Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-08T22:11:07.712Z Has data issue: false hasContentIssue false

The Challenges of Born-Digital Fiction

Editions, Translations, and Emulations

Published online by Cambridge University Press:  21 February 2024

Dene Grigar
Affiliation:
Washington State University
Mariusz Pisarski
Affiliation:
University of Information Technology and Management in Rzeszów

Summary

The Challenges of Born-Digital Fiction: Editions, Translations, and Emulations addresses the growing concern about how best to maintain and extend the accessibility of early interactive novels and hypertext fiction or narratives. These forms of born-digital literature were produced before or shortly after the mainstreaming of the World Wide Web with proprietary software and on formats now obsolete. Preserving and extending them for a broad study by scholars of book culture, literary studies, and digital culture necessitate they are migrated, translated, and emulated – yet these activities can impact the integrity of the reader experience. Thus, this Element centers on three key challenges facing such efforts: (1) precision of references: identifying correct editions and versions of migrated works in scholarship; (2) enhanced media translation: approaching translation informed by the changing media context in a collaborative environment; and (3) media integrity: relying on emulation as the prime mode for long-term preservation of born-digital novels.
Get access
Type
Element
Information
Online ISBN: 9781009181488
Publisher: Cambridge University Press
Print publication: 21 March 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Coverley, M. D. (2000) “Fibonacci’s Daughter.” New River: Journal of Digital Writing and Art, 7. www.cddc.vt.edu/journals/newriver/coverley/Fibonacci/f2.htm.Google Scholar
Coverley, M. D. (2021) “Fibonacci’s Daughter (Version 2.0).” The NEXT. https://the-next.eliterature.org/works/1064/0/0/.Google Scholar
Cramer, Kathryn (1994) In Small & Large Pieces. 3.5-inch floppy disk for Macintosh. Watertown, MA: Eastgate Systems.Google Scholar
Disch, Thomas M. (1986) Amnesia. Two 5.25-inch floppy disks for Apple IIe. Redwood City, CA: Electronic Arts.Google Scholar
Disch, Thomas M. (2020) “The World Is Not Done Yet, Version 2.0Electronic Literature Collection Volume 4. https://collection.eliterature.org/4/theworldisnotdoneyet.Google Scholar
Disch, Thomas M. (2021) Amnesia Restored (Amnesia, Version 2.0). https://amnesia-restored.org.Google Scholar
Grosshans, Annie (2013) “The World Is Not Done Yet.” Self-published.Google Scholar
Holeton, Richard (2001) Figurski at Findhorn on Acid (Version 3.3, The Canonical Edition) CD-\ ROM for Macintosh and Windows. Watertown, MA: Eastgate Systems.Google Scholar
Holeton, Richard (2021) Figurski at Findhorn on Acid (The Web ed.). The NEXT. https://the-next.eliterature.org/works/1102/0/0/.Google Scholar
Joyce, Michael (1987) afternoon, a story. The 1987 ed. 3.5-inch floppy disk. Riverrun.Google Scholar
Joyce, Michael (1989) afternoon, a story. The 1989 ed. 3.5-inch floppy disk. Riverrun.Google Scholar
Joyce, Michael (1990) afternoon, a story. The 1990 ed. 3.5-inch floppy disk. Watertown, MA: Eastgate Systems.Google Scholar
Joyce, Michael (1991) afternoon, a story. The 1991 ed. 3.5-inch floppy disk. Watertown, MA: Eastgate Systems.Google Scholar
Joyce, Michael (1992a) afternoon, a story. The 1992 Macintosh ed. 3.5-inch floppy disk. Watertown, MA: Eastgate Systems.Google Scholar
Joyce, Michael (1992b) afternoon, a story. The 1992 Windows 3.1 ed. 3.5-inch floppy disk. Watertown, MA: Eastgate Systems.Google Scholar
Joyce, Michael (1993) afternoon, a story. The Italian ed. 3.5-inch floppy disk. Trans. Walter Vannini in Lorenzo Miglioni (ed.), “Elettrolibri.” Milan: Human Systems.Google Scholar
