Contents

pp v-vi

Abbreviations

pp vii-x

Preface

pp xi-xxvi

Note on Online Material

pp xxvii-xxviii

Part I - Harmonielehre

pp xxix-xxx

1 - The Eclectic Intellectual Methodology of Schenker’s Theory of Harmony (1906)

pp 1-82

2 - The Music-Theoretical Content of Schenker’s Theory of Harmony (1906) and the Status of Harmony in His Later Work

pp 83-174

Part II - Harmonielehre: The Past

pp 175-176

3 - Schenker’s Theory of Harmony (1906) in Historical Perspective: The Theory of Harmony from the Ancient Greeks to the Early Nineteenth Century

pp 177-245

4 - Sources of Schenker’s Intellectual Methodology in 1906: The Conflict between the Human and Natural Sciences in Schenker’s Education, Music Theory in the Later Nineteenth Century, and His Reaction to Both

pp 246-308

Part III - Harmonielehre: The Future

pp 309-310

5 - A “New Edition” for a New Audience and an “American Version” for a New Country: Problems of Editing and Translating Harmonielehre (1906)

pp 311-375

6 - The Twilight of the Masters: Schenker’s Reinterpretation of the Classical Concept of Harmony

pp 376-396

Appendix A - “The Path to Likeness.” OC/83, 2–43

pp 397-424

Appendix B - “[Foundations of Tonal Systems.]” OC/31, 360–417

pp 425-454

Bibliography

pp 455-476

Index

pp 477-491