Georg.
Sämtliche Orgelwerke, ed.
Klaus Beckmann.
Wiesbaden: Breitkopf & Härtel,
1984.
Google Scholar Lunelli, Renato. “
Contributi trentini alle relazioni musicali fra l’Italia e la Germania nel Rinascimento.”
Acta Musicologica,
21 (
1949),
41–70.
CrossRef | Google Scholar Lunelli, Renatoet al.
I “bellissimi organi” della Basilica di S. Maria Maggiore in Trento.
Trent:
Comitato per le Manifestazioni Inaugurali,
1945.
Google Scholar Lunelli, RenatoDer Orgelbau in Italien in seinen Meisterwerken. Trans.
Carl Elis and
Paul Smets.
Mainz:
Rheingold,
1956.
Google Scholar Lunelli, RenatoStudi e Documenti di Storia Organaria Veneta.
Florence:
San Giorgio Maggiore,
1973.
Google Scholar Marchand, Louis.
Livre d’orgue. Ed.
Alexandre Guilmant and
André Pirro.
Paris:
Durand,
1901–1904; reprint, New York: Schott, 1908.
Google Scholar Marpurg, Friedrich Wilhelm.
Abhandlung von der Fuge. 2 vols.
Berlin:
Haube & Spener,
1753–1754; reprint, Hildesheim: Olms Verlag, 1970.
Google Scholar Marpurg, Friedrich WilhelmCritischer Musikus an der Spree.
Berlin:
Haube & Spener,
1749–1750; reprint, New York: Olms Verlag, 1970.
Google Scholar Marpurg, Friedrich WilhelmHistorisch-Kritische Beyträge zur Aufnahme der Musik. 5 vols.
Berlin:
G. A. Lange,
1754–1758.
CrossRef | Google Scholar Marshall, Kimberly, ed.
Historical Organ Techniques and Repertoire, vol.iii: Late-Medieval Before 1460. Gen. Ed.
Wayne Leupold.
Colfax, North Carolina:
Wayne Leupold Editions,
2000.
Google Scholar Martin, Dieter. “
Vom ‘unsterblichen Leipziger’ zum ‘vortreflicher Berliner’: Ein unbekanntes Dokument: J. S. Bach und C. Ph. E. Bach als Exempla in einer Kritik F. Nicolais an J. J. Bodmer.”
Bach-Jahrbuch,
77 (
1991),
193–198.
CrossRef | Google Scholar Martini, Johann Paul Aegidius.
École d’orgue.
Paris:
Imbault,
1805; reprint Geneva: Minkoff, 1974.
Google Scholar Mason, Lowell.
A Yankee Musician in Europe: the 1837 Journals of Lowell Mason. Ed.
Michael Broyles.
Ann Arbor, Michigan:
UMI Research Press,
1990.
Google Scholar Mattheson, Johann.
Grosse General-Bass Schule.
Hamburg:
J. C. Kißner,
1731; reprint, Hildesheim: Olms Verlag, 1968.
Google Scholar Mattheson, JohannGrundlage einer Ehren-Pforte. Hamburg: the author, 1740. Modern edition, ed.
Max Schneider.
Berlin:
Liepmannssohn,
1910; reprint, Kassel: Bärenreiter, 1969.
Google Scholar Mattheson, JohannDer Musicalische Patriot.
Hamburg:
the author,
1728.
Google Scholar Mattheson, JohannPhilologisches Tresespiel.
Hamburg:
Johann Adolph Martin,
1752.
Google Scholar Mattheson, JohannDer vollkommene Capellmeister.
Hamburg:
Christian Herold,
1739; reprint, Kassel: Bärenreiter, 1954. English trans. Ernest C. Harriss.
Johann Mattheson’s “Der vollkommene Capellmeister”: a revised translation with critical commentary. Ann Arbor, Michigan: UMI Research Press, 1981.
Google Scholar Maul, Michael and
Peter Wollny, eds.
Weimarer Orgeltabulatur: Die frühesten Notenhandschriften Johann Sebastian Bachs sowie Abschriften seines Schülers Johann Martin Schubart.
Kassel:
Bärenreiter,
2007.