Joyce, Michael (1994a) afternoon, a story. The 1994 Macintosh ed. 3.5-inch floppy disk. Watertown, MA: Eastgate Systems.Google Scholar
Joyce, Michael (1994b) afternoon, a story. The 1994 Windows 3.1 ed. Watertown, MA: Eastgate Systems.Google Scholar
Joyce, Michael (1996) Twilight, A Symphony. CD-ROM for Macintosh. Watertown, MA: Eastgate Systems.Google Scholar
Joyce, Michael (1997) afternoon, a story. The 1997 Norton Web ed. Postmodern American Fiction: A Norton Anthology. New York: W. W. Norton.Google Scholar
Joyce, Michael (1998) afternoon, a story. The 1998 Norton Print ed. Postmodern American Fiction: A Norton Anthology. New York: W. W. Norton.Google Scholar
Joyce, Michael (2001) afternoon, a story. The 2001 CD-ROM ed. Watertown, MA: Eastgate Systems.Google Scholar
Joyce, Michael (2007) afternoon, a story. The 2007 CD-ROM ed. Watertown, MA: Eastgate Systems.Google Scholar
Joyce, Michael (2011) afternoon, a story. The 2011 Polish ed. Trans. Radosław Nowakowski, Mariusz Pisarski and Jakub Jagiełło. Kraków: Ha!art.Google Scholar
Joyce, Michael (2015) Twilight, A Symphony, Web. Trans. Radosław Nowakowski, Mariusz Pisarski, and Jakub Jagiełło. Kraków: Ha!art.Google Scholar
Joyce, Michael (2016a) afternoon, a story. The 2016 USB Stick ed. Watertown, MA: Eastgate Systems.Google Scholar
Joyce, Michael (2016b) afternoon, a story. The 2016 Downloadable Digital File ed. Watertown, MA: Eastgate Systems.Google Scholar
Joyce, Michael (2018) afternoon, a story. The French ed (unfinished). Trans. Arnaud Regnauld, Anne-Laure Tissut, Stephane Vanderhaeghe, and Gabriel Gaudette-Tremblay.Google Scholar
Joyce, Michael (2022) Twilight, A Symphony. Web. Trans. M. Pisarski and M. Furgał. London: Techsty.Google Scholar
Kendall, Robert (1996) A Life Set for Two. CD-ROM for Macintosh and Windows. Watertown, MA: Eastgate Systems.Google Scholar
Kendall, Robert (2000) “Penetration.” Web. Watertown, MA: Eastgate Systems, www.eastgate.com/Penetration/Welcome.html.Google Scholar
Kolb, David (1997) “Caged Texts.” Digital file. Unpublished.Google Scholar
Kolb, David (2022) “Caged Texts.” Web. The NEXT. Forthcoming.Google Scholar
Larsen, Deena (1999–2002) “Kanji-Kus.” Self-published.Google Scholar
Larsen, Deena (1993) Marble Springs 1.0. 3.5-inch floppy disk for Macintosh. Watertown, MA: Eastgate Systems.Google Scholar
Larsen, Deena (1997) Samplers: Nine Vicious Little Hypertexts. CD-ROM for Macintosh. Watertown, MA: Eastgate Systems.Google Scholar
Malloy, Judy (1993) Its Name Was Penelope (The Eastgate ed.). 3.5-inch floppy disk for Macintosh. Watertown, MA: Eastgate Systems.Google Scholar
Malloy, Judy (1995) Uncle Roger. The WELL. Web ed.https://people.well.com/user/jmalloy/uncleroger/partytop.html.Google Scholar
Malloy, Judy (2016) Its Name Was Penelope (The Scholar’s Version). DOSBox. Watertown, MA: Eastgate Systems.Google Scholar
McDaid, John (1992) Uncle Buddy’s Phantom Funhouse. Five 3.5-inch floppy disks for Macintosh. Watertown, MA: Eastgate Systems.Google Scholar
Moulthrop, Stuart (1989) Hyperbola: A Digital Companion to Gravity’s Rainbow. Self-published.Google Scholar
Moulthrop, Stuart (1991) Victory Garden (The Eastgate ed, Version 5.0). 3.5-inch floppy disk for Macintosh. Watertown, MA: Eastgate Systems.Google Scholar
Moulthrop, Stuart (1992) Dreamtime. Self-published.Google Scholar
Moulthrop, Stuart (2022) Victory Garden 2022. Web. The NEXT, https://the-next.eliterature.org/works/1999/0/0/.Google Scholar
Nelson, Jason (2013) “Nothing You Have Done Deserves Such Praise.” Turbulence.Google Scholar
Nelson, Jason (2021) “Nothing You Have Done Deserves Such Praise, Version 2.0” The NEXT. https://the-next.eliterature.org/works/946/0/0/.Google Scholar

