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This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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Inhabiting Whiteness: The Eoan Group La traviata, 1956
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- 31 October 2019, pp. 63-84
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Singer's Blueprints - C. Steven LaRue. Handel and His Singers: The Creation of the Royal Academy Operas, 1720–1728. Oxford, The Clarendon Press, 1995. 213 pp.
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- 27 August 2008, pp. 185-193
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Moments musicaux: high culture in the Paris Commune
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- 31 May 2011, pp. 1-31
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She descended on a cloud ‘from the highest spheres’: Florentine monody ‘alla Romanina’
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- 20 May 2004, pp. 1-22
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An Operatic Locarno: The Paris Premiere of Smetana’s The Bartered Bride and Czechoslovak-French Cultural Diplomacy
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- 20 March 2017, pp. 283-312
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‘In Love's harmonious consort’? Penelope and the interpretation of Il ritorno d'Ulisse in patria
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- 27 August 2008, pp. 1-16
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Comparing notes: Amelia/Maria and the ‘larve del passato’
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- 20 June 2003, pp. 211-227
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Offenbach, Pépito and the Théâtre des Variétés: Politics and Genre in the First Year of the Second Empire
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- 11 June 2021, pp. 154-186
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Monteverdi's mimetic art: L'incoronazione di Poppea
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- 27 August 2008, pp. 113-137
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Thoroughly Modern Middles
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- 11 November 2019, pp. 118-128
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Remaking a cultural icon: Phèdre and the operatic stage
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- 27 August 2008, pp. 225-245
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Philippe and Posa Act II: The shock of the new
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- 20 June 2003, pp. 133-147
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Alexandra Wilson. The Puccini Problem: Opera, Nationalism, and Modernity. Cambridge: Cambridge University Press, 2007. pp. 334.
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- 28 January 2010, pp. 303-306
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Masked balls
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- 20 June 2003, pp. 93-108
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Source Studies and Opera History
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- 30 April 2010, pp. 111-118
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Place, Performance and Identity in Monteverdi’s Combattimento di Tancredi e Clorinda
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- 05 February 2018, pp. 152-188
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‘A wall of darkness dividing the world’: Blackness and whiteness in Louis Gruenberg's The Emperor Jones
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- 27 August 2008, pp. 55-72
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Cambridge Opera Journal at Twenty
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- 30 April 2010, pp. 105-109
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The trial, the condemnation, the cover-up: behind the scenes of Brecht/Dessau's Lucullus opera(s)
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- 20 June 2003, pp. 313-342
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William C. Holmes, Opera Observed: Views of a Florentine Impresario in the Early Eighteenth Century (Chicago: University of Chicago Press, 1993), 256 pp., bibliography, illustrations.
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- 27 August 2008, pp. 175-179
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