Google Scholar McCrea, Andrew. “
British Organ Music after 1800.” In
The Cambridge Companion to the Organ, ed.
Nicholas Thistlethwaite and
Geoffrey Webber, pp.
279–298.
Cambridge University Press,
1999.
CrossRef | Google Scholar McCrea, Andrew “
A Note on Thomas Adams and his Showroom Demonstrations.”
Journal of the British Institute of Organ Studies,
25 (
2001),
78–95.
Google Scholar Mendelssohn Bartholdy, Felix.
Felix Mendelssohn: A Life in Letters. Ed.
Rudolf Elvers. Trans.
Craig Tomlinson.
New York:
Fromm,
1986.
Google Scholar Mendelssohn Bartholdy, FelixFelix Mendelssohn Bartholdy: Glückliche Jugend (Briefe des jungen Komponisten). Ed.
Günter Schulz.
Bremen:
Jacobi Verlag,
1971.
Google Scholar Mendelssohn Bartholdy, FelixLetters of Felix Mendelssohn Bartholdy from 1833 to 1847. Ed.
Paul Mendelssohn Bartholdy and
Carl Mendelssohn Bartholdy. Trans.
Lady Wallace.
London:
Longman, Green, Longman, Roberts, & Green,
1863.
Google Scholar Mendelssohn Bartholdy, FelixNeue Ausgabe sämtlicher Orgelwerke. Ed.
Christoph Albrecht. 2 vols.
Kassel:
Bärenreiter,
1993–1994.
Google Scholar Mendelssohn Bartholdy, FelixSämtliche Briefe. Vol.
i. Ed.
Juliette Appold and
Regina Back.
Kassel:
Bärenreiter,
2008.
Google Scholar Mendelssohn Bartholdy, FelixSämtliche Briefe. Vol.
ii. Ed.
Anja Morgenstern and
Uta Wald.
Kassel:
Bärenreiter,
2009.
Google Scholar Mersenne, Marin.
Harmonie Universelle. 3 vols.
Paris:
Sebastien Cramoisy,
1636–1637; reprint, Paris: Éditions du Centre National de la Recherche Scientifique, 1963. English trans.
Robert E. Chapman.
Harmonie Universelle: The Books on Instruments. The Hague: Martinus Nijhoff, 1957.
Google Scholar Misson, Francois Maximilien.
Nouveau voyage d’Italie.
The Hague:
Bulderen,
1691.
Google Scholar Morgan, Michael J.Molyneux’s Question: Vision, Touch, and the Philosophy of Perception.
Cambridge University Press,
1977.
Google Scholar Moser, Hans Joachim.
Die Musik der deutschen Stämme.
Vienna and Stuttgart:
Wancura,
1957.
Google Scholar Moser, Hans Joachim “
Die Niederlande in der Musikgeographie Europas.” In
International Society for Musical Research, Fifth Congress, Utrecht, 3–7 July 1952: Report.
Amsterdam:
Alsbach,
1953.
Google Scholar Moser, Hans JoachimPaul Hofhaimer.
Stuttgart and Berlin:
Cotta,
1929.
Google Scholar Moser, Hans Joachim “
Eine Trienter Orgeltabulatur aus Hofhaimers Zeit.” In
Studien zur Musikgeschichte: Festschrift für Guido Adler, zum 75. Geburtstag, pp.
84–86.
Vienna:
Universal Edition,
1930.
Google Scholar Mozart, Wolfgang Amadeuset al.
The Letters of Mozart and His Family. 3rd edn. Ed. and trans.
Emily Anderson.
London: Macmillan,
1985.
Google Scholar Müthel, Johann Gottfried.
Orgelwerke. Ed.
Rüdiger Wilhelm. 2 vols.
Innsbruck:
Helbling,
1985.
Google Scholar Müthel, Johann GottfriedTechnische Übungen. Manuscript in Staatsbibliothek zu Berlin, Mus. ms. 15762/i–ii.
Google Scholar Natorp, Bernhard Christoph Ludwig.
Ueber Rinck’s Präludien.
Essen:
Bädeker,
1834.
Google Scholar Nemeitz, Joachim Christoph.
