Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-25T19:48:38.195Z Has data issue: false hasContentIssue false

A Huge Revolution of Theatrical Commerce

Walter Mocchi and the Italian Musical Theatre Business in South America

Published online by Cambridge University Press:  21 July 2020

Matteo Paoletti
Affiliation:
Università degli Studi di Genova

Summary

In the first third of the twentieth century, South America became the most important market for many European theatrical companies. When Italy found itself in various theatrical crises, Walter Mocchi created a transoceanic theatrical empire, using his business acumen to craft viable solutions. While his efforts were most visible in the sphere of opera, he played an extremely significant role in the promotion and circulation of popular forms of musical theatre (such as operetta) and staged world premieres of works by Italian superstars in Argentina (such as Mascagni's Isabeau), thus offering an early example of what Stephen Greenblatt calls 'cultural mobility'.
Get access
Type
Element
Information
Online ISBN: 9781108855990
Publisher: Cambridge University Press
Print publication: 13 August 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Bibliography

Primary Sources

Secondary Sources

Baia Curioni, S. Mercanti dell’Opera: Storie di Casa Ricordi (Il Saggiatore, 2011)Google Scholar
Balme, C. ‘The Bandmann Circuit: Theatrical Networks in the First Age of Globalization’, Theatre Research International, 40 (2015), 1936Google Scholar
Balme, C.‘Maurice E. Bandmann and the Beginnings of a Global Theatre Trade’, Journal of Global Theatre History, 1 (2016), 3445Google Scholar
Barone, G. ‘La modernizzazione italiana dalla crisi allo sviluppo’, in Sabbatucci, G and Vidotto, V (eds.), Storia d’Italia (Rome-Bari: Laterza, 1995), vol. III, pp. 256370Google Scholar
Bastos, S. Carteira do Artista: Apontamentos para a Historia do Theatro Portuguez e Brazileiro (Bertrand, 1898)Google Scholar
Becker, T. ‘Globalizing Operetta before the First World War’, Opera Quarterly, 33 (2017), 727Google Scholar
Benzecry, C. E.An Opera House for the “Paris of South America”: Pathways to the Institutionalization of High Culture’, Theory and Society, 43 (2014), 169–96CrossRefGoogle Scholar
Branchard, A. Comment on organise une tournée mondiale (Stock, 1913)Google Scholar
Caamaño, R. La historia del Teatro Colón 1908–1968 (Cinetea, 1969)Google Scholar
Carelli, A. Emma Carelli: trent’anni di vita del teatro lirico (Maglione, 1932)Google Scholar
Cavaglieri, L. Trust teatrali e diritto d’autore (1894–1910): La tentazione del monopolio (Titivillus, 2012)Google Scholar
Cetrangolo, A. E. Ópera, barcos y banderas: El melodrama y la migración en Argentina (1880–1920) (Biblioteca Nueva, 2015)Google Scholar
Cetrangolo, A. E. and Paoletti, M (eds.), I fiumi che cantano. L’opera italiana nel bacino del Rio de la Plata (Alma Mater Studiorum Bologna, 2020)Google Scholar
Cimmino, A. ‘Walter Mocchi’, in Dizionario Biografico degli Italiani (Istituto dell’Enciclopedia italiana, 1960), vol. 75 (2011)Google Scholar
Coli, J. M.O negócio da arte: as influências da gestão e organização italiana na ópera lírica em São Paulo’, Opus, 22 (2016)CrossRefGoogle Scholar
Crespi Morbio, V. (ed.), Caramba: mago del costume (Amici della Scala, 2008)Google Scholar
Cymbron, L. ‘Camões in Brazil: Operetta and Portuguese Culture in Rio de Janeiro, circa 1880’, Opera Quarterly, 30 (2014), 330361.CrossRefGoogle Scholar
Degrada, F. ‘Il segno e il suono: Storia di un editore musicale e del suo mondo’, in Musica, musicisti, editoria: 175 anni di Casa Ricordi, 1808–1983 (Ricordi, 1983)Google Scholar
Devoto, F. J. Historia de la inmigración en la Argentina (Editorial Sudamericana, 2003)Google Scholar
Devoto, F. J. Storia degli italiani in Argentina (Donzelli, 2007)Google Scholar
Forgacs, D. and Gundle, S. Mass Culture and Italian Society from Fascism to the Cold War (Indiana University Press, 2008)Google Scholar
Frajese, V. Dal Costanzi all’Opera: cronache, recensioni e documenti in 4 volumi (Capitolium, 1977)Google Scholar
Gentile, E. ‘L’emigrazione italiana in Argentina nella politica di espansione del nazionalismo e del Fascismo’, Storia contemporanea, 3 (1986), 355–96Google Scholar
Gheusi, P. B. Guerre et Théâtre (Berger-Levrault, 1919)Google Scholar
Greenblatt, S. ‘Cultural Mobility: An Introduction’, in Greenblatt, S (ed.), Cultural Mobility: A Manifesto (Cambridge University Press, 2010)Google Scholar
Leonhardt, N. Theater über Ozeane: Vermittler transatlantischen Austauschs (1890–1925) (Vandenhoeck & Ruprecht, 2018)CrossRefGoogle Scholar
