Published online by Cambridge University Press: 20 February 2008
The last active period in the tradition of Sanskrit poetics, although associated with scholars who for the first time explicitly identified themselves as new, has generally been castigated in modern histories as repetitious and devoid of thoughtfulness. This paper presents a case study dealing with competing analyses of a single short poem by two of the major theorists of this period, Appayya Dīkṣita (sixteenth century) and Jagannātha Paṇḍitarāja (seventeenth century). Their arguments on this one famous poem touch in new ways on the central questions of what the role of poetics had become within the Sanskrit world and the way in which it should operate in relation to other systems of knowledge and literary cultures.
* We are grateful to our colleagues in the year-long working group on innovations and turning points in the history of Sanskrit literature, held in 2003–04 at the Institute for Advanced Studies in Jerusalem, where the contents of this paper were first discussed. We offer special thanks to the staff of the institute for their generosity and helpfulness. We also wish to thank the anonymous reader of this paper for providing useful suggestions, several of which we have adopted.