Secondary Sources

Aarseth, Espen (1997) Cybertexts: Perspectives on Ergodic Literature. Baltimore, MD: The Johns Hopkins Press.CrossRefGoogle Scholar
Auslander, Philip (2008) Liveness: Performance in Mediatized Culture. New York: Routledge Books.CrossRefGoogle Scholar
Balcerzan, Edward (1998) “W Stronę Genologii Multimedialnej,” Teksty Drugie 6(59): 724.Google Scholar
Barad, Karen (2003) “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter,” Signs: Journal of Women in Culture and Society 28(3): 801831.CrossRefGoogle Scholar
Barnett, Belinda (2014) “Machine-Enhanced (Re)Minding: The Development of Storyspace,” in Barnett, Belinda (ed.), Memory Machines: The Evolution of Hypertext. London: Anthem Press, 115136.Google Scholar
Bernstein, Mark (2002) “Storyspace 1.” Proceedings of the Thirteenth ACM Conference on Hypertext and hypermedia, 172181.CrossRefGoogle Scholar
Bernstein, Mark (2016) “Storyspace 3.” Proceedings of the 27th ACM Conference on Hypertext and Social Media, 201206. New York: ACM.CrossRefGoogle Scholar
Biguenet, John and Schulte, Rainer (1989) The Craft of Translation. Chicago, IL: The University of Chicago Press.Google Scholar
Bogost, Ian (2012) Alien Phenomenology, or, What It’s Like to be a Thing. Minneapolis: The University of Minnesota Press.CrossRefGoogle Scholar
Bolter, Jay David (1991) Writing Space: The Computer, Hypertext, and the History of Writing. Hillsdale, NJ: Lawrence Erlbaum Associates.Google Scholar
Bolter, Jay David and Grusin, Richard (1999) Remediation: Understanding New Media. Cambridge, MA: The MIT Press.Google Scholar
Bouchardon, Serge and Bachimont, Bruno (2009) “Preservation of Digital Literary Works: Another Model of Memory?” www.utc.fr/~bouchard/wp-content/uploads/2009/12/2009-05bouchardon-bachimont-epoetry09.pdf.Google Scholar
Bowers, Fredson (1994) Principles of Bibliographical Description. Princeton, NJ: Princeton University Press.Google Scholar
Bryant, John (2002) The Fluid Text: A Theory of Revision and Editing for Book and Screen. Ann Arbor, MI: Michigan University Press.CrossRefGoogle Scholar
Butterfield, Andrew, Ekembe Ngondi, Gerard, and Kerr, Anne (2016) A Dictionary of Computer Science. Oxford: Oxford University Press.CrossRefGoogle Scholar
Coover, Robert (1992) “The End of Books.” The New York Review of Books. June 21. https://archive.nytimes.com/, www.nytimes.com/books/98/09/27/specials/coover-end.html.Google Scholar
Dahlstrom, Mats (2002) “When Is a Webtext?Text Technology: The Journal of Computer Text Processing 11(1): 139161.Google Scholar
Dolphijn, Rick and van der Tuin, Iris (2012) New Materialism: Interviews & Cartographies. London: Open Humanities Press.CrossRefGoogle Scholar
Douglas, Jane Yellowlees (1994) “Are We Reading Yet? A Few Suggestions for Navigation” [Author’s Introduction to the Web Excerpt of:] I have Said Nothing, https://wwnorton.com/college/english/pmaf/hypertext/ihsn/i_have_said_nothing.html.Google Scholar
Ensslin, Astrid (2007) Canonizing Hypertext: Explorations and Constructions. New York: Continuum.Google Scholar
Ensslin, Astrid (2019). “‘Who Shattered the Looking Glass?’ A Critical Essay about Kathryn Cramer’s ‘In Small & Large Pieces’,” in Dene Grigar, Nicholas Schiller, Holly Slocum et al. (eds.), Rebooting Electronic Literature: Documenting Pre-Web Born Digital Media, Volume 2. Vancouver: Nouspace Publications. https://scalar.usc.edu/works/rebooting-electronicliterature-volume-2/index.Google Scholar
Ensslin, Astrid (2022) Pre-Web Digital Publishing and the Lore of Electronic Literature. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Fludernik, Monika (2001) “New Wine in Old Bottles? Voice, Focalization, and New Writing,” New Literary History 32(3): 619638.CrossRefGoogle Scholar