Nachlese besonderer Nachrichten von Italien, als ein Supplement von Misson, Burnet, Addisson, und andern.
Leipzig:
Johann Friedrich Gleditsch,
1726.
Google Scholar Neubacher, Jürgen. “
Johann Ernst Bernhard Pfeiffer und die Organistenproben.” In
Critica musica: Studien zum 17. und 18. Jahrhundert: Festschrift Hans Joachim Marx zum 65. Geburtstag, ed.
Nicole Ristow,
Wolfgang Sandberger and
Dorothea Schröder, pp.
221–232.
Stuttgart:
Metzler,
2001.
CrossRef | Google Scholar Neukomm, Sigismund.
25 Grandes Études pour Orgues. Ed.
Francois Sabatier and
Nanon Bertrand-Tourneur.
Paris:
Editions Publimuses,
1999.
Google Scholar Ochse, Orpha.
Organists and Organ Playing in Nineteenth-Century France and Belgium.
Bloomington:
Indiana University Press,
1994.
Google Scholar Ornithoparchus, Andreas.
Musicae activae micrologus.
Leipzig:
Schumann,
1517; reprint, New York: Dover, 1973.
Google Scholar Ottenberg, Hans-Günter, ed.
Carl Philipp Emanuel Bach Spurensuche: Leben und Werk in Selbstzeugnissen und Dokumenten seiner Zeitgenossen.
Leipzig:
E. A. Seemann,
1994.
Google Scholar Owens, Jessie Ann.
Composers at Work: the Craft of Musical Composition, 1450–1600.
Oxford University Press,
1997.
CrossRef | Google Scholar Pearce, Charles W.The Evolution of the Pedal Organ and Matters Connected Therewith.
London:
Musical Opinion,
1927.
CrossRef | Google Scholar Pearce, Charles W.Notes on English Organs of the Period 1800–1810.
London:
Vincent Music Co.; and Boston: T. J. Donland,
1912.
Google Scholar Petri, Johann Samuel.
Anleitung zur praktischen Musik.
Leipzig:
Breitkopf,
1782.
Google Scholar Polko, Elise.
Reminiscences of Felix Mendelssohn-Bartholdy: a Social and Artistic Biography. Trans.
Lady Grace Wallace.
London:
Longmans, Green, and Co.,
1869.
Google Scholar Praetorius, Michael.
Syntagma musicum III: De organographia.
Wolfenbüttel:
Elias Holwein,
1619; reprint, Kassel: Bärenreiter, 1985.
Google Scholar Printz, Wolffgang Caspar.
Historische Beschreibung der edelen Sing- und Kling-Kunst.
Dresden:
Johann Georg,
1690; reprint, Graz: Akademische Druck-und Verlagsanstalt, 1964.
Google Scholar Praetorius, MichaelPhrynis Mitylenaeus, oder Satyrischer Componist.
Dresden and Leipzig:
Johann Christoph Mieth and Johann Christoph Zimmermann,
1696.
Google Scholar Quantz, Johann Joachim.
Versuch einer Anweisung, die Flöte traversiere zu spielen.
Berlin:
Voss,
1752; reprint, Leipzig: Deutscher Verlag für Musik, 1983. Trans. as
On Playing the Flute. 2nd edn. Trans.
Edward R. Reilly. New York: Schirmer, 1985.
Google Scholar Rampe, Siegbert, ed.
Orgel- und Claviermusik der kaiserlichen Hofkapelle, Wien, 1500–1700.
Kassel:
Bärenreiter,
2006.
Google Scholar Ribeiro, Aileen.
Dress in Eighteenth-Century Europe, 1715–1719.
New York:
Holmes & Meier,
1985.
Google Scholar Ribeiro, AileenA Visual History of Costume: The Eighteenth Century.
London:
Batsford,
1983.
Google Scholar Richter, Tobias.
Keyboard Works. In
Denkmäler der Tonkunst in Österreich. Vol.
xxvii. Ed.
Hugo Botsbiber.
Graz:
Akademische Druck- und Verlagsanstalt,
1959.
Google Scholar Riello, Giorgio.
A Foot in the Past: Producers and Footwear in the Long Eighteenth Century.
Oxford University Press,
2006.
