Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-26T03:30:22.879Z Has data issue: false hasContentIssue false

Australia's Ancient Warriors: Changing Depictions of Fighting in the Rock Art of Arnhem Land, N.T.

Published online by Cambridge University Press:  22 December 2008

Paul Taçon
Affiliation:
Australian Museum6 College Street Sydney, NSW 2000Australia
Christopher Chippindale
Affiliation:
Cambridge Museum of Archaeology and AnthropologyDowning Street Cambridge CB2 3DZ

Extract

Depictions of battle scenes, skirmishes and hand-to-hand combat are rare in hunter-gatherer art and when they do occur most often result from contact with agriculturalist or industrialized invaders. In the Arnhem Land region of the Northern Territory of Australia we have been documenting rare depictions of fighting and are able to show that there has been a long tradition of warrior art. At least three phases have been identified and in each of them groups of hunter-gatherers are shown in combat. The oldest are at least 10,000 years old, and constitute the most ancient depictions of fighting from anywhere in the world, while the newest were produced as recently as early this century. Significantly, a pronounced change in the arrangement of figures began with the second, middle phase — beginning perhaps about 6000 years ago. This appears to be associated with increased social complexity and the development of the highly complicated kinship relationships that persist in Arnhem Land today. Evidence from physical anthropological, archaeological and linguistic studies supports the idea of the early development of a highly organized society of the type more commonly associated with agriculturalists or horticulturalists.

Type
Articles
Copyright
Copyright © The McDonald Institute for Archaeological Research 1994

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Allen, H. & Barton, G., 1990. Ngarradj Warde Djobkeng: White Cockatoo Dreaming and the Prehistory ofKakadu. (Oceania Monographs.) Sydney: University of Sydney.Google Scholar
Bahn, P.G., 1989. Hunting for farmers. Nature 340, 268.CrossRefGoogle Scholar
Bahn, P.G. & Vertut, J., 1988. Images of the Ice Age. Leicester: Windward / New York (NY): Facts on File.Google Scholar
Barry, P.S., 1991. Mystical Themes in Milk River Rock Art. Edmonton: University of Alberta Press.Google Scholar
Beltran, A., 1982. Rock Art of the Spanish Levant. Cambridge: Cambridge University Press.Google Scholar
Beltrán Martinez, A., 1968. Arie Rupestre Levantino. Zaragoza: Seminario de Prehistoria y Protohistoria, Facultad de Filosofia y Letras, Universidad de Zaragoza.Google Scholar
Bielawski, E., 1979. Contactual transformation: the Dorset-Thule succession, in Thule Eskimo Culture: An Anthropological Retrospective, ed. McCartney, A.P.. (Archaeological Survey of Canada Paper 88.) Ottawa: National Museum of Man, 100–9.CrossRefGoogle Scholar
Bird, C.F.M. & Frankel, D., 1991. Chronology and explanation in western Victoria. Archaeology in Oceania 26, 116.CrossRefGoogle Scholar
Brandl, E., 1973. Australian Aboriginal Paintings in Western and Central Arnhem Land: Temporal Sequences and Elements of Style in Cadell River and Deaf Adder Creek Art. Canberra: Australian Institute of Aboriginal Studies.Google Scholar
Campbell, C. 1986. Images of war: a problem in San rock art research. World Archaeology 18(2), 255–67.CrossRefGoogle Scholar
Campbell, C. 1987. Art in Crisis: Contact Period Rock Art in the Southeastern Mountains of Southern Africa. Unpublished MSc. thesis, University of the Witwatersrand, Johannesburg.Google Scholar
Cashdan, E., 1983. Territoriality among human foragers: ecological models and an application to four Bushman groups. Current Anthropology 24, 4766.CrossRefGoogle Scholar
