Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-10T07:09:45.420Z Has data issue: false hasContentIssue false

Participating in a musician's stream of consciousness

Published online by Cambridge University Press:  28 May 2020

Björn Vickhoff*
Affiliation:
Sahlgrenska Academy, University of Gothenburg, 413 90Göteborg, Sweden. bjorn.vickhoff@aniv.gu.se

Abstract

Do we acquire culture through other minds, or do we get access to other minds through culture? Music culture is a practice as well as the people involved. Sounding music works as a script guiding action, as do, to varying degrees, many rituals and customs. Collective co-performance of the script enables inter-subjectivity, which arguably contributes to the formation of subcultures. Shared-emotional experiences give material to the narrative of who we are.

Type
Open Peer Commentary
Copyright
Copyright © The Author(s), 2020. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Becker, J. (2001) Anthropological perspectives on music and emotion. In: Music and emotion: Theory and research, eds. P. N. Juslin & J. A. Sloboda, pp. 135–60. Oxford University Press.Google Scholar
Bennett, A. (1999) Subcultures or neo-tribes? Rethinking the relationship between youth, style and musical taste. Sociology 33(3):599617.Google Scholar
Friston, K. J., Samothrakis, S. & Montague, R. (2012) Active inference and agency: Optimal control without cost functions. Biological Cybernetics 106(8–9):523–41. https://doi.org/10.1007/s00422-012-0512-8.CrossRefGoogle ScholarPubMed
Friston, K., Thornton, C. & Clark, A. (2012a) Free-energy minimization and the dark-room problem. Frontiers in Psychology 3:130. https://doi.org/10.3389/fpsyg.2012.00130.CrossRefGoogle Scholar
Gebauer, L., et al. (2016) Oxytocin improves synchronisation in leader-follower interaction. Scientific Reports 6:38416.CrossRefGoogle ScholarPubMed
Joffily, M. & Coricelli, G. (2013) Emotional valence and the free-energy principle. PLoS Computational Biology 9(6):e1003094. https://doi.org/10.1371/journal.pcbi.1003094.CrossRefGoogle ScholarPubMed
Koelsch, S., Vuust, P. & Friston, K. (2019) Predictive processes and the peculiar case of music. Trends in Cognitive Sciences 23(1):6377.CrossRefGoogle ScholarPubMed
Repp, B. H. & Su, Y.-H. (2013) Sensorimotor synchronization: A review of recent research (2006–2012). Psychonomic Bulletin & Review 20(3):403–52.CrossRefGoogle Scholar
Roesch, E. B., Nasuto, S. J. & Bishop, J. M. (2012) Emotion and anticipation in an enactive framework for cognition (response to Andy Clark). Frontiers in Psychology 3:398. https://doi.org/10.3389/fpsyg.2012.00398.CrossRefGoogle Scholar
Russell, J. A. & Pratt, G. (1980) A description of the affective quality attributed to environments. Journal of Personality and Social Psychology 38(2):311.CrossRefGoogle Scholar
Schütz, A. (1951) Making music together: A study in social relationship. Social Research 76–97.Google Scholar
Seth, A. K. & Friston, K. J. (2016) Active interoceptive inference and the emotional brain. Philosophical Transactions of the Royal Society B: Biological Sciences 371(1708):20160007.CrossRefGoogle ScholarPubMed
Tal, I., et al. (2017) Neural entrainment to the beat: The “missing-pulse” phenomenon. Journal of Neuroscience 37(26):6331–41.CrossRefGoogle ScholarPubMed
Vickhoff, B., Åström, K., Theorell, T., von Schéele, B. & Nilsson, M. (2012) Musical piloerection. Music and Medicine 4(2):8289.CrossRefGoogle Scholar