Gadamer, Hans Georg (1975) “To What Extent Does Language Prescribe Thinking?” Truth and Method. Trans. Garrett Braden and John Cumming. London: Sheed and Ward.Google Scholar
Galloway, Alexander R. (2012) The Interface Effect. Cambridge: Polity Press.Google Scholar
Gärdenfors, Peter (2003) How Homo became Sapiens: On the Evolution of Thinking. Oxford: Oxford University Press.Google Scholar
Geyh, Paula, Leeborn, Fred G., and Levy, Andrew (1997) Postmodern American Fiction: A Norton Anthology. New York: W. W Norton.Google Scholar
Goldstein, Harry (1994) “Review of afternoon, a story.” Utne Reader. March–April, 131132.Google Scholar
Grant, Richard (1993) “Never the Same Text Twice.” Washington Post Book World, July 11, 89.Google Scholar
Grigar, Dene. (2002) “Mutability, Medium, and Character.” Computers and the Humanities 36: 359378.CrossRefGoogle Scholar
Grigar, Dene (2016) “Ten Things I Learned about afternoon, a story.” May 4. http://dtc-wsuv.org/wp/pathfinders/2016/05/04/10-things-i-learned-about-afternoon-a-story/.Google Scholar
Grigar, Dene (2018) “Saying Something about ‘I Have Said Nothing’,” in Grigar, Dene, Schiller, Nicholas, Rhodes, Vanessa et al. (eds.), Rebooting Electronic Literature Volume 1. Vancouver: Nouspace Publications. https://doi.org/10.7273/NKQK-H488.Google Scholar
Grigar, Dene (2019) “Curiouser & Curiouser: The Mad House of Kathryn Cramer’s in Small & Large Pieces,” in Dene Grigar, Nicholas Schiller, Vanessa Rhodes et al. (eds.), Rebooting Electronic Literature Volume 2. Vancouver: Nouspace Publications. https://scalar.usc.edu/works/rebooting-electronic-literature-volume-2/whoshattered-the-looking-glass-by-astrid-ensslin.Google Scholar
Grigar, Dene and Barber, John (2003) “Media Translation Theory and the Online Brautigan Bibliography.” Proceedings from the Digital Arts and Culture 2003. Ed. Miles, Adrian. Melbourne: Royal Melbourne Institute of Technology. CD-ROM Reprinted in Fineart Forum 16 (2003).Google Scholar
Grigar, Dene and Moulthrop, Stuart (2015) Pathfinders: Documenting the Experience of Early Digital Literature. Vancouver: Nouspace Publications. https://doi.org/10.7273/WFoB-TQ14.Google Scholar
Halliday, Michael Alexander Kirkwood and Hasan, Ruqaiya (1985) Language, Context and Text: Aspects of Language in a Social-Semiotic Perspective. Geelong: Deakin University Press.Google Scholar
Harman, Graham (2005) Guerrilla Metaphysics: Phenomenology and the Carpentry of Things. Chicago, IL: Open Court Press.Google Scholar
Harpold, Terry (1998) “Conclusions,” in Geyh, Paula, Leebron, Fred G., and Levy, Andrew (eds.), Postmodern American Fiction. New York: W. W. Norton, 637648.Google Scholar
Harpold, Terry (2009) Ex-foliations: Reading Machines and the Upgrade Path. Minnesota, MN: The University of Minnesota Press.Google Scholar
Hayles, N. Katherine (2000) “Flickering Connectivities in Shelley Jackson’s Patchwork Girl: The Importance of Media-Specific Analysis,” Postmodern Culture: Journal of Interdisciplinary thought on Contemporary Culture. www.pomoculture.org/2013/09/19/flickering-connectivities-in-shelley-jacksonspatchwork-girl-the-importance-of-media-specific-analysis/.CrossRefGoogle Scholar
Hayles, N. Katherine (2002) Writing Machines. Cambridge, MA: The MIT Press.CrossRefGoogle Scholar
Hayles, N. Katherine (2003) “Translating Media: Why We Should Rethink Textuality,” The Yale Journal of Criticism 16(2): 263290.CrossRefGoogle Scholar
Hayles, N. Katherine (2005) My Mother Was a Computer: Digital Subjects and Literary Texts. Chicago, IL: The University of Chicago Press.CrossRefGoogle Scholar
