Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-25T19:37:50.987Z Has data issue: false hasContentIssue false
  • English
  • Français

Modern Architecture in Post-Colonial Ghana and Nigeria

Published online by Cambridge University Press:  11 April 2016

Hannah Le Roux
Get access Rights & Permissions [Opens in a new window]

Extract

… an architecture and form of urbanism will emerge closely connected with the set of ideas that have international validity but reflecting the conditions of climate, the habits of the people and the aspirations of the countries lying under the cloudy belt of the equatorial world.

Max Fry and Jane Drew, architects, 1956

The concept of architecture, even in its widest traditional sense, is foreign to Africa.

John Lloyd, architect, 1966

Maxwell Fry and Jane Drew, who had been in and out of West Africa since the 1940s as planners and architects, were optimistic about the role of architecture in the tropics on the eve of independence. In the text of Tropical Architecture in the Humid Zones they championed the development in Africa of the tropical modernism they had pioneered in their own work. In sharp contrast, John Lloyd, writing from Ghana just ten years later, conveyed a sense of the discipline’s estrangement from the context.

Type
Research Article
Information
Architectural History , Volume 47 , 2004 , pp. 361 - 392
Copyright
Copyright © Society of Architectural Historians of Great Britain 2004

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

1 Fry, Maxwell and Drew, Jane, Tropical Architecture in the Humid Zones (London, 1956), p. 29 Google Scholar.

2 Lloyd, John, ‘Ghana’ in World Architecture 3, ed. Donat, John (London, 1966), p. 49 Google Scholar.

3 World Architecture: A Critical Mosaic, iv, Central and Southern Africa, ed. Kultermann, Udo (Vienna, 2000)Google Scholar.

4 Tafuri, Manfredo, The Sphere and the Labyrinth (London, 1987)Google Scholar.

5 For example, the practice of Godwin and Hopwood, which had executed public commissions including schools prior to independence, largely worked on private commissions during this period.

6 Lock, Max, Kaduna 1917 1967 2017: A survey and plan of the Capital Territory for the Government of Northern Nigeria (London, 1967)Google Scholar.

7 David Aradeon, ‘Olumuyiwa, Oluwole’, Grove Art Files (www.groveart.com).

8 Akinsemoyin, Kunle and Vaughan-Richards, Alan, Building Lagos (Lagos, 1977)Google Scholar.

9 Kultermann, Udo, Neues Bauen in Afrika Verlag (Munich, 1963)Google Scholar, and Nem Directions in African Architecture (London, 1969).

10 This first appeared as articles in The Architectural Review (October 1959) and was then compiled as a book: Richards, J. M. (ed.), Commonwealth Architecture (London, 1961)Google Scholar.

11 Fry, and Drew, , Tropical Architecture in the Humid Zones, and Tropical Architecture in the Dry and Humid Zones (London, 1964)Google Scholar.

12 Architectural Design (October 1953); Architectural Design (January 1954); Architectural Design (May 1955); The Architects’ Journal (9 August 1956).

13 Fry and Drew, Tropical Architecture in the Humid Zones, p. 23.

14 Gambari, Ibrahim A., ‘British Colonial Administration’, in Nigerian History and Culture, ed. Olaniyan, Richard (London, 1985), pp. 159-75Google Scholar.

15 Metcalf, G. F., Great Britain ana Ghana: Documents of Ghana History 1807-1957 (London, 1964), p. 685 Google Scholar.

16 The Architects’ Journal (9 August 1956), pp. 192-95; The Architectural Review (May 1956), pp. 260-41.

17 Jones, Trevor, Ghana’s First Republic 1960-1966 (London, 1976)Google Scholar.

18 Nkrumah’s, Kwame publications include I Speak of Freedom: A statement of African Ideology (London, 1961)Google Scholar; Africa Must Unite (London, 1963); Neo-Colonialism, The Last Stage of Imperialism (New York, 1965); and Dark Days in Ghana (London, 1968).

19 Kwame Nkrumah, ‘African Socialism Revisited’, African Forum (Winter 1966), in The Africa Reader: Independent Africa, Cartey, Wilfred and Kilson, Martin (New York, 1970), pp. 200-08Google Scholar.

20 The housing at Christianbourg Castle was designed in the Ministry of Works by D. A. Barrett. It is documented in Kultermann, New Directions.

21 Nkrumah, I Speak, p. 5.

22 Personal communication with John Godwin and Gillian Hopwood, 2001-03.

23 Ibid.

24 Senghor, Leopald Sedar, ‘Negritude: A humanism of the twentieth century’, in The Africa Reader: Independent Africa, Cartey, Wilfred and Kilson, Martin (New York, 1970), pp. 179-83Google Scholar.

25 Nkrumah, ‘African Socialism’, pp. 200-08.

26 See Memmi, Albert, The colonizer and the colonized (London, 1990)Google Scholar; B. J. Moore-Gilbert, , Postcolonial Theory: Contexts, Practices, Politics (London, 1997)Google Scholar; and in architectural theory, Nalbantoglu, Gulsum Baydar and Chang, Wong, Post-Colonial Spacels] (New York, 1997)Google Scholar and numerous contributions to Building Dwelling Drifting: Migrancy and the Limits of Architecture, ed. Cairns, Stephen and Goad, Philip (Melbourne, 1997)Google Scholar.