Chaloupka, G., 1977. Aspects of the chronology and schematisation of two prehistoric sites on the Arnhem Land Plateau, in Form in Indigenous Art: Schematization in the Art of Aboriginal Australia and Prehistoric Europe, ed. Ucko, P.J.. Canberra: Australian Institute of Aboriginal Studies, 243–59.Google Scholar
Chaloupka, G., 1984a. From Palaeoart to Casual Paintings: The Chronological Sequence of Arnhem Land Plateau Rock Art. (Monograph Series 1.) Darwin: Northern Territory Museum of Arts and Sciences.Google Scholar
Chaloupka, G., 1984b. Rock Art of the Arnhem Land Plateau: Paintings of the Dynamic Figure Style. Unpublished report. Darwin: Northern Territory Museum of Arts and Sciences.Google Scholar
Chaloupka, G., 1985. Chronological sequence of Arnhem Land Plateau art, in Archaeological Research in Kakadu National Park, ed. Jones, R.. (Special Publication 13.) Canberra: Australian National Parks and Wildlife Service, 269–80.Google Scholar
Chaloupka, G., 1993a. Journey in Time. Sydney: Reed Books.Google Scholar
Chaloupka, G., 1993b. You gotta have style, in Rock Art Studies: The Post-Stylistic Era or Where do We Go from Here?, eds. Lorblanchet, M. & Bahn, P.G.. (Oxbow Monograph 35.) Oxford: Oxbow Books.Google Scholar
Chaloupka, G. & Kapirigi, N., 1981. Cultural Survey of Yamitj Gunerrd (Yamitj's Country). Unpublished report to the Australian National Parks and Wildlife Service and N.T. Museums and Art Galleries, Darwin.Google Scholar
Chappell, J., 1988. Geomorphic dynamics and evolution of tidal river and floodplain systems in northern Australia, in Floodplain Research. Northern Australia: Progress and Prospects vol. 2, eds. Wade-Marshall, D. & Loveday, P.. Darwin: Australian National University and North Australia Research Unit, 3457.Google Scholar
Chippindale, C. & Taçon, P., 1993. Two old painted panels from Kakadu: variation and sequence in Arnhem Land rock art, in Time and Space: Dating and Spatial Considerations in Rock Art Research, eds. Steinbring, J., Watchman, A., Faulstich, P. & Taçon, P.. (Occasional AURA Publication No. 8.) Melbourne: Archaeological Publications, 3256.Google Scholar
Conkey, M.W., 1978. Style and information in cultural evolution: toward a predictive model for the Paleolithic, in Social Archaeology Beyond Subsistence and Dating, eds. Redman, C.L., Berman, M.J., Curtin, E.V., William, J.Langhorne, T., Versaggi, N.M. & Wanser, J.C.. New York (NY): Academic Press, 6185.Google Scholar
Conkey, M.W., 1987. New approaches in the search for meaning? A review of research in 'Paleolithic Art'. Journal of Field Archaeology 14, 413–30.Google Scholar
Dams, L., 1984. Les Peintures Rupestres du Levant Espagnol. Paris: Picard.Google Scholar
Daniel, G., 1975. 150 Years of Archaeology. London: Duckworth.Google Scholar
Davidson, I., 1989. Is intensification a condition of the fisher-hunter-gatherer way of life? Archaeology in Oceania 24, 75–8.CrossRefGoogle Scholar
Davidson, I., 1990. Prehistoric Australian demography, in Hunter-gatherer Demography Past and Present, eds. Meehan, B. & White, N.. (Oceania Monographs.) Sydney: University of Sydney, 4157.Google Scholar
Davidson, I., 1991. Archaeologists and Aborigines. The Australian Journal of Anthropology 2(2), 247–58.CrossRefGoogle Scholar
Davidson, I. & Noble, W., 1989. The archaeology of perception: traces of depiction and language. Current Anthropology 30(2), 125–55.CrossRefGoogle Scholar
Delluc, B. & Delluc, G., 1978. Les manifestations graphiques aurignaciennes sur support rocheux des environs des Eyzies (Dordogne). Gallia Préhistoire 21, 213438.CrossRefGoogle Scholar