Google Scholar Riethmüller, Albrecht. “
Die Bestimmung der Orgel im Dritten Reich.” In
Orgel und Ideologie: Bericht über das fünfte Colloquium der Walcker-Stiftung für orgelwissenschaftliche Forschung 5.–7. Mai 1983 in Göttweig. Ed.
Hans Heinrich Eggebrecht, pp.
28–61.
Musikwissenschaftliche Verlags-Gesellschaft:
Murrhardt,
1984.
Google Scholar Rinck, Johann Christian Heinrich.
Selbstbiographie.
Breslau:
G. P. Aderholz,
1833.
Google Scholar Ritter, A. G.Zur Geschichte des Orgelspiels.
Leipzig:
Hesse,
1884.
Google Scholar Sabellicus, Antonius Coccius.
Enneade X. In
Operibus omnibus. 4 vols.
Basel:
Johannes Hervagius,
1560.
Google Scholar Salmen, Walter.
Calcanten and Orgelzieherinnen: Geschichte eines “niederen Dienstes.”Hildesheim:
Olms Verlag,
2007.
Google Scholar Scheibe, Johann Adolf.
Der critische Musicus. 2nd edn.
Leipzig:
Breitkopf,
1745; reprint, Hildesheim: Olms Verlag, 1970.
Google Scholar Scheidt, Samuel.
Tabulatura nova (1624). Ed.
Harald Vogel. 3 vols.
Wiesbaden:
Breitkopf & Härtel,
1994–2002.
Google Scholar Schlick, Arnolt.
Gaude dei genitrix, Ascendo ad patrem meum. Manuscript. Archivio Principato Vescovile, Sezione tedesca Miscellanea 105, Archivio di Stato Trento.
Google Scholar Schlick, ArnoltHommage à L’Empereur Charles-Quint. Ed.
M. S. Kastner.
Barcelona:
Boileau,
1954.
Google Scholar Schlick, ArnoltOrgelkompositionen. Ed.
Rudolf Walter.
Mainz:
B. Schott’s Söhne,
1969.
Google Scholar Schlick, ArnoltSpiegel der Orgel-macher und Organisten. Mainz: Peter Schöffer, 1511. Parallel trans.
Elizabeth Berry Barber.
Buren:
Knuf,
1980.
Google Scholar Schlick, ArnoltTabulaturen Etlicher lobgesang und lidlein uff die orgeln und lauten.
Mainz:
Peter Schöffer,
1512; reprint, Leipzig: Zentralantiquariat, 1979.
Google Scholar Schneider, Friedrich.
Handbuch des Organisten. 4 vols.
Halberstadt:
Brüggeman,
1830–1832. English edn.,
Frederick Schneider’s Complete Theoretical and Practical Instruction for Playing the Organ, with Numerous Exercises for Acquiring the Use of the Pedals. Trans.
Charles Flaxman. London: Novello, 1832.
Google Scholar Schubart, Christian Friedrich Daniel.
Vermischte Schriften. 2 vols. Ed.
Ludwig Schubart.
Zürich:
Gessner,
1812.
Google Scholar Seyfried, Hans Jürgen.
Adolph Friedrich Hesse als Orgelvirtuose und Orgelkomponist.
Regensburg:
Gustav Bosse,
1965.
Google Scholar Sieling, Andreas. “
Der Dresdner Hoforganist Johann Gottlob Schneider.” In
Zur deutschen Orgelmusik des 19. Jahrhunderts, ed.
Hermann J. Busch and
Michael Heinemann, pp.
185–192.
Sinzig:
Schewe,
1998.
Google Scholar Smart, George Thomas.
Leaves from the Journals of Sir George Smart, ed. H. Bertram Cox and C. L. E. Cox.
London:
Longmans, Green & Co.,
1907; reprint, New York: Da Capo, 1971.
Google Scholar Smith, Rollin. “
Pipe Organs of the Rich and Famous: Queen Victoria and Prince Albert”.
The American Organist,
41 (May,
2007),
96.
Google Scholar Snyder, Kerala “
Buxtehude’s Organs: Helsingør, Helsingborg, Lübeck. 2: The Lübeck Organs.”
