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Catherine Vanderheyde, La Sculpture byzantine du IXe au XVe siècle: contexte – mise en oeuvre – décors. Paris: Éditions A. & J. Picard, 2020. Pp. 364, 193 figs.

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Catherine Vanderheyde, La Sculpture byzantine du IXe au XVe siècle: contexte – mise en oeuvre – décors. Paris: Éditions A. & J. Picard, 2020. Pp. 364, 193 figs.

Published online by Cambridge University Press:  02 July 2021

Henry Maguire
Henry Maguire*
Affiliation:
Johns Hopkins University
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Review
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Byzantine and Modern Greek Studies , Volume 45 , Issue 2 , October 2021 , pp. 276 - 279
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press on behalf of Centre for Byzantine, Ottoman and Modern Greek Studies, University of Birmingham

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References

1 Dolezal, M. L. and Mavroudi, M., ‘Theodore Hyrtakenos’ Description of the Garden of St. Anna and the Ekphrasis of Gardens’, in Littlewood, A., Maguire, H., and Wolschke-Bulmahn, J. (ed.), Byzantine Garden Culture (Washington, D.C., 2002), 105–58Google Scholar.

2 ‘Middle Byzantine court costume’, in H. Maguire (ed.), Byzantine Court Culture from 829–1204 (Washington, D.C., 1997), 39–51, esp. 41, fig. 5

3 Agazzi, M., ‘Questioni marciane: architettura e scultura’, in Vio, E. (ed.), San Marco: la basilica di Venezia (Venice, 2019)Google Scholar, vol. 1, 91–109, esp. 103–5, and H. Maguire, ‘The South Façade of the Treasury of San Marco’, ibid., 123–9.