Donnan, C.B., 1976. Moche Art and Iconography. Los Angeles (CA): UCLA Latin American Center Publications.Google Scholar
Dyson-Hudson, R. & Smith, E.A., 1978. Human territoriality: an ecological reassessment. American Anthropologist 20, 2141.CrossRefGoogle Scholar
Edwards, R., 1979. Australian Aboriginal Art: The Art of the Alligator Rivers Region, Northern Territory. Canberra: Australian Institute of Aboriginal Studies.Google Scholar
Elkin, A.P., 1977. Aboriginal Men of High Degree. 2nd ed.New York (NY): St Martin's Press.Google Scholar
Evans, N. & Jones, R., in press. The cradle of the Pama-Nyungans: archaeological and linguistic speculations, in Understanding Ancient Australia: Perspectives from Archaeology and Linguistics, eds. McConvell, P. & Evans, N.. Melbourne: Oxford University Press.Google Scholar
Flannery, T. 1993/1994. Stoneage mutant turtle idols? Australian Natural History 24(7), 72.Google Scholar
Forge, A., 1991. Hand stencils: rock art or not art, in Rock Art and Prehistory, eds. Bahn, P. & Rosenfeld, A.. Oxford: Oxbow Books, 3944.Google Scholar
Frankfort, H., 1954. The Art and Architecture of the Ancient Orient. Harmondsworth: Penguin.Google Scholar
Gardner, R. & Heider, K., 1974. Gardens of War: Life and Death in the New Guinea Stone Age. Ringwood, Victoria: Penguin Books Australia.Google Scholar
Ghiglieri, M.P., 1984. The Chimpanzees ofKibale Forest. New York (NY): Columbia University Press.Google Scholar
Goodall, J., 1986. The Chimpanzees of Gombe: Patterns of Behavior. Cambridge (MA): The Belknap Press of Harvard University Press.Google Scholar
Guidon, N., 1991. Peintures Rupestres du Brésil. Paris: Editions Recherche sur les Civilisations.Google Scholar
Haas, J. (ed.), 1990. The Anthropology of War. Cambridge: Cambridge University Press.Google Scholar
Harvey, M., in press. The temporal interpretation of linguistic diversity in the Top End, in Understanding Ancient Australia: Perspectives from Archaeology and Linguistics, eds. McConvell, P. & Evans, N.. Melbourne: Oxford University Press.Google Scholar
Haskovec, I., 1992a. Mt Gilruth revisited. Archaeology in Oceania 27(2), 6174.CrossRefGoogle Scholar
Haskovec, I., 1992b. Northern Running Figures of Kakadu National Park: a study of a regional style, in State of the Art: Regional Rock Art Studies in Australia and Melanesia, eds. McDonald, J. & Haskovec, I.. (Occasional Aura Publication No. 6.) Melbourne: Australian Rock Art Research Association, 148–58.Google Scholar
Hiatt, L.R., 1965. Kinship and Conflict. Canberra: Australian National University.Google Scholar
Hiatt, L.R., 1975. Introduction, in Australian Aboriginal Mythology, ed. Hiatt, L.R.. Canberra: Australian Institute of Aboriginal Studies, 123.Google Scholar
Hiscock, P.D., 1981. Comments of the use of chipped stones artefacts as a measure of 'intensity of site usage'. Australian Archaeology 13, 3034.CrossRefGoogle Scholar
Hiscock, P.D., 1985. Technological change in the Hunter River Valley and its implications for the interpretation of late Holocene change in Australia. Archaeology in Oceania 21, 4050.CrossRefGoogle Scholar
Jones, R. (ed.), 1985. Archaeological Research in Kakadu National Park. (Special Publication 13.) Canberra: Australian National Parks and Wildlife Service.Google Scholar
Jones, R. & Johnson, I., 1985. Deaf Adder Gorge: Lindner site, Nauwalabila 1, in Archaeological Research in Kakadu National Park, ed. Jones, R.. (Special Publication 13.) Canberra: Australian National Parks and Wildlife Service, 165227.Google Scholar
Keen, I., 1982. How some Murngin men marry ten wives. Man 17, 620–42.CrossRefGoogle Scholar