Musical Times,
126 (
1985),
427–434.
CrossRef | Google Scholar Snyder, KeralaDieterich Buxtehude: Organist in Lübeck. 2nd edn.
New York:
University of Rochester Press,
2007.
Google Scholar Spitta, Philipp.
J. S. Bach. Trans.
Clara Bell and
J. A. Fuller-Maitland. 3 vols.
London:
Novello,
1889; reprint, New York: Dover, 1951.
Google Scholar Sponsel, Johann Ulrich.
Orgelhistorie.
Nuremberg: G. P.Monath,
1771; reprint, Hilversum: Knuf, 1968.
Google Scholar Stauffer, George. “
Boyvin, Grigny, D’Anglebert, and Bach’s Assimilation of French Classical Organ Music.”
Early Music,
21 (
1993),
83–96.
CrossRef | Google Scholar Stauffer, George and
Ernest May, eds.
J. S. Bach as Organist: His Instruments, Music, and Performance Practices.
London:
B. T. Batsford,
1986.
Google Scholar Steigleder, Johann Ulrich.
Compositions for Keyboard I. Corpus of Early Keyboard Music, vol.
xiii. Ed.
Willi Apelet al.
American Institute of Musicology,
1968.
Google Scholar Steigleder, Johann UlrichTabulatur Buch, darinnen dass Vatter Unser auf 2, 3, und 4, Stimmen Componiert, und Viertzig mal Varirt würdt.
Strasbourg:
Marx von der Heiden,
1627.
Google Scholar Stinson, RussellThe Reception of Bach’s Organ Works.
Oxford University Press,
2006.
Google Scholar Stinson, Russell “
Some Thoughts on Bach’s Neumeister Chorales.”
Journal of Musicology,
11 (
1993),
455–477.
CrossRef | Google Scholar Stirling, Elizabeth.
Romantic Pieces for Organ. Ed.
Barbara Harbach.
Pullman, Washington:
Vivace,
1995.
Google Scholar Suchalla, Ernst, ed.
Carl Philipp Emanuel Bach: Briefe und Dokumente, Kritische Gesamtausgabe.
Göttingen:
Vandenhoeck & Ruprecht,
1994.
Google Scholar Sykes, Ingrid.
Women, Science and Sound in Nineteenth-Century France.
Frankfurt:
Peter Lang,
2007.
Google Scholar Tattershall, Susan and
James Wyly.
The Brebos Organs of El Escorial.
Wilmington, Ohio:
OHS Press,
2006.
Google Scholar Thalben-Ball, George.
Variations on a Theme by Paganini for Pedals.
London:
Novello,
1962.
Google Scholar Thistlethwaite, Nicholas.
The Making of the Victorian Organ.
Cambridge University Press,
1990.
Google Scholar Thistlethwaite, Nicholas “
Organs and Arminians in Early Seventeenth-Century Cambridge.” In
Litterae organi: Essays in Honor of Barbara Owen, ed.
John Ogasapian,
Scot L. Huntington,
Len Levasseur and
N. Lee Orr, pp.
27–50.
Richmond, Virgina:
OHS Press,
2005.
Google Scholar Tunder, Franz.
Sämtliche Orgelwerk. Ed.
Klaus Beckmann. 4th edn.
Wiesbaden:
Breitkopf & Härtel,
1985.
Google Scholar Türk, Daniel Gottlob.
Von den wichtigsten Pflichten eines Organisten.
Halle:
Schwickert,
1787.
Google Scholar van der Straeten, Edmond.
La Musique aux Pays-Bas avant le XIXe Siècle.
Brussels:
Van Trigt,
1878.
Google Scholar Vergil, Polydore.
De inventoribus rerum.
Venice:
De Pensis,
1499.
Google Scholar Vignoles, Olinthus J.Memoir of Sir Robert P. Stewart.
London:
Simpkin, Marshall, Hamilton, Kent, & Co.,
1899.
CrossRef | Google Scholar Vignoles, Olinthus J.Eigentlicher Bericht, der Erfinder aller Ding. Trans.
Marcus Tatius Alpinus.
Frankfurt:
Weygand Han, c. 1550.
