Celluloid Revolt: German Screen Cultures and the Long 1968

doi:10.1017/9781787444836

Celluloid Revolt

German Screen Cultures and the Long 1968

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Brown, Timothy Scott 2020. Sixties Europe.

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Vasudevan, Alexander 2021. Celluloid Critique: Documentary Filmmaking and the Politics of Housing in Berlin’s Märkisches Viertel. Radical Housing Journal, Vol. 3, Issue. 2, p. 119.

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Edited by Christina Gerhardt, Marco Abel

Publisher:: Boydell & Brewer
Online publication date:: January 2023
Print publication year:: 2019
Online ISBN:: 9781787444836
DOI:: https://doi.org/10.1017/9781787444836

Subjects:: Film, Film, Media, Mass Communication
Series:: Screen Cultures: German Film and the Visual

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Provides new insights into German-language cinema around 1968 and its relationship to the period's epoch-making cultural and political happenings.

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Celluloid Revolt

German Screen Cultures and the Long 1968

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-iv

Contents
pp v-vi

Acknowledgments
pp vii-viii

Introduction: German Screen Cultures and the Long 1968
pp 1-24

Part I
pp 25-26

1 - Peter Zadek’s Ich bin ein Elefant, Madame: Discussing “1968” by Means of “1968 Thinking”
pp 27-41

2 - “Break the Power of the Manipulators”: Film and the West German 1968
pp 42-52

3 - Ideological Rupture in the dffb: An Analysis of Hans-Rüdiger Minow’s Berlin, 2. Juni
pp 53-68

4 - Helke Sander’s dffb Films and West Germany’s Feminist Movement
pp 69-86

5 - Film Feminisms in West German Cinema: A Public Sphere for Feminist Politics
pp 87-104

6 - A Laboratory for Political Film: The Formative Years of the German Film and Television Academy and Participatory Filmmaking from Workerism to Feminism
pp 105-121

7 - West Germany’s “Workers’ Films”: A Cinema in the Service of Television?
pp 122-133

8 - Guns, Girls, and Gynecologists: West German Exploitation Cinema and the St. Pauli Film Wave in the Late 1960s
pp 134-151

9 - Mediation, Expansion, Event: Reframing the Austrian Filmmakers Cooperative
pp 152-167

10 - Prague Displaced: Political Tourism in the East German Blockbuster Heißer Sommer
pp 168-182

11 - Animating the Socialist Personality: DEFA Fairy Tale Trickfilme in the Shadow of 1968
pp 183-200

12 - Allegories of Resistance: The Legacy of 1968 in GDR Visual Cultures
pp 201-217

13 - “You Say You Want a Revolution”: East German Film at the Crossroads between the Cinemas
pp 218-236

14 - Cruel Optimism, Post-68 Nostalgia, and the Limits of Political Activism in Helma Sanders-Brahms’s Unter dem Pflaster ist der Strand
pp 237-252

15 - Revolting Formats: Hellmuth Costard’s Der kleine Godard: An das Kuratorium Junger Deutscher Film
pp 253-268

Part II - In Conversation: Interviews with Filmmakers
pp 269-270

16 - An Interview with Harun Farocki: “Holger Thought about Aesthetics and Politics Together”
pp 271-280

17 - An Interview with Birgit Hein: “Art communicates knowledge that cannot be expressed in any other information system”
pp 281-291

18 - An Interview with Klaus Lemke: “Being Smart Does Not Make Good Films”
pp 292-312

Notes on the Contributors
pp 313-318

Index
pp 319-330

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Celluloid Revolt

German Screen Cultures and the Long 1968

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