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Bodily Narratives in French Baroque Opera

Published online by Cambridge University Press:  19 July 2018

Natasha Roule
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Abstract

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Type
Review Article
Information
Cambridge Opera Journal , Volume 29 , Issue 3 , November 2017 , pp. 353 - 359
Copyright
© Cambridge University Press 2018 

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Footnotes

*

Natasha Roule, Harvard University, Cambridge, MA, USA; natasharoule@fas.harvard.edu.

References

1 de Rouvroy, Louis, The Memoirs of the Duke of Saint-Simon on the Reign of Louis XIV, Vol. 1, ed. J. Pott, trans. Bayle St John (Washington and London, 1901), 39–40 Google Scholar.

2 See, for example, Nye, Edward, Mime, Music and Drama on the Eighteenth-Century Stage (Cambridge, 2011)CrossRefGoogle Scholar; Thorp, Jennifer, ‘Dance in Lully’s Alceste ’, in Ancient Drama in Music for the Modern Stage, ed. Peter Brown and Suzana Ograjenšek (Oxford, 2010), 85–95 CrossRefGoogle Scholar; Musique et geste en France de Lully à la Révolution: Études sur la musique, le théâtre, et la danse, ed. Jacqueline Waeber (Bern, 2009); Dance and Music in French Baroque Theatre: Sources and Interpretations, ed. Sarah McCleave (London, 1998); Hilton, Wendy, Dance and Music of Court and Theater: Selected Writings of Wendy Hilton (Stuyvesant, 1997)Google Scholar; Powell, John S., ‘Pierre Beauchamps, Choreographer to Molière’s Troupe du Roy’, Music & Letters 76 (1995), 168–186 CrossRefGoogle Scholar; Harris-Warrick, Rebecca, ‘La Mariée: The History of a French Court Dance’, in Jean-Baptiste Lully and the French Baroque: Essays in Honor of James R. Anthony, ed. John Hajdu Heyer (Cambridge, 1989), 239–257 Google Scholar; Bang Mather, Betty, Dance Rhythms of the French Baroque: A Handbook for Performance (Bloomington, IN, 1987)Google Scholar; Ranum, Patricia, ‘Audible Rhetoric and Mute Rhetoric: The 17th-Century French Sarabande’, Early Music 14 (1986), 22–40 CrossRefGoogle Scholar.

3 See Burke, Peter, The Fabrication of Louis XIV (New Haven, 1992)Google Scholar; Norman, Buford, Touched by the Graces: The Libretti of Philippe Quinault in the Context of French Classicism (Birmingham, AL, 2001)Google Scholar.

4 Franko, Mark, Dance as Text: Ideologies of the Baroque Body, rev. edn (Oxford, 2015), 131 CrossRefGoogle Scholar.