The Cambridge History of Musical Performance

doi:10.1017/CHOL9780521896115

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Crossref Citations

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Wright, David C. H. 2019. The Royal College of Music and its Contexts.

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Fenlon, Iain and Wistreich, Richard 2019. The Cambridge History of Sixteenth-Century Music.

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Lalitte, Philippe 2022. Temporality and Texture in the Performance of George Crumb’sMusic for a Summer Evening. Contemporary Music Review, Vol. 41, Issue. 1, p. 86.

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Weißenfeld, Jana 2023. Geschichte der musikalischen Interpretation im 19. und 20. Jahrhundert, Band 3. p. 194.

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Edited by Colin Lawson, Royal College of Music, London, Robin Stowell, Cardiff University

Publisher:: Cambridge University Press
Online publication date:: March 2012
Print publication year:: 2012
Online ISBN:: 9781139025966
DOI:: https://doi.org/10.1017/CHOL9780521896115

Subjects:: Music, History, Music: General Interest, Music Performance
Series:: The Cambridge History of Music
Collection:: Cambridge Histories - Music

32.00 (GBP)

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The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.

‘It provides a glorious, grandstand view of the institutions, and the social and technological forces, that have generated decisive changes in performance.'

Source: BBC Music Magazine

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The Cambridge History of Musical Performance

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