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Art Libraries and Book-Learning

Published online by Cambridge University Press:  06 June 2016

Philip Pacey*
Affiliation:
Preston Polytechnic
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Abstract

The concept of artistic knowledge is considered, that which is unique to the artist and that which can be acquired by other means, particularly from the storehouse of a library’s collections. The problem of art being at a remove in a library can be countered by collections of ‘real’ art e.g. artists’ books, and by outgoing, generous art librarianship. The art library can also make its own contribution to the maintenance of traditional artistic knowledge by concentrating at least a part of its collections on whatever is unique in its own area, thus counterbalancing the tendency to uniform, ‘monochrome’ coverage.

Type
Research Article
Copyright
Copyright © The Art Libraries Society 1976

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References

(1) Jones, David. Epoch and Artists. Faber, 1959.Google Scholar
Jones, David. The Dying Gaul and other essays. Faber, 1978.Google Scholar
Raine, Kathleen. David Jones and ‘the actually loved and known’. Golgonooza Press (3 Cambridge Drive, Ipswich), 1978.Google Scholar
(2) Pollard, Nik. Arty choke: acquisitions and ephemera. Art Libraries Journal, vol. 2, no. 4, Winter 1977, pp. 415.Google Scholar