Lugné-Poe, . La Parade: Sous les etoiles. Souvenirs de théâtre (1902–1912) (Gallimard, 1933)Google Scholar
Mancini, F. Il Teatro di San Carlo 1737–1987 (Electa, 1987)Google Scholar
Marinuzzi, G. Tema con variazioni: Epistolario artistico di un grande direttore d’orchestra (Arnoldo Mondadori, 1995)Google Scholar
McCleary, K. ‘Popular Theater in Buenos Aires: The Madrid of South America?’, The Metropole, 16 May 2018, Urban History Association, https://themetropole.blog/2018/05/16/popular-theater-in-buenos-aires-the-madrid-of-south-america (accessed 4 October 2019)Google Scholar
Mocchi, W. I moti italiani del 1898: lo stato d’assedio a Napoli e le sue conseguenze (Enrico Muca, 1901)Google Scholar
Morini, M., Iovino, R, and Paloscia, A (eds.), Epistolario (Libreria Musicale Italiana, 1996)Google Scholar
Morini, M. and Ostali, P, Jr. (eds.), Casa Musicale Sonzogno: Cronologie, saggi, testimonianze (Sonzogno, 1995)Google Scholar
Nicolodi, F. ‘Il teatro lirico e il suo pubblico’, in Soldani, S and Turi, G (eds.), Fare gli italiani (Il Mulino, 1993), vol. I, pp. 257339Google Scholar
Nugnes, P., and Massimini, S. Storia dell’Operetta (Ricordi, 1984)Google Scholar
Orselli, C. Pietro Mascagni (L’Epos, 2011)Google Scholar
Paoletti, M. Mascagni, Mocchi, Sonzogno. La Società Teatrale Internazionale (1908–1931) e i suoi protagonisti (Alma Mater Studiorum Bologna, 2015), https://doi.org/10.6092/unibo/amsacta/4235.Google Scholar
Paoletti, M. ‘La red de empresarios europeos en Buenos Aires (1880–1925). Algunas consideraciones preliminares’, Revista Argentina de Musicología, 21 (2020), 51–76Google Scholar
Pellettieri, O. (ed.) Inmigración italiana y teatro argentino (Galerna, 1999)Google Scholar
Piazzoni, I. Dal “Teatro dei palchettisti” all’Ente autonomo: la Scala, 1897–1920 (La Nuova Italia, 1995)Google Scholar
Piazzoni, I. ‘Il governo e la politica per il teatro: tra promozione e censura (1882–1900)’, in Sorba, C (ed.), L’Italia fin de siècle a teatro (Carocci, 2004)Google Scholar
Rebellato, D. Theatre and Globalization (Palgrave Macmillan, 2009)CrossRefGoogle Scholar
Rosmini, E. Legislazione e giurisprudenza dei teatri (Hoepli, 1893)Google Scholar
Rosselli, J. ‘Latin America and Italian Opera: A Process of Interaction, 1810–1930’, Revista de musicologia, 16 (1993), 139–45Google Scholar
Rosselli, J. ‘The Opera Business and the Italian Immigrant Community in Latin America 1820–1930: The Example of Buenos Aires’, Past & Present, 127 (1990), 155–82CrossRefGoogle Scholar
Ruffo, T. La mia parabola: Memorie (Staderini, 1977)Google Scholar
Scarpellini, E. Organizzazione teatrale e politica del teatro nell’Italia fascista – nuova edizione riveduta e aggiornata (LED, 2004)Google Scholar
Seibel, B. Historia del teatro argentino: Desde los rituales hasta 1930 (Corregidor, 2002)Google Scholar
Severi, S. I teatri di Roma (Newton Compton, 1989)Google Scholar
Sorba, C. ‘The Origins of the Entertainment Industry: The Operetta in Late Nineteenth-Century Italy’, Journal of Modern Italian Studies, 2 (2006), 282302CrossRefGoogle Scholar
Sorba, C. ‘To Please the Public: Composers and Audiences in Nineteenth-Century Italy’, Journal of Interdisciplinary History, 36 (2006), 595614Google Scholar
Szwarcer, C. Teatro Maipo: 100 años de historia entre bambalinas (Corregidor, 2010)Google Scholar
Weber, J. I., Martinovich, L, and Camerata, P. ‘Itinerari di compagnie liriche italiane attraverso le città del litorale fluviale argentino (1908–1910)’, in Cetrangolo, A and Paoletti, M (eds.), I fiumi che cantano. L’opera italiana nel bacino del Rio de la Plata (Alma Mater Studiorum Bologna, 2020)Google Scholar
Wolkowicz, V. ‘En busca de la identidad perdida: los escritos de Gastón Talamón sobre música académica de y en Argentina en la revista Nosotros (1915–1934)’, in Eli Rodríguez, V and Torres Clemente, E (eds.), Música y construcción de identidades: poéticas, diálogos y utopías en Latinoamérica y España (Sociedad Española de Musicología, 2018), 3344Google Scholar

Save element to Kindle

To save this element to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

A Huge Revolution of Theatrical Commerce
  • Matteo Paoletti, Università degli Studi di Genova
  • Online ISBN: 9781108855990
Available formats
×

Save element to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

A Huge Revolution of Theatrical Commerce
  • Matteo Paoletti, Università degli Studi di Genova
  • Online ISBN: 9781108855990
Available formats
×

Save element to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

A Huge Revolution of Theatrical Commerce
  • Matteo Paoletti, Università degli Studi di Genova
  • Online ISBN: 9781108855990
Available formats
×