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Gesture politics and the art of ambiguity: the Iron Age statue from Hirschlanden

Published online by Cambridge University Press:  02 January 2015

Ian Armit  and
Philomena Grant
Ian Armit
Affiliation:
*Division of Archaeological, Geographical and Environmental Sciences, University of Bradford, Bradford BD7 1DP, UK (Email: i.armit@bradford.ac.uk)
Philomena Grant
Affiliation:
*Division of Archaeological, Geographical and Environmental Sciences, University of Bradford, Bradford BD7 1DP, UK (Email: i.armit@bradford.ac.uk)
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Extract

The discovery of the extraordinary Hirschlanden figure was reported in this journal in 1964. Since then the statue has featured in numerous discussions of Iron Age art and society, to the extent that it has become one of the iconic images of the European Iron Age. It has become almost taken for granted that the Hirschlanden figure is an ‘intensely masculine’ warrior statue representing the heroised dead. However, certain aspects of the figure suggest a rather deeper, more ambiguous symbolism. The authors use their up-to-date critique to raise questions about the eclectic character of Iron Age spirituality.

Keywords

EuropeHirschlandenIron Agesculpturespirituality
Type
Research article
Information
Antiquity , Volume 82 , Issue 316 , June 2008 , pp. 409 - 422
Copyright
Copyright © Antiquity Publications Ltd 2008

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