Google Scholar Vignoles, Olinthus J.On Discovery. Ed. and trans.
Brian P. Copenhaver.
Cambridge, Massachusetts:
Harvard University Press,
2002.
Google Scholar Walther, J. G.Musicalisches Lexicon.
Leipzig:
Wolffgang Deer,
1732; reprint, Kassel: Bärenreiter, 1953.
Google Scholar Walther, J. G.Sämtliche Orgelwerke. Ed.
Klaus Beckmann. 4 vols.
Wiesbaden:
Breitkopf & Härtel,
1998.
Google Scholar Weckman, Matthias.
Choral-Bearbeitungen für Orgel. Ed.
Werner Breig.
Kassel:
Bärenreiter,
1977.
Google Scholar Werckmeister, Andreas.
Organum Gruningense redivivum.
Quedlinburg and Aschersleben:
Struntz,
1705.
Google Scholar Wesley, Samuel Sebastian.
Original Compositions for the Organ. Ed.
G. M. Garrett.
London and New York:
Novello, Ewer and Co., c. 1900.
Google Scholar West, John E.Cathedral Organists Past and Present.
London:
Novello,
1899.
Google Scholar Williams, Peter. “
BWV 565: A Toccata in D Minor for Organ by J. S. Bach?”
Early Music,
9 (
1981),
330–337.
CrossRef | Google Scholar Williams, Peter “
Early References to the Organ in Presentday Southern Germany.” In
Musicus Doctus: Festschrift für Hans Musch zum 65. Geburtstag. Ed.
Kay Johannsen,
Georg Koch and
Stephan Rommelspacher.
Freiburg:
Verlag Freiburger Musik,
2000.
Google Scholar Williams, PeterThe European Organ.
Bloomington and London:
Indiana University Press,
1966.
Google Scholar Williams, PeterThe Organ Music of J. S. Bach.
Cambridge University Press, 2nd edn.,
2002.
Google Scholar Williams, Peterand Barbara Owen, The New Grove Organ.
London:
Macmillan,
1988.
Google Scholar Wolff, Christoph.
Johann Sebastian Bach: The Learned Musician.
New York:
Norton,
2000.
Google Scholar Wolff, Christoph Ed.
The Neumeister Collection of Chorale Preludes from the Bach Circle (Yale University Manuscript LM 4708).
New Haven:
Yale University Press,
1986.
Google Scholar Wolff, ChristophAnd Markus Zepf.
Die Orgeln Johann Sebastian Bachs: Ein Handbuch.
Leipzig:
Evangelische Verlagsanstalt,
2006.
Google Scholar Yearsley, David.
Bach and the Meanings of Counterpoint.
Cambridge University Press,
2002.
Google Scholar Yearsley, David “
An Ideal Organ and Its Experts across the Seventeenth Century.” In
The Organ as a Mirror of Its Time, ed.
Kerala Snyder, pp.
93–112.
Oxford University Press,
2002.
Google Scholar Yearsley, David“Stylus Phantasticus and the New Musical Imagination.” In
GOArt Research Reports, vol.
ii, ed.
Sverker Jullander, pp.
91–105.
University of Gothenburg Press,
2000.
Google Scholar Zavarsky, Ernest. “
Zum Pedalspiel des jungen Johann Sebastian Bach.”
Musikforschung,
18 (
1965),
370–378.
CrossRef | Google Scholar Zedler, Johann Heinrich.
Grosses vollständiges Universal-Lexicon. 64 vols.
Leipzig:
Zedler,
1732–1754; reprint, Graz: Akademische Druk- und Verlagsanstalt, 1961–1964.
Google Scholar Zehmen, Emanuel Leberecht von.
Reise des Erb-Prinzen Leopold zu Anhalt-Cöthen nach Holland vom Jahre 1710.
Köthen, Historisches Museum, Register 1734, Inventar-Nr. VS 462.
Google Scholar Zingerle, Ignaz Vincenz.
Sagen, Märchen und Gebräuche aus Tirol.
Innsbruck:
Wagner,
1859.
Google Scholar Zöllner, Stefan.
Orgelmusik im nationalsozialistischen Deutschland.
Frankfurt:
Peter Lang,
1999.
Google Scholar