Hayles, N. Katherine (2007) “Electronic Literature: What Is It?” Electronic Literature Organization. https://eliterature.org/pad/elp.html.Google Scholar
Hayles, N. Katherine (2012) How We Think: Digital Media and Contemporary Technogenesis. Chicago, IL: The University of Chicago Press.CrossRefGoogle Scholar
Hayles, N. Katherine (2017) Unthought: The Power of the Cognitive Nonconscious. Chicago, IL: The University of Chicago Press.CrossRefGoogle Scholar
Hayles, N. Katherine (2022) Interview. The NEXT. https://the-next.eliterature.org/works/1983/40/0/.Google Scholar
Johnson, Mark (1987) The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason. Chicago, IL: The University of Chicago Press.CrossRefGoogle Scholar
Jones, Caroline A. (2006) “Introduction,” in Jones, Carolyn A. (ed.), Sensorium: Embodied Experience, Technology, and Contemporary Art. Cambridge, MA: The MIT Press, 549.Google Scholar
Joyce, Michael (2016) Email to Dene Grigar. May 31.Google Scholar
Joyce, Michael (1992) Letter to Sandra Kroups. May 25.Google Scholar
Joyce, Michael (1995) Of Two Minds: Hypertext Pedagogy and Poetics. Ann Arbor, MI: The University of Michigan Press.CrossRefGoogle Scholar
Joyce, Michael (2020a) Email to Dene Grigar. June 4.Google Scholar
Joyce, Michael (2020b) Email to Dene Grigar. June 5.Google Scholar
Joyce, Michael (2022c) Email to Dene Grigar. June 18.Google Scholar
Katan, David (2018) “‘Translatere’ or ‘Transcreare’: Theory and in Practice, and by Whom?,” in Spinzi, Cinzia, Rizzo, Alessandra, and Zummo, Marianna Lya (eds.), Translation or Transcreation: Discourses, Texts, and Visuals. Newcastle upon Tyne: Cambridge Scholars Press, 1538.Google Scholar
Keeley, Edmund (1989) “Collaboration, Revision, and Other Less Forgiveable Sins,” in Biguenet, John and Schulte, Rainer (eds.), The Craft of Translation. Chicago, IL: The University of Chicago Press, 5469.Google Scholar
Kendall, Robert and Réty, Jean-Hugues (2005) “Word Circuits Connection Muse User’s Guide Version 1.0,” www.wordcircuits.com/connect/doc&tools/1-0/manual.htm.Google Scholar
Kirchenbaum, Matthew (2002) “Editing the Interface: Textual Studies and First Generation Electronic Objects,” Text: An Interdisciplinary Annual of Textual Studies 14: 1551.Google Scholar
Kirchenbaum, Matthew (2008) Mechanisms: New Media and the Forensic Imagination. Cambridge, MA: The MIT Press.Google Scholar
Kirchenbaum, Matthew (2012) Mechanisms: New Media and the Forensic Imagination. Paperback. Cambridge, MA: The MIT Press.Google Scholar
Krause, Rolf D. (2020a) Email to Dene Grigar. June 16.Google Scholar
Krause, Rolf D. (2020b) Email to Dene Grigar. June 18.Google Scholar
Krause, Rolf D. (2020c) Email to Dene Grigar. June 23.Google Scholar
Laurel, Brenda (1993) Computers as Theatre. Reading, MA: Addison-Wesley.Google Scholar
Levy, David M. (2000) “Where’s Waldo? Reflections on Copies and Authenticity in a Digital Environment, in Charles T. Cullen, Peter B. Hirtle, David Levy, Clifford A.Google Scholar
Lynch, , and Rothenberg, Jeff (eds.), Authenticity in a Digital Environment. Washington, DC: Council on Library and Information Resources, 2431.Google Scholar
Lynch, Patrick J. (1994) “Visual Design for the User Interface Part 1: Design Fundamentals,” Journal of Biocommunications 21(1): 2230, http://trantor.sheridanc.on.ca/sys32a1/manual/appendix/gui1.html.Google ScholarPubMed
Malloy, Judy (2015) “Traversal of Uncle Roger,” in Dene Grigar and Stuart Moulthrop (eds.), Pathfinders:Documenting the Experience of Early Digital Literature. Vancouver: Nouspace Publications. https://scalar.usc.edu/works/pathfinders/malloys-traversal.Google Scholar
