Crossref Citations
This article has been cited by the following publications. This list is generated based on data provided by Crossref.
Mazel, Aron
2011.
Time, Color, and Sound: Revisiting the Rock Art of Didima Gorge, South Africa.
Time and Mind,
Vol. 4,
Issue. 3,
p.
283.
Coles, John
2011.
A Theatre of Imagery: the Rock Carving of Döltorp, Skee Parish, Bohuslän, Sweden.
The Antiquaries Journal,
Vol. 91,
Issue. ,
p.
1.
Rifkin, Riaan F.
2012.
Processing ochre in the Middle Stone Age: Testing the inference of prehistoric behaviours from actualistically derived experimental data.
Journal of Anthropological Archaeology,
Vol. 31,
Issue. 2,
p.
174.
Helmer, Matthew
and
Chicoine, David
2013.
Soundscapes and community organisation in ancient Peru: plaza architecture at the Early Horizon centre of Caylán.
Antiquity,
Vol. 87,
Issue. 335,
p.
92.
Blake, Elizabeth C.
and
Cross, Ian
2015.
The Acoustic and Auditory Contexts of Human Behavior.
Current Anthropology,
Vol. 56,
Issue. 1,
p.
81.
Rusch, Neil
and
Pinto, Isabel
2016.
Sounds and sound thinking in |xam-ka !au: “These are those to which I am listening with all my ears”.
Cogent Arts & Humanities,
Vol. 3,
Issue. 1,
p.
1233615.
Kinahan, John
2017.
The Dancing Kudu: women's initiation in the Namib Desert during the second millennium AD.
Antiquity,
Vol. 91,
Issue. 358,
p.
1043.
Kosyk, Katrina Casey
Paré-Beauchemin, Sophie
and
Fournier, Robert
2019.
Interfaces gestuelles.
Anthropologie et Sociétés,
Vol. 43,
Issue. 1,
p.
117.
Yioutsos, Nektarios-Petros
2019.
Between Worlds.
p.
113.
Kumbani, Joshua
2020.
Music and sound-related archaeological artefacts from southern Africa from the last 10,000 years.
Azania: Archaeological Research in Africa,
Vol. 55,
Issue. 2,
p.
217.
Neil Rusch, By
and
Wurz, Sarah
2020.
The Doring River bullroarers rock painting: Continuities in sound and rainmaking.
Journal of Archaeological Science: Reports,
Vol. 33,
Issue. ,
p.
102511.
Malik, Rose
2021.
Does Archaeology Stink? Detecting Smell in the Past Using Headspace Sampling Techniques.
International Journal of Historical Archaeology,
Vol. 25,
Issue. 2,
p.
273.
Namono, Catherine
2021.
Curation as Engagement: Boulder Exhibits at the Origins Centre, South Africa.
Critical Arts,
Vol. 35,
Issue. 4,
p.
22.
Schoville, Benjamin J.
Brown, Kyle S.
and
Wilkins, Jayne
2022.
A Lithic Provisioning Model as a Proxy for Landscape Mobility in the Southern and Middle Kalahari.
Journal of Archaeological Method and Theory,
Vol. 29,
Issue. 1,
p.
162.
Needham, Andy
Wisher, Izzy
Langley, Andrew
Amy, Matthew
Little, Aimée
and
Petraglia, Michael D.
2022.
Art by firelight? Using experimental and digital techniques to explore Magdalenian engraved plaquette use at Montastruc (France).
PLOS ONE,
Vol. 17,
Issue. 4,
p.
e0266146.
Witelson, David M.
2022.
Performance theory: a growing interest in rock art research.
Time and Mind,
Vol. 15,
Issue. 3-4,
p.
313.
Schoville, Benjamin J.
2023.
Handbook of Pleistocene Archaeology of Africa.
p.
1691.
Singha, Ranjit
2023.
African Womanhood and the Feminist Agenda.
p.
208.
Rozwadowski, Andrzej
and
Wołoszyn, Janusz Z.
2024.
Dances with Zigzags in Toro Muerto, Peru: Geometric Petroglyphs as (Possible) Embodiments of Songs.
Cambridge Archaeological Journal,
p.
1.
Kumbani, Joshua
and
Díaz-Andreu, Margarita
2024.
The art of music. The representation of musical instruments in the rock art of Zimbabwe.
Azania: Archaeological Research in Africa,
p.
1.