Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-27T11:16:25.083Z Has data issue: false hasContentIssue false

Utilising PEARL to Teach Indigenous Art History: A Canadian Example

Published online by Cambridge University Press:  06 September 2012

Carmen Robertson*
Affiliation:
Department of Visual Arts, University of Regina, Canada
*
address for correspondence: Carmen Robertson, Department of Visual Arts, RC 232, University of Regina, Regina, SK, S4S 0A2, Canada. Email: carmen.robertson@uregina.ca
Get access

Abstract

This article explores the concepts advanced from the Australian Learning and Teaching Council (ALTC)-funded project, ‘Exploring Problem-Based Learning pedagogy as transformative education in Indigenous Australian Studies’. As an Indigenous art historian teaching at a mainstream university in Canada, I am constantly reflecting on how to better engage students in transformative learning. PEARL offers significant interdisciplinary theory and methodology for implementing content related to both Canadian colonial history and Indigenous cultural knowledge implicit in teaching contemporary Aboriginal art histories. This case study, based on a third-year Indigenous art history course taught at University of Regina, Saskatchewan in Canada will articulate applications for PEARL in an Aboriginal art history classroom. This content-based course lends itself to an interdisciplinary pedagogical approach because it remains outside the traditional disciplinary boundaries accepted in most Eurocentric-based histories of art. Implementing PEARL both theoretically and methodologically in tandem with examples of contemporary Indigenous art allows for innovative ways to balance course content with the sensitive material required for students to better understand and read art created by Indigenous artists in Canada in the past 40 years.

Type
Research Article
Copyright
Copyright © The Authors 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Absolon, K., & Willett, C. (2005). Putting ourselves forward: Location in Aboriginal research. In Brown, L. & Strega, S. (Eds.), Research as resistance: Critical, Indigenous, & anti-oppressive approaches (pp. 97126). Toronto: Canadian Scholar's Press.Google Scholar
Bal, M. (2002). Travelling concepts in the humanities: A rough guide. Toronto: University of Toronto Press.Google Scholar
Bell, M. (1993). Making an excursion. Kanata: Robert Houle's Histories. Ottawa, Canada: Carleton University Art Gallery.Google Scholar
Boyer, B. (1983). A smallpox issue. Retrieved from www.virtualmuseum.ca/Ehibitions/BobBoyer/en/artwork015.htmlGoogle Scholar
Campbell, M. (2011). Foreword. In Anderson, K. (Ed.), Life stages and native women: Memory, teachings, and story medicine (pp. xvxix). Winnipeg: University of Manitoba Press.Google Scholar
Deloria, V. (1997). Red earth, white lies: Native Americans and the myth of scientific fact. Golden, CO: Fulcrum Publishing.Google Scholar
Derrida, J. (1987). The Parergon. The truth in painting (Trans. Bennington, G. & McLeod, I.). Chicago, IL: University of Chicago Press.Google Scholar
Farago, C. (2009). Silent moves: On excluding the ethnographic subject from the discourse of art history. In Preziosi, D. (Ed.), The art of art history: A critical anthology (pp. 195213). London: Oxford University Press.Google Scholar
Gardner, E. (2000). First Nations House of Learning: A continuity of transformation. In Brant Castellano, M., Davis, L., & Lahache, L. (Eds.), Aboriginal education: Fulfilling the promise (pp. 190207). Vancouver: University of British Columbia Press.Google Scholar
Hodgson-Smith, K. (2000). Issues of pedagogy in Aboriginal education. In Brant Castellano, M., Davis, L., & Lahache, L. (Eds.), Aboriginal education: Fulfilling the promise (pp. 156170). Vancouver: University of British Columbia Press.Google Scholar
Kovach, M. (2005). Emerging from the margins: Indigenous methodologies. In Brown, L. & Strega, S. (Eds.), Research as resistance: Critical, Indigenous, & anti-oppressive approaches (pp. 97126). Toronto: Canadian Scholar's Press.Google Scholar
Mackinlay, E., & Barney, K. (2011). Teaching and learning for social justice: An approach to transformative education in Indigenous Australian studies. In Williams, G. (Ed.), Talking back, talking forward: Journeys in transforming Indigenous education practice (pp. 117128). Darwin, Australia: Charles Darwin University Press.Google Scholar
McMaster, G. (1999). Towards an Aboriginal art history. In Jackson Rushing III, W. (Ed.), Native American art in the twentieth century: Makers, meanings, histories (pp. 8196). New York: Routledge.Google Scholar
Mirzoeff, N. (1998). Visual culture reader. London: Routledge.Google Scholar
Robertson, C., & Weber, A. (2007). Teaching Indian art history: A conversation about post-secondary Indigenous art education. Third Text, 21 (3), 341356.CrossRefGoogle Scholar
Said, E. (1978). Orientalism. New York: Random House.Google Scholar
Sturken, M., & Cartwright, L. (2009). Practices of looking: An introduction to visual culture. New York: Oxford University Press.Google Scholar
Teaching4Change. (2012). PEARL in Indigenous Australian studies. Retrieved from http://www.teaching4change.edu.au/content/adapting-pbl-indigenous-australian-studiesGoogle Scholar
Wilson, S. (2008). Research is ceremony: Indigenous research methods. Halifax, Canada: Fernwood Publishing.Google Scholar