No CrossRef data available.
We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
Published online by Cambridge University Press: 20 April 2020
In her response to the forum on Immediations: The Humanitarian Impulse in Documentary (Duke University Press, 2017), author Pooja Rangan takes up a range of issues that emerge in responses to her book by Rey Chow, Lucas Hilderbrand, Ragini Tharoor Srinivasan, and Naomi Waltham-Smith. Rangan’s response revolves around the question: Has reflexivity become untimely? What is the role of reflexive critique in a time of existential crisis? In answering this question, Rangan argues that alongside a “non-naive commitment to a notion of the truth” (a topic that emerges in several of the responses as well as in recent literature on documentary), documentary scholars must pursue a radically uncynical commitment to reflexivity. Redefining reflexivity as a form of “restoration work” (Eli Clare) or “wake work” (Christina Sharpe), Rangan traces the shared investments of documentary critique and contemporary analyses of disability and Black existence.
1 Wark, McKenzie, Capital Is Dead: Is This Something Worse? (New York: Verso, 2019)Google Scholar.
2 Chow, Rey, Entanglements, or Transmedial Thinking about Capture (Durham, NC: Duke University Press, 2012), 15–19CrossRefGoogle Scholar, esp. 18.
3 Erika Balsom, “Historical Present,” Artforum, November 2019. Accessed November 23, 2019. https://www.artforum.com/print/201909/erika-balsom-on-brett-story-s-the-hottest-august-81060?fbclid=IwAR2mbs7niMu4XCJRHIMRWE-7g-wL-SEVssJ0kkwjyDHofj7cjDrt-2g_4Oo.
4 Erika Balsom, “The Reality-Based Community,” e-flux, June 2017. Accessed November 23, 2019. https://www.e-flux.com/journal/83/142332/the-reality-based-community/.
5 Balsom, “The Reality-Based Community.”
6 Balsom, “The Reality-Based Community.”
7 Anti-Defamation League, “Sacha Baron Cohen’s Keynote Address at ADL’s 2019 Never is Now Summit on Anti-Semitism and Hate,” November 21, 2019. Accessed November 24, 2019. https://www.adl.org/news/article/sacha-baron-cohens-keynote-address-at-adls-2019-never-is-now-summit-on-anti-semitism?fbclid=IwAR0SKchgFNsaegOkxjj0ojJd1SBwbzgOdMCrqddUpJ3D4L1es6l8BtexoVw. The personae for which Baron Cohen is best known are gangsta rapper Ali G, journalist Borat, and fashion reporter Bruno.
8 Balsom, “The Reality-Based Community.”
9 Clare, Eli, Brilliant Imperfection: Grappling with Cure (Durham, NC: Duke University Press, 2017), 14–15CrossRefGoogle Scholar.
10 Clare, Brilliant Imperfection, 15.
11 Toby Lee, “The Radical Unreal: Fabulation, Fiction, and Fantasy in Speculative Documentary,” Conference Presentation, Visible Evidence XXV Conference (Bloomington, IN, 2018).
12 Keenan, Thomas, “Getting the Dead to Tell Me What Happened: Justice, Prosopopoeia, and Forensic Afterlives,” in Forensis: The Architecture of Public Truth (Berlin: Sternberg and Forensic Architecture, 2014), 52Google Scholar.
13 Rangan, Pooja, Immediations: The Humanitarian Impulse in Documentary (Durham, NC: Duke University Press, 2017), 157CrossRefGoogle Scholar.
14 Sharpe, Christina, In the Wake: On Blackness and Being (Durham, NC: Duke University Press, 2016), 18CrossRefGoogle Scholar.