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Bodies Moving in Space: Ancient Mesoamerican Human Sculpture and Embodiment

Published online by Cambridge University Press:  28 November 2003

Holly Bachand ,
Rosemary A. Joyce  and
Julia A. Hendon
Holly Bachand
Affiliation:
Department of Anthropology, University of California, Berkeley, Berkeley, CA 94720-3710, USA; hbachand@yahoo.com.
Rosemary A. Joyce
Affiliation:
Department of Anthropology, University of California, Berkeley, Berkeley, CA 94720-3710, USA; rajoyce@uclink.berkeley.edu.
Julia A. Hendon
Affiliation:
Department of Sociology and Anthropology, Gettysburg College, Gettysburg PA 17325, USAjhendon@gettysburg.edu.
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Abstract

Judith Butler's proposal that embodiment is a process of repeated citation of precedents leads us to consider the experiential effects of Mesoamerican practices of ornamenting space with images of the human body. At Late Classic Maya Copáan, life-size human sculptures were attached to residences, intimate settings in which body knowledge was produced and body practices institutionalized. Moving through the space of these house compounds, persons would have been insistently presented with measures of their bodily decorum. These insights are used to consider the possible effects on people of movement around Formative period Olmec human sculptures, which are not routinely recovered in such well-defined contexts as those of the much later Maya sites.

Keywords

embodimentCopán sculpturesMaya sculpturesOlmec sculptures
Type
SPECIAL SECTION: Embodying Identity in Archaeology
Information
Cambridge Archaeological Journal , Volume 13 , Issue 2 , October 2003 , pp. 238 - 247
Copyright
2003 The McDonald Institute for Archaeological Research

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