27 Biographical material on Nigerian architects is generally poorly published. Here the paper uses Boluslawa Prucnal-Ogunsote (1993), ‘A Study of Modern Trends in Some Aspects of Architecture in Nigeria’ (doctoral thesis, Ahmadu Bello University, 1992), pp. 463-65; Arayela, Olarunde, ‘An Introspection into Forty Years of Architectural Practice in Nigeria (1960-2000) — The Way Forward’, in Architects and Architecture in Nigeria, ed. Nkwogu, Uche Obisike (2001, Nigeria), pp. 91–107 Google Scholar; and David Aradeon, ‘Olumuyiwa, Oluwole’, Grove Art Files (www.groveart.com) as sources.

28 Adeolu, Omotayo, ‘Architectural Education in Nigeria’, The West African Builder and Architect, 9:1 (1969), pp. 28–29 Google Scholar.

29 Prucnal-Ogunsote, ‘A study’, and Arayela, ‘An Introspection’.

30 The photographs were found in the present offices of Olumuyiwa and Associates, Sumiere, Lagos, in 2002.

31 Interview with Olumuyiwa in Prucnal-Ogunsote, ‘A study’, pp. 463-65.

32 Ibid.

33 The concept of the triple heritage of cultures — African tradition, Western colonialism and Islam — is drawn from Mazrui, Ali, The Africans: a Triple Heritage (London, 1986)Google Scholar.

34 These commissions included work with Kenzo Tange on the masterplan for Abuja and the design of the Eko Hotel, a landmark building in Lagos.

35 Contemporary Architects, 3rd edn, ed. Emanuel, Muriel (Chicago, 1994), pp. 41–42 Google Scholar.

36 Alan Vaughan-Richards gave a talk entitled ‘Architectural Reflections’ at the University of Lagos in 1982, and it is from the typed version and a tape made with foresight by David Aradeon that the architect’s biography is drawn.

37 Interview with the architect’s daughter, Remi Vaughan-Richards, London, 14 September 2002.

38 Vaughan-Richards, ‘Architectural Reflections’.

39 Vaughan-Richards, Alan, ‘The New Generation’, The West African Builder and Architect, 6:2 (1966), pp. 36–39 Google Scholar.

40 Vaughan-Richards, Alan, ‘Olaoluwakitan Cottage’, The West African Builder and Architect, 6:2 (1966), pp. 40–49 Google Scholar.

41 Brazilian architecture in Lagos refers to the work of the freed slaves from Brazil who returned in the nineteenth century and brought knowledge of Portuguese colonial architecture, including plasterwork.

42 Vaughan-Richards, Alan, ‘Student Dormitories for the University of Lagos’, The West African Architect and Builder, 8:4 (1968), pp. 97–112 Google Scholar.

43 Vaughan-Richards, Alan, The West African Builder and Architect, 6:1 (1966), p. 6 Google Scholar.

44 Akinsemoyin and Vaughan-Richards, Building Lagos.

45 Correspondence with Ulli Beier, 26 November 2003.

46 Beier, Ulli, Art in Nigeria 1960 (Cambridge and Ibadan, 1960)Google Scholar.

47 Interview with Ulli Beier, 21 November 2003.

48 Beier, Ulli, Contemporary Art in Africa (London, 1968), p. 62 Google Scholar.

49 Interview with Ulli Beier, 21 November 2003.

50 I am grateful to Babar Mumtaz who alerted me to the importance, in this period, of the Kumasi school. This section draws on e-mail correspondence with Michael (John) Lloyd, December 2002; an interview with Max Bond, July 2003; a visit to the school in Kumasi in January 2001; and two published articles: Lloyd, John (ed.), ‘Ghana’, in World Architecture, in, ed. Donat, John (London, 1966), pp. 48–57 Google Scholar, and Arena: the Architectural Association Journal (July-August 1966), pp. 39-62.

51 Nkrumah, I Speak, p. 103.

52 E-mail correspondence with Michael (John) Lloyd, December 2002.

53 Ibid.

54 Published as Dmochowski, Z. R., An Introduction to Nigerian Traditional Architecture, v, 1-3 (London, 1990)Google Scholar.

55 Oliver, Paul, Dwellings, The House Across the World (Oxford, 1987)Google Scholar.

56 Telephone interview with Max Bond, 17 July 2003.

57 Ibid.

58 ‘A library at Bolgatanga’, Architectural Forum, cxxviii, 2 (March 1968) pp. 66-69.

59 Lutz Christians, ‘Banda Nkwanta’, Arena: the Architectural Association Journal (September-October 1966).

60 Bond relates how, following the success of the Bolgatanga library, a rubber stamp was made of its plan for inclusion in town plans. Telephone interview with Max Bond, 17 July 2003.

61 Telephone interview with Max Bond, 17 July 2003.

62 In addressing the archival absences of the period, this paper builds upon the exhibition co-curated with Ola Uduku in January 2003. The exhibition, The AA in Africa, held at the Architectural Association, London, 16 January to 14 February 2003, brought together material from the personal archives of John Godwin and Gillian Hopwood; Fry, Drew and Creamer; John Baker; Zbyzeck Plocki; Renate Koenigsberger; Patrick Wakely; John Owusu-Addo; and Remi Vaughan-Richards. In sourcing material it became evident how little documented the post-colonial period has been, in contrast to the 1950s when the modern architecture in the British colonies of West Africa was relatively well covered by the Western media. The existing history and theory on modern architecture in Africa, such as the recent books by Fuller, Wright and Cohen, also tends to focus on the late-colonial period. The existing material in print that does cover the post-colonial period, such as the catalogue for the Short Century exhibition (ed. Elleh, Hughes and Kultermann) is generally a survey rather than in-depth discussion of particular work. An outstanding reference has been The West African Builder and Architect which, as the only journal covering the area during the 1960s, offers a thorough documentation of several important projects.

63 Freedom.