Kestevan, S., 1984. Linguistic considerations of land tenure in western Arnhem Land, in Further Applications of Linguistics to Australian Aboriginal Contexts, eds. McKay, G.R. & Sommer, B.A.. (Occasional Paper No. 8.) Parkville, Victoria: Applied Linguistics Association of Australia, 4764.Google Scholar
Keyser, J.D., 1977. Writing-on-Stone: rock art on the northwestern plains. Canadian Journal of Archaeology 1, 1580.Google Scholar
Keyser, J.D., 1979. The Plains Indian War Complex and the rock art of Writing-on-Stone, Alberta, Canada. Journal of Field Archaeology 6(1), 41–8.CrossRefGoogle Scholar
Keyser, J.D., 1987. A lexicon for historic Plains Indian rock art: increasing interpretive potential. Plains Anthropologist 32, 4371.CrossRefGoogle Scholar
Keyser, J.D., n.d. The Rock Art of Writing-on-Stone. Unpublished Report. Alberta Provincial Parks Department.Google Scholar
Klassen, M.A., forthcoming. A Re-examination of the Rock Art of Writing-on-Stone (title tentative). M.A. thesis. Department of Anthropology, Trent University.Google Scholar
Knauft, B., 1985. Good Company and Violence: Sorcery and Social Action in a Lowland New Guinea Society. Berkeley (CA): University of California Press.Google Scholar
Knauft, B., 1987. Reconsidering violence in simple human societies: homicide among the Gebusi of New Guinea. Current Anthropology 28(4), 457500.CrossRefGoogle Scholar
Knauft, B., 1990a. Melanesian warfare: a theoretical history. Oceania 60(4), 250311.CrossRefGoogle Scholar
Knauft, B., 1990b. Violence among newly sedentary foragers. American Anthropologist 92, 1013–15.CrossRefGoogle Scholar
Knauft, B., 1991. Violence and sociality in human evolution. Current Anthropology 32(4), 391428.CrossRefGoogle Scholar
Knauft, B., 1993a. Comments on 'Egalitarian behavior and reverse dominance hierarchy', by Christopher Boehm. Current Anthropology 34(3), 243–4.Google Scholar
Knauft, B., 1993b. South Coast New Guinea Cultures: History, Comparison, Dialectic. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Knauft, B., 1994a. On human egalitarianism. Current Anthropology 35(2), 181–2.Google Scholar
Knauft, B., 1994b. Culture and cooperation in human evolution, in The Anthropology of Peace and Non-violence, eds. Sponsel, L. & Gregor, T.. Boulder (CO): Lynne Rienner, 3767.CrossRefGoogle Scholar
Knuckey, G., 1991. Dispute Settlement and Community Conflict in Prehistoric Australian Aboriginal Populations. Unpublished B.A. Honours Thesis, University of New England, Australia.Google Scholar
Knuckey, G., 1992. Patterns of fracture upon Aboriginal crania from the recent past. Proceedings of the Australasian Society for Human Biology 5, 4758.Google Scholar
Layton, R., 1985. The cultural context of hunter-gatherer rock art. Man: Journal of the Royal Anthropological Institute 20(3), 434–53.CrossRefGoogle Scholar
Layton, R., 1986. Political and territorial structures among hunter-gatherers. Man 21, 1833.CrossRefGoogle Scholar
Layton, R., 1991. Trends in the hunter-gatherer rock art of Western Europe and Australia. Proceedings of the Prehistoric Society 57(1), 163–74.CrossRefGoogle Scholar
Layton, R., 1992. Australian Rock Art: A New Synthesis. Cambridge: Cambridge University Press.Google Scholar
Layton, R., in press. Small tools and social change, in Understanding Ancient Australia: Perspectives from Archaeology and Linguistics, eds. McConvell, P. & Evans, N.. Melbourne: Oxford University Press.Google Scholar
Leakey, R.B., 1981. The Making of Mankind. New York (NY): E.P. Dutton.Google Scholar
Leakey, R.B. & Lewin, R., 1992. Origins Reconsidered: In Search of What Makes Us Human. New York (NY): Doubleday.Google Scholar
Lee, R.B., 1976. !Kung spatial organization: an ecological and historical perspective, in Kalahari Hunter-gatherers: Studies of the IKung San and their Neighbours, eds. Lee, R.B. & de Vore, I.. Cambridge (MA): Harvard University Press.CrossRefGoogle Scholar
