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The Rosete Aranda Puppets: A Century and a Half of an Entertainment Enterprise

Published online by Cambridge University Press:  17 February 2015

Francisca Miranda Silva  and
William H. Beezley
Francisca Miranda Silva
Affiliation:
Centro National de las Artes, Mexico City, Mexico
William H. Beezley
Affiliation:
University of Arizona, Tucson, Arizona
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Abstract

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Type
Research Article
Information
The Americas , Volume 67 , Issue 3 , January 2011 , pp. 331 - 354
Copyright
Copyright © Academy of American Franciscan History 2011

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References

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2. Presently these puppets can be seen in the display case entitled “Genesis” in the National Puppet Museum (El Museo Nacional del Títere) in Huamantla, Tlaxcala.

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5. Matien Fossey traveled throughout the republic during the years 1831 to 1838, and attended the San Agustín fair; in his Viaje a México he left a splendid description of the cockfights in this center of pleasure and extravagance. See “peleas de gallos en Mexico,” Fondo La Carpa, CITRU, INBA, Colección Armando de María y Campos No. 042, pp. 15–17.

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35. “Soidadanos” was a mangled pronunciation of “citizens” as well as a play on words.

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41. Ibid., p. 1

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46. The film starred Tito Guizar and Ester Fernández and was directed by Fernando de Fernández. Drawing on ranchero music, it initiated the film genre.

47. Representative of these films is El Charro Negro (1940), with Pedro Armcndáriz.

48. “La vuelta al mundo por Mamerto o el silbato prodigioso,” Libretos de obras para títeres de la Compañía Rósete Aranda. Centro de investigación nacional de los artes escénicas y teatrales “Rodolfo Usigli,” CNA.

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53. Taibo, Paco Ignacio II, “Inquilinos del D.F., a colgar la rojinegra,” Anuario 3 (1983), pp. 99–126 Google Scholar for Mexico City, and Wood, Andrew Grant, Revolution in the Street: Women, Works, and Urban Protest in Veracruz, 1870-1927 (Wihw-ington, DE: SR Books, 2001) for rent strikes in Veracruz.Google Scholar

54. E. Baptista founded Peerless in 1921 and Gcnnett Records in Indiana did the early pressings of their records. The label mostly released popular music with some dance bands and tunes from the U.S. See Wikipedia, ; Kenney, William Howland, Recorded Music in American Life: Tf)e Phonograph and Popular Memory, 1890–1945 (New York: Oxford University Press, 1999), p. 69.Google Scholar Kenney says that Columbia opened a recording studio in Mexico in 1904 and Victor in 1905; in the 1920s, companies established record pressing plants. Intriguing aspects of the recorded music business can be found in Sudhaltcr, Richard, Ralph Peer: The Great Enabler (forthcoming from Yale University Press).Google Scholar

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