Malloy, Judy (2018) “Traversal of Its Name Was Penelope,” in Grigar, Schiller et al. (eds.), Rebooting Electronic Literature Volume 1. Vancouver: Nouspace Publications. https://scalar.usc.edu/works/rebooting-electronicliterature/traversal-of-judy-malloys-its-name-was-penelope?path=judy-malloys-its-name-waspenelope.Google Scholar
Malloy, Judy (2020) “Notes on the Creation of Its Name Was Penelope,” https://people.well.com/user/jmalloy/statement.html.Google Scholar
Manovich, Lev (2001) The Language of New Media. Cambridge, MA: The MIT Press.Google Scholar
Manovich, Lev (2005) “Generation Flash.” In Buurman, Gerhard M. (ed.) Total Interaction, New York: Springer, 6677.Google Scholar
Marecki, Piotr and Montfort, Nick (2017) “Renderings: Translating Literary Works in the Digital Age.” Digital Scholarship in the Humanities 32. suppl1: i84i91. https://academic.oup.com/dsh/article-pdf/32/suppl1/i84/17751533/fqx010.pdf.CrossRefGoogle Scholar
McCorduck, Patricia (1991) Whole Earth Review, No. 70, Spring, 101.Google Scholar
McDaid, John (2015) in Dene Grigar and Stuart Moulthrop (eds.), “John McDaid Interview, Part 2,” Pathfinders: Documenting the Experience of Early Digital Literature. https://vimeo.com/112474735.Google Scholar
Mencía, María, Pold, Søren and Portela, Manuel (2018) “Electronic Literature Translation: Translation as Process, Experience and Mediation,” Electronic Book Review, May 30, https://doi.org/10.7273/wa3v-ab22., www.electronicbookreview.com/thread/electropoetics/translative.Google Scholar
Merleau-Ponty, Maurice (2012) Phenomenology of Perception. Trans. Donald A. Landes. New York: Routledge.Google Scholar
Meza, Nohelia (2017) New Forms of Literariness in Electronic Literature: An Approach to Rhetorical Enunciation and Temporality. www.tdx.cat/handle/10803/442967.Google Scholar
Montfort, Nick (2018) “Minding the Electronic Literature Translation Gap.” Electronic Book Review, August 5. https://electronicbookreview.com/essay/minding-the-electronic-literaturetranslation-gap/.Google Scholar
Moulthrop, Stuart (2022) “READ ME (and How)” [An Introduction to the Web ed] in Victory Garden, https://victory-garden2022.com/readME.html.Google Scholar
Moulthrop, Stuart and Grigar, Dene (2017) Traversals: The Use of Preservation for Early Electronic Writing. Cambridge, MA: The MIT Press.CrossRefGoogle Scholar
Murray, Janet (1997) Hamlet on the Holodeck: The Future of Narrative in Cyberspace. New York: Free Press.Google Scholar
Nelson, Ted (1999) “Xanalogical Structure, Needed Now More Than Ever: Parallel Documents, Deep Links to Content, Deep Versioning, and Deep Re-use,” ACM Computing Surveys 31(4): 33, https://doi.org/10.1145/345966.346033.CrossRefGoogle Scholar
Ong, Walter (1982) Orality and Literacy: The Technologizing of the Word. New York: Routledge Press.CrossRefGoogle Scholar
Paul, Christiane (2007) “The Myth of Immateriality: Presenting and Preserving New Media,” in Grau, Oliver (ed.), MediaArtHistories, pp. 251274. Cambridge, MA: The MIT Press.CrossRefGoogle Scholar
Pisarski, Mariusz (2012) “From Storyspace to Browsers. Translating afternoon, a story into Polish.” Colloques de l’Université Paris8, https://octaviana.fr/document/COLN11_5#?c=0&m=0&s=0&cv=0.Google Scholar
Regnauld, Arnaud (2014) “Translating ‘afternoon, a story’ by Michael Joyce, or How to Inhabit a Spectral Body,” ELO Conference: Chercher le Texte, Vancouver: Nouspace Publications.Google Scholar
Rembowska-Płuciennik, Magdalena (2012). Poetyka Intersubiektywności: Kognitywistyczna Teoria Narracji a Proza Xx Wieku. Wydawnictwo Naukowe Uniwersytetu Mikołaja Kopernika.Google Scholar
Rettberg, Scott (2019) Electronic Literature. Cambridge: Polity Press.Google Scholar
Rosenberg, Jim (1996) “The Structure of Hypertext Activity.” Proceedings of the Seventh ACM Conference on Hypertext. New York: ACM, 2230.CrossRefGoogle Scholar
