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Now you hear it, now you don't: Malleable illusory vowel effects in Spanish–English bilinguals

Published online by Cambridge University Press:  24 July 2018

MATTHEW T. CARLSON
MATTHEW T. CARLSON*
Affiliation:
The Pennsylvania State University
*
Address for correspondence: 442 Burrowes Bldg., Dept. of Spanish, Italian, and Portuguese, The Pennsylvania State University, University Park, 16802mtc173@psu.edu
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Abstract

Spanish speakers tend to perceive an illusory [e] preceding word-initial [s]-consonant sequences, e.g., perceiving [stið] as [estið] (Cuetos, Hallé, Domínguez & Segui, 2011), but this illusion is weaker for Spanish speakers who know English, which lacks the illusion (Carlson, Goldrick, Blasingame & Fink, 2016). The present study aimed to shed light on why this occurs by assessing how a brief interval spent using English impacts performance in Spanish auditory discrimination and lexical decision. Late Spanish–English bilinguals’ pattern of responses largely matched that of monolinguals, but their response times revealed significant differences between monolinguals and bilinguals, and between bilinguals who had just completed tasks in English vs. Spanish. These results suggest that late bilinguals do not simply learn to perceive initial [s]-consonant sequences veridically, but that elements of both their phonotactic systems interact dynamically during speech perception, as listeners work to identify what it was they just heard.

Keywords

bilingualismphonotacticsspeech perceptionillusory vowel effects
Type
Research Article
Information
Bilingualism: Language and Cognition , Volume 22 , Issue 5 , November 2019 , pp. 1101 - 1122
Copyright
Copyright © Cambridge University Press 2018 

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Footnotes

The research reported here was funded through a grant from the National Science Foundation (OISE-0968369). I also gratefully acknowledge the help of Alex McAllister and Manuel Pulido Azpíroz in the construction of stimuli, Teresa Bajo for providing lab space in Granada, and Giuli Dussias, Matt Goldrick, Mike Putnam, Katharina Schuhmann, and Frances Blanchette for their invaluable help and feedback.

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