Exhibits at Ballots

doi:10.1017/S0003581500053907

Exhibits at Ballots

Published online by Cambridge University Press: 29 November 2011

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Type: Exhibits at Ballots
Information: The Antiquaries Journal , Volume 49 , Issue 2 , September 1969 , pp. 388 - 396

DOI: https://doi.org/10.1017/S0003581500053907 [Opens in a new window]
Copyright: Copyright © The Society of Antiquaries of London 1969

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References

^{page 388 note 1} Med. Arch, iv (1960), 120–3, figs. 45–6Google Scholar.

^{page 389 note 1} Antiq. Journ. x (1930), 256, pl. XXVIIGoogle Scholar.

^{page 389 note 2} Trans. Bristol and Glos. Arch. Soc. lxxviii (1959), 174, fig. 2, 7Google Scholar.

^{page 389 note 3} Monmouthshire Antiquary, ii (1966), 108, fig. 2, 1Google Scholar.

^{page 389 note 4} Trans. Thoroton Soc. xxxvi (1932), 85, pl. 11, 3Google Scholar.

^{page 390 note 1} Dunning, G. C., ‘A medieval jug found in London, decorated with human and animal figures’, Hommage à Claude F. A. Schaeffer, forthcomingGoogle Scholar.

^{page 390 note 2} Id., ‘The Trade in Medieval Pottery around the North Sea’, Rotterdam Papers. A Contribution to Medieval Archaeology (Rotterdam, 1968), p. 41, fig. 13 and pl. 1, 3Google Scholar.

^{page 390 note 3} Jewitt, Ll., Ceramic Art of Great Britain, i (1878), 79, figs. 271–2Google Scholar.

^{page 390 note 4} Arch. Journ. cxxii (1965), 81, fig. 3, 14Google Scholar.

^{page 390 note 5} Arch. Cant, lxiv (1951), 145, fig, 12, 30Google Scholar.

^{page 390 note 6} Proc. Soc. Antij. Scot, xci (1957-1958), 133, fig. 4, 13Google Scholar.

^{page 390 note 7} Sussex Arch. Coll. ci (1963), 132, fig. 28aGoogle Scholar.

^{page 392 note 1} Cooper, D., Great Family Collections (London, 1965), p. 237Google Scholar; the section on Houghton Hall is by F. J. B. Watson, but the two miniatures, which are illustrated, are not mentioned in the text.

^{page 392 note 2} L'Exposition de la Miniature a Bruxelles (1912), nos. 1227–8. pl. 11, 6–7Google Scholar; the section on British miniatures is by Williamson, G. C.. For the portrait of Mary compare Hans Eworth, A Tudor Artist and his Circle, Leicester Museum and Art Gallery (1965), p. 13, no. 25, pl. 27aGoogle Scholar(the Society of Antiquaries portrait), or p. 10, no. 21, pl. 27a, (a miniature documented as being by Hans Eworth, in the collection of the Duke of Bucdeuch).

^{page 392 note 3} Cust, L., H.E., Walpole Society II, pl. VIII bGoogle Scholar; Reynolds, G., Costumes of the Western World, Elizabethan and Jacobean 1558–1625 (1951), pl. 1Google Scholar.

^{page 392 note 4} Hans Ezvorth, a Tudor Artist and his Circle, Leicester Museum and Art Gallery (1965), p. 19, no. 39, pl. 14Google Scholar; Strong, R., Portraits of Elizabeth I, p. 79, no. 82Google Scholar.

^{page 392 note 5} Myres, J. N. L., Portraits of the Sixteenth and Early Seventeenth Centuries, Bodleian Picture Book No. 6 (1952), p. 3, no. 5Google Scholar.

^{page 392 note 6} Mercer, E., English Art, 1553–1625, p. 161Google Scholar

^{page 393 note 1} For instance; G. Vasari (Everyman Edition), iv, 254 (Lavinia Terlinck, Catherine von Hermes-sen and others); Waterhouse, E. K., Painting in England, p. 115Google Scholar(Cornelius van Cleve in England); Auerbach, E., Tudor Artists (1954), pp. 90–101Google Scholar(Lucas van Heere painting a ‘tablet’ of Philip II, sent to England).

^{page 393 note 2} Collection, Wallace, Catalogue of Paintings, p. 529Google Scholar: painting on wood, attributed successively to Holbein, Jean Clouet, and now to the Flemish School.

^{page 394 note 1} For the site, seeArch. Cant, lxxviii (1963), 125–41Google Scholar, and following volumes.

^{page 394 note 2} Arch. Cant, lxxxii (1967), 168, and fig. IGoogle Scholar.

^{page 394 note 3} Ibid, lxxxiii (1968), 46–7.

^{page 394 note 4} Thompson, F. H., ‘The Zoomorphic Pelta in Romano-British Art’, Antiq. Journ. xlviii (1968), 47–58CrossRef Google Scholar.

^{page 395 note 1} Ibid., pl. xxixb.

^{page 395 note 2} AA², vi (1863), 184. I owe this reference and much other information to the kindness of Professor Eric Birley, F.S.A.

^{page 395 note 3} Professor Eric Birley, F.S.A., in a private communication.

^{page 395 note 4} For the site, see Arch. Cant, lxxviii (1963), 125–41Google Scholar, and following volumes; also, JRS, liii (1963), 158Google Scholar, and following volumes.

^{page 395 note 5} Ibid, lv (1965), 224–5. All tne graffiti mentioned here were read by Mr. R. P. Wright, F.S.A., to whom I acknowledge my indebtedness.

^{page 395 note 6} Ibid., 226.

^{page 395 note 7} Ibid, lvii (1967), 209.

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