Rumsey, Abby Smith (2016) When We Are No More: How Memory Is Shaping Our Future. New York: Bloomsbury.Google Scholar
Salter, Anastasia and Murray, John (2014) Flash: Building the Interactive Web. Cambridge, MA: The MIT Press.CrossRefGoogle Scholar
Shillingsburg, Peter L. (1991) “Text as Matter, Concept, and Action,” Studies in Bibliography 44: 3182.Google Scholar
Skains, Lyle (2022) “(People Who Identify as) Women in ELit: Nevertheless, We Persist.” ELO Conference.Google Scholar
Spinzi, Cinzia (2021) “The Wheres, Whats, and Whys of Transcreation,” in Spinzi, Cinzia, Rizzo, Allessandra, and Zummo, Marianna Lya (eds.), Translation or Transcreation: Discourses, Texts and Visuals. Newcastle upon Tyne: Cambridge Scholars Press, 114.Google Scholar
Strickland, Stephanie (2019) “Traversal of True North,” in Grigar, Dene, Schiller, Nicholas, Rhodes, Vanessa et al. (eds.), Rebooting Electronic Literature Volume 2. Vancouver: Nouspace Publications https://scalar.usc.edu/works/rebooting-electronicliterature-volume-2/traversal-of-stephanie-stricklands-true-north.Google Scholar
Strickland, Stephanie (1997) “Poetry in the Electronic Environment,” Electronic Book Review, https://electronicbookreview.com/essay/poetry-in-the-electronic-environment/.Google Scholar
Tabbi, Joseph (2003) “Stephanie Strickland’s True North: A Migration between Media,” in Looy, Jan Van and Baetens, Jan (eds.), Close Reading New Media: Analyzing Electronic Literature. Leuven, BE: Leuven University Press, 2738.Google Scholar
Toadvine, Ted (2019) “Maurice Merleau-Ponty,” in Edward N. Zalta (ed.), The Stanford Encyclopedia of Philosophy, Spring ed. https://plato.stanford.edu/archives/spr2019/entries/merleau-ponty/.Google Scholar
Tosca, Susanna Pajares (1999) “The Lyrical Quality of Links.” Proceedings of the Seventh ACM Conference on Hypertext and Hypermedia, New York: ACM, 2230.Google Scholar
Tremblay-Gaudette, Gabriel (2021) “You Can’t Go Home Again: Moving Afternoon Forward through Translation, R. Desjardins, Claire Larsonneur, Philippe Lacour (eds.), When Translation Goes Digital, Palgrave Studies in Translating and Interpreting, https://doi.org/10.1007/978-3-030-51761-8_4״.CrossRefGoogle Scholar
Vanderhaeghe, Stéphane (2013) “Translating the Virtual. ‘afternoon, a story’ by Michael Joyce,” ELO Conference. Paris: Chercher le Texte.Google Scholar
Vannini, Walter (2020) Email to Dene Grigar. July 13.Google Scholar
Varela, Francisco J., Thompson, Evan, and Rosch, Eleanor (1991) The Embodied Mind: Cognitive Science and Human Expression. Cambridge, MA: The MIT Press.CrossRefGoogle Scholar
Zielinski, Sigfried, Peter, Weibel, Irrgang, Daniel (eds.) (2016) Flusseriana. An Intellectual Toolbox. Berlin: Univocal.Google Scholar

Save element to Kindle

To save this element to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

The Challenges of Born-Digital Fiction
  • Dene Grigar, Washington State University, Mariusz Pisarski, University of Information Technology and Management in Rzeszów
  • Online ISBN: 9781009181488
Available formats
×

Save element to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

The Challenges of Born-Digital Fiction
  • Dene Grigar, Washington State University, Mariusz Pisarski, University of Information Technology and Management in Rzeszów
  • Online ISBN: 9781009181488
Available formats
×

Save element to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

The Challenges of Born-Digital Fiction
  • Dene Grigar, Washington State University, Mariusz Pisarski, University of Information Technology and Management in Rzeszów
  • Online ISBN: 9781009181488
Available formats
×