Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-28T00:56:31.622Z Has data issue: false hasContentIssue false

Looking for Inspiration: Recapturing an Enthusiasm for Music Education from Innovatory Writings

Published online by Cambridge University Press:  18 December 2008

Abstract

From amongst the literature of music education in the twentieth century a variety of styles and approaches can be discerned that employ differing ways of communicating ideas to teachers. The work of Yorke Trotter is highlighted here as being particularly effective in discussing musical and educational challenges in a way that could directly inspire the development of classroom practice. The paper looks at the legacy of Yorke Trotter's thinking, and observes that the writings of Schafer, Paynter and Aston provided similar motivation for the teachers of the 1960s and 1970s. The contrast between this professional reflection and the Government directives of the early 1990s is discussed, and the importance of continuing educational debate in music teaching becomes evident.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1998

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

ABBS, P. (ed.) (1989). The Symbolic Order: A Contemporary Reader on the Arts Debate. London:The Falmer Press.Google Scholar
Cox, G. S. A. (1991). 'Sensitiveness to the higher rhythms': Arthur Somervell and his vision of music education. Westminster Studies in Education, 14, 6982.Google Scholar
Department for Education (1995). Music in the National Curriculum. London:HMSO.Google Scholar
Department of Education and Science (1991). Music for Ages 5 to 14 [Final Report]. London:HMSO.Google Scholar
Oref, C. (1964). Orff-Schulwerk: past and future (trans. Murray, M.). Music in Education, 28, 309, 209–14.Google Scholar
Paynter, J. (1982). Music in the Secondary School Curriculum. Cambridge: Cambridge University Press.Google Scholar
Paynter, J. (1992). Sound and Structure. Cambridge: Cambridge University Press.Google Scholar
Paynter, J. (1996). Editorial. British Journal of Music Education, 13, 3, 181.CrossRefGoogle Scholar
Paynter, J. and Aston, P. (1970). Sound and Silence: Classroom Projects in Creative Music. London:Cambridge University Press.Google Scholar
Pratt, G. and Stephens, J. (eds) (1995). Teaching Music in the National Curriculum. Oxford: Heinemann.Google Scholar
Rainbow, B. (1956/71). Music in the Classroom. London:Heinemann.Google Scholar
Rainbow, B. (1989). Music in Educational Thought and Practice: A Survey from 800 BC. Aberystwyth: Boethius Press.Google Scholar
Rainbow, B. (1990). The Kodaly Concept and its Pedigree. British Journal of Music Education, 7, 3, 197203.CrossRefGoogle Scholar
Redfern, H. B. (1986). Questions in Aesthetic Education. London:Allen & Unwin.Google Scholar
Schafer, R. M. (1967). Ear Cleaning: Notes on an Experimental Music Course. BMI Canada/Universal Edition.Google Scholar
Schafer, R. M. (1969). The New SoundScape. London:Universal Edition.Google Scholar
Schafer, R. M. (1995). Argentinian soundscapes. British Journal of Music Education, 12, 2, 91101.Google Scholar
Scholes, P. A. (1935). Music, The Child and The Masterpiece. London:Oxford University Press.Google Scholar
Swanwick, K. (1992). Music Education and the National Curriculum. London:The Tufnell Press.Google Scholar
Swanwick, K. (1994). Musical Knowledge: Intuition, Analysis and Music Education. London:Routledge.Google Scholar
Winn, C. (1954). Teaching Music. London:Oxford University Press.Google Scholar
Yorke Trotter, T. H. (1914). The Making of Musicians. London:Herbert Jenkins.Google Scholar
Yorke Trotter, T. H. (1924). Music and Mind. London:Methuen.Google Scholar
Yorke Trotter, T. H. and Chapple, S. (1933). Yorke Trotter Principles of Musicianship for Teachers and Students. London: Bosworth.Google Scholar