Shakespeare and Emotion

doi:10.1017/9781108235952

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This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

İzmir, Sibel 2022. Transformative Potential and Utopian Performative: Postdramatic Hamlet in Turkey. Multicultural Shakespeare: Translation, Appropriation and Performance, Vol. 26, Issue. 41, p. 71.

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Bump, Jerome F. A. 2022. The Value of Literature, Today and Tomorrow. Literature, Vol. 2, Issue. 1, p. 1.

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Rendall, Edward B M Smith, Peter J Parsons, Elinor Fairbanks, Chloe Stelzer, Emanuel Bell, Shirley Haworth, Ben Lim, Vanessa O’Brien, Sheilagh Ilona and Baratta, Luca 2023. VIIShakespeare. The Year's Work in English Studies, Vol. 101, Issue. 1, p. 365.

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Edited by Katharine A. Craik, Oxford Brookes University

Publisher:: Cambridge University Press
Online publication date:: October 2020
Print publication year:: 2020
Online ISBN:: 9781108235952
DOI:: https://doi.org/10.1017/9781108235952

Subjects:: Literature, Renaissance and Early Modern Literature

82.99 (GBP)

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Shakespeare and Emotion devotes sustained attention to the emotions as a novel way of exploring Shakespeare's works in their original contexts. A variety of disciplinary approaches drawn from literary, theatrical, historical, cultural and film studies brings the recent upsurge of interest in affect into conversation with some of the most urgent debates in Shakespeare studies. The volume provides both a comprehensive account of the current state of scholarship and a speculative forum for new research. Its chapters outline some important contexts for understanding Shakespeare's creativity through an emotional lens – from religion, rhetoric, and medicine, to language, acting and Bollywood – and offer a range of case studies which reveal particular emotions at work. Considering emotional and passionate experience as an animating and sometimes alienating force within the plays and poems, the volume highlights the continuing importance of Shakespeare today: for our sense of who we are and who we might become.

‘The essays are wide-ranging and diverse … a generous and timely contribution of scholarship.’

Emily Sarah Barth Source: Shakespeare Quarterly

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Shakespeare and Emotion

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