Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-15T02:06:30.239Z Has data issue: false hasContentIssue false
  • English
  • Français

Twentieth century Latin American women artists, discovery and record - a work in progress

Published online by Cambridge University Press:  06 June 2016

Cecilia Puerto
Get access

Abstract

The work of Latin American women artists is not adequately documented, nor is it sufficiently recognised in the major art reference works and bibliographies which thus fail to facilitate access even to documentation which is available in the USA. The author has been working towards a bibliographic apparatus that will bring together readily available sources on 20th century Latin American women artists. Much material has been found in the Art Exhibition Catalog collection in the Arts Library at the University of California at Santa Barbara. Two Cuban artists, Ana Mendieta and María Martínez-Cañas, are just two of some 200 artists from 20 countries represented in this project. (The revised text of a paper presented to the IFLA Section of Art Libraries at the IFLA General Conference at Havana, August 1995).

Type
Research Article
Information
Art Libraries Journal , Volume 20 , Issue 3 , 1995 , pp. 15 - 18
Copyright
Copyright © The Art Libraries Society 1995

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. Stellweg, Carla. ‘Stepping into the Mainstream: the Latin American art market’. Latin American Art, vol. 1 no. 1 Spring 1989 p.29–34.Google Scholar
2. Rauch, Heidi and Suro, Federico. ‘Ana Medieta’s Primal Scream’. Américas, vol. 44 no. 5 p.44–48.Google Scholar
3. Mendieta Harrington, Raquel. ‘Ana Mendieta: self-portrait of a goddess’. Review: Latin American Literature and Arts, no. 39, Jan-June 1988 p.38–39.Google Scholar
4. Perrault, John. ‘Earth and fire: Mendieta’s body of work’. Ana Mendieta; a retrospective. New York: New Museum of Contemporary Art, 1987 p.10.Google Scholar
5. Rauch, , op. cit.Google Scholar
6. Camnitzer, Luis. ‘Ana Mendieta en el New Museum de Nueva York’. Arte en Columbia no. 38 December 1988 p.44–49, English translation, p.133–135.Google Scholar
7. Rauch, , op. cit.Google Scholar
8. Mosquera, Geraold. ‘Ana Mendieta: esculturas rupestres’. Areito vol. 7 no. 28 1981 p.54–56.Google Scholar
9. Camnitzer, , op. cit.Google Scholar
10. Rauch, , op. cit.Google Scholar
11. Fuentes-Pérez, Ileana, Graciella Cruz-Taura and Pau-Llosa, Ricardo (eds). Outside Cuba = Fuera de Cuba. New Brunswick: Rutgers University, 1989 p.312.Google Scholar
12. Turner, Elisa, ‘María Martínez-Cañas’. Latin American Art, vol. 5 no. 1 Spring 1993 p.85–86.CrossRefGoogle Scholar
13. Martínez-Cañas, María. Marie Martínez-Cañas: encounters. Tucson: Centre for Creative Photography, 1991 p.3 Google Scholar