Lee, R.B., 1984. The Dobe IKung. New York (NY): Holt, Rinehart & Winston.Google Scholar
Leroi-Gourhan, A., 1967. Treasures of Prehistoric Art. New York (NY): Harry N. Abrams.Google Scholar
Lewis, D., 1988. The Rock Paintings of Arnhem Land: Social, Ecological, and Material Culture Change in the Postglacial Period. (BAR International Series 415.) Oxford: BAR.Google Scholar
Lewis-Williams, J.D., 1983. The Rock Art of Southern Africa. Cambridge: Cambridge University Press.Google Scholar
Lewis-Williams, J.D. & Loubser, J.N.H., 1986. Deceptive appearances: a critique of southern African rock art studies. Advances in World Archaeology 5, 253–89.Google Scholar
Lourandos, H., 1983. Intensification: a late Pleistocene-Holocene archaeological sequence from southwestern Victoria. Archaeology in Oceania 18, 8194.CrossRefGoogle Scholar
McGhee, R., 1978. Canadian Arctic Prehistory. Toronto: Van Nostrand Reinhold.Google Scholar
Macintosh, N.W.G., 1977. Beswick Creek cave two decades later: a reappraisal, in Form in Indigenous Art: Schematisation in the Art of Aboriginal Australia and Prehistoric Europe, ed. Ucko, P.J.. Canberra: Australian Institute of Aboriginal Studies, 191–7.Google Scholar
McMillan, A.D., 1988. Native Peoples and Cultures of Canada: An Anthropological Overview. Vancouver: Douglas & Mclntyre.Google Scholar
Maringer, J. & Bandi, H.-G., 1953. Art in the Ice Age. Spanish Levant Art. Arctic Art. New York (NY): Frederick A. Praeger.Google Scholar
Mazonowicz, D., 1974. Voices from the Stone Age: A Search for Cave and Canyon Art. New York (NY): Gallery of Prehistoric Paintings.Google Scholar
Meggitt, M, 1962. Desert People. Sydney: Angus & Robertson.Google Scholar
Minc, L., 1986. Scarcity and survival: the role of oral tradition in mediating subsistence crisis. Journal of Anthropological Archaeology 5, 39113.CrossRefGoogle Scholar
Morphy, H., 1991. Ancestral Connections: Art and an Aboriginal System of Knowledge. Chicago (IL): University of Chicago Press.Google Scholar
Moser, S., 1992. The visual language of archaeology: a case study of the Neanderthals. Antiquity 66, 831–4.CrossRefGoogle Scholar
Mulvaney, D.J., 1989. Encounters in Place: Outsiders and Aboriginal Australians 1606–1985. St Lucia: University of Queensland Press.Google Scholar
Nelson, E., Chippindale, C., Chaloupka, G. & Southon, J., 1992. AMS dating: possibilities and some results. Paper presented at the Second AURA Congress, Cairns, 31 August, 1992.Google Scholar
Noble, W. & Davidson, I., 1991. The evolutionary emergence of modern human behaviour: language and it archaeology. Man: journal of the Royal Anthropological Institute 26, 223–53.CrossRefGoogle Scholar
Oliver, D.L., 1989. Oceania: The Native Cultures of Australia and the Pacific Islands, vol. 1. Honolulu (HI): University of Hawaii Press.Google Scholar
Otterbein, K.F., 1970. The Evolution of War. Chicago (IL): HRAF Press.Google Scholar
Otterbein, K.F., 1985. The Evolution of War: A Cross-Cultural Study of Capital Punishment. 2nd ed.New Haven (CT): HRAF Press.Google Scholar
Otterbein, K.F., 1989. Socialization for War: A Study of the Influence of Hunting upon Warfare. Paper read at the 88th Annual Meeting of the American Anthropological Association, Washington (DC), November 19.Google Scholar
Otterbein, K.F., 1991. Comments on ‘Violence and sociality in human evolution’, by B.M. Knauft. Current Anthropology 32(4), 413–14.Google Scholar
Pardoe, C., 1984. Prehistoric Human Morphological Variation in Australia. Unpublished Ph.D thesis, Australian National University, Canberra.Google Scholar
