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Alpine rock art: then and now, and into the future?

Review products

ValerieLester. 2018. Marvels: the life of Clarence Bicknell—botanist, archaeologist, artist. Kibworth Beauchamp: Matador; 978-1-7890-1494-5 £25.
AlbertoMarretta. 2018. La roccia 12 di Seradina 1: documentazione, analisi e interpretazione di un capolavro dell'arte rupestre alpina. Capo di Ponte: Edizioni del Parco di Seradina-Bedolina; 978-88-941252-0-7.

Published online by Cambridge University Press:  20 September 2019

Christopher Chippindale
Christopher Chippindale*
Affiliation:
McDonald Institute of Archaeology, University of Cambridge, UK (Email: chippindale2@gmail.com)
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Extract

Rock art in the Alps, centred on just two expansive sites, complements the many Scandinavian sites as a major source for open-air art in later European prehistory. A revelatory biography of one of the pioneering researchers there, published simultaneously with a superb monograph on a single rich surface of Alpine art, prompts this review of how we have studied, how we presently study and how we may come to study that art.

Type
Review Article
Information
Antiquity , Volume 93 , Issue 371 , October 2019 , pp. 1378 - 1380
Copyright
Copyright © Antiquity Publications Ltd, 2019 

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References

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Brunner-Traut, E. 1974. Epilogue; aspective, in Heinrich Schäfer Principles of Egyptian art (translated and edited by John Baines): 424–43. Oxford: Clarendon.Google Scholar
Chippindale, C. 1984. Clarence Bicknell: archaeology and science in the 19th century. Antiquity 58: 185–93. https://doi.org/10.1017/S0003598X0005626XGoogle Scholar