Pardoe, C., 1988. The cemetery as symbol. The distribution of prehistoric Aboriginal burial grounds in southeastern Australia. Ardiaeology in Oceania 23(1), 116.CrossRefGoogle Scholar
Pardoe, C., 1992. If cemeteries are sites, why isn't anything else? Unpublished paper presented at the 1992 Australian Archaeological Association Conference, Valla, NSW.Google Scholar
Powell, P.J., 1992. Sacrifice transformed into victory: Standing Bear portrays Sitting Bull's Sun Dance and the final summer of Lakota freedom, in Visions of the People. Minneapolis (MN): Institute of the Arts, 81106.Google Scholar
Price, D.T. & Brown, J.A. (eds.), 1985. Hunter-gatherers: The Emergence of Cultural Complexity. Orlando (FL): Academic Press.Google Scholar
Robarchek, C.A., 1989. Primitive warfare and the ratomorphic image of mankind. American Anthropologist 91, 903–20.CrossRefGoogle Scholar
Roberts, R., Jones, R. & Smith, M.A., 1990. Thermoluminescence dating of a 50,000-year old human occupation site in northern Australia. Nature 345, 153–6.CrossRefGoogle Scholar
Roberts, R., Jones, R. & Smith, M.A., 1993. Optical dating at Deaf Adder Gorge, Northern Territory, indicates human occupation between 53,000 and 60,000 years ago. Australian Archaeology 37, 58.CrossRefGoogle Scholar
Sandars, N.K., 1968. Prehistoric Art in Europe. Harmondsworth: Penguin.Google Scholar
Schuster, C., 1951. Joint-marks: A Possible Index of Cultural Contact between America, Oceania and the Far East. (Mededeling No. XCIV; Afdeling Culturele en Physische Anthropologie No. 39.) Amsterdam: Koninklyk Instituut Voor De Tropen.Google Scholar
Spencer, W.B., 1914. The Native Tribes of the Northern Territory of Australia. London: MacMillan.Google Scholar
Sutton, P. & Rigsby, B., 1982. People with ‘politicks’: management of land and personnel on Australia's Cape York Peninsula, in Resource Managers: North American and Australian Hunter-gatherers, eds. Williams, N. & Hunn, E.. Canberra: Aboriginal Studies Press.Google Scholar
Taçon, P.S.C., 1986. Field journals, tapes and notebooks: field research in Kakadu National Park and Arnhem Land, 24 April, 1986 – 29 January, 1987. Lodged at the Australian Museum, Sydney and AIATSIS, Canberra.Google Scholar
Taçon, P.S.C., 1988. Contemporary Aboriginal interpretations of western Arnhem Land rock paintings, in The Inspired Dream: Life as Art in Aboriginal Australia, ed. West, M.. Brisbane: Queensland Art Gallery, 2025.Google Scholar
Taçpn, P.S.C., 1989a. Art and the essence of being: symbolic and economic aspects of fish among the peoples of western Arnhem Land, Australia, in Animals into Art, ed. Morphy, H.. London: Unwin Hyman, 236–50.Google Scholar
Taçon, P.S.C., 1989b. From Rainbow Snakes to ‘X-ray’ Fish: The Nature of the Recent Rock Painting Tradition of Western Arnhem Land, Australia. Unpublished Ph.D thesis, Australian National University, Canberra.Google Scholar
Taçon, P.S.C., 1989c. From the ‘Dreamtime’ to the present: the changing role of Aboriginal rock paintings in western Arnhem Land, Australia. The Canadian journal of Native Studies 9(2), 317–39.Google Scholar
Taçon, P.S.C., 1991. The power of stone: symbolic aspects of stone use and tool development in western Arnhem Land, Australia. Antiquity 65, 192207.CrossRefGoogle Scholar
Taçon, P.S.C., 1992. Somewhere over the rainbow: an ethnographic and archaeological analysis of recent rock paintings of western Arnhem Land, Australia, in State of the Art: Regional Rock Art Studies in Australia and Melanesia, eds. McDonald, J. & Haskovec, I.. (Occasional Aura Publication No. 6.) Melbourne: Australian Rock Art Research Association, 202–15.Google Scholar
Taçon, P.S.C., 1993a. An Assessment of Rock Art in the Mann River region, Arnhem Land, N.T.. Unpublished report to the Bawinanga Aboriginal Corporation and the Djomi Museum. Sydney.Google Scholar
Taçgon, P.S.C., 1993b. Regionalism in the recent rock art of western Arnhem Land, Northern Territory. Archaeology in Oceania 28, 112–20.CrossRefGoogle Scholar
Taçon, P.S.C., 1993c. Mann River Region Rock Art Recording Project 1993. Unpublished field notebook.Google Scholar
Taçon, P.S.C., 1994. Expressing ethnic identity with stone: the meaning of marks, monuments and masterpieces in the landscape. Paper presented at the 15th IPPA Conference, Chiang Mai, Thailand, 8 January 1994. (Submitted to Archaeology in Oceania for the October 1994 issue).Google Scholar
Taçon, P.S.C. & Chippindale, C., 1992. A New Manner of Looking: Variability, Meaning and Sequence in Older Arnhem Land Pictures. Presented at the Second AURA Congress, Cairns, 2 September, 1992.Google Scholar
Turnbull, C., 1965. Wayward Servants: The Two Worlds of the African Pygmies. London: Eyre & Spottiswoode.Google Scholar
Vastokas, J.M. & Vastokas, R., 1973. Sacred Art of the Algonkians: A Study of the Peterborough Petroglyphs. Peterborough, Ontario: Mansard Press.Google Scholar
Vayda, A.P., 1967. Hypotheses about functions of war, in War: the anthropology of armed conflict and aggression. Natural History supplement, December 1 (1967), 4850.Google Scholar
Walsh, G.L., 1994. Bradshaws. Ancient Rock Paintings of NorthWest Australia. Carouge-Geneva: Edition Limitée.Google Scholar
Warner, W.L., 1930. Murngin warfare. Oceania 1, 457–94.CrossRefGoogle Scholar
Warner, W.L., 1937. Black Civilization: A Social Study of an Australian Tribe. New York (NY): Peter Smith.CrossRefGoogle Scholar
Warner, W.L., 1969(1937). A Black Civilization. New York (NY): Harper.Google Scholar
Watchman, A., 1987. Preliminary determinations of the age and composition of mineral salts on rock art surfaces in the Kakadu National Park, in Archaeometry: Further Australasian Studies, eds. Ambrose, W.R. & Mummery, J.M.J.. Canberra: Australian National University, 3642.Google Scholar
Watchman, A., 1990. A summary of occurrences of oxalate-rich crusts in Australia. Rock Art Research 7(1), 4450.Google Scholar
Welte, A.-C., 1989. An approach to the theme of confronted animals in French Palaeolithic art, in Animals into Art, ed. Morphy, H.. London: Unwin Hyman, 215–35.Google Scholar
Whitley, D.S., 1994. By the hunter, for the gatherer: art, social relations and subsistence change in the prehistoric Great Basin. World Archaeology 25, 356–73.CrossRefGoogle Scholar
Whitley, D.S., in press. The Numic vision quest: ritual and rock art in the Great Basin, in Numic Myth and Ritual: Essays in the Expressive Culture of the Numa, ed. Myers, L.D.. Urbana (IL): University of Illinois Press.Google Scholar
Woodhouse, H.C., 1979. The Bushman Art of Southern Africa. London & Sydney: Macdonald & James.Google Scholar
Woodhouse, H.C., 1987. Inter and intragroup aggression illustrated in the rock paintings of South Africa. South African Journal of Ethnology 10(1), 42–8 & 10(3), 153.Google Scholar
Woodhouse, H.C., 1988. Images of war: a problem in San rock art research. Pictogram 1(2), 46.Google Scholar
Woodhouse, H.C., 1993. Conflict, Weapons, and Warfare in the Rock Art of Southern Africa. (Institute for the Study of Man in Africa, Paper no. 43.) Johannesburg: Institute for the Study of Man in Africa.Google Scholar
Woodroffe, C.D., 1988. Changing mangrove and wetland habitats over the last 8000 years, northern Australia and southeast Asia, in Floodplain research. Northern Australia: Progress and Prospects vol. 2, eds. Wade-Marshall, D. & Loveday, P.. Darwin: Australian National University and North Australia Research Unit, 133.Google Scholar