Published online by Cambridge University Press: 10 November 2009
Max Weber's writings convey a tension between a commitment to Enlightenment rationalism and a romanticism that was largely shaped under the influence of the “Sturm und Drang.” The tension is represented in the claims that modernity unleashes forces that erode the spontaneous, creative elements of human life. This study argues that Weber has correctly identified some of the problematic substance of modernism, but that he failed to explore alternative sets of assumptions by which the modernist paradigm could be critiqued. As a result, Weber was forced to see the world as a place full of bifurcated conflicts between such elements as: reason/emotion, modern/traditional, science/mysticism. This epistemological framework led Weber to the pessimistic conclusions about the fate of humanity in the modern world.
Les écrits de Max Weber communiquent une tension entre un engagement envers le rationalisme du Siècle des Lumières et un romantisme qui se forma en grande partie sous l'influence de «Sturm und Drang». La tension est représentée dans les revendications que la modernité déchaîne les forces qui érodent les éléments créateurs spontanés de la vie humaine. Cette étude argumente que Weber a identifié quelquesunes des substances problématiques du modernisme, mais qu'il a omis d'explorer des ensembles alternatifs d'hypothèses par lesquels le paradigme du moderniste pourrait être critiqué. Il en résulte que Weber fut obligé de voir le monde comme une place pleine de conflits bifurqués entre des éléments tels que: raison/émotion, modernité/tradition, science/mysticisme. Ce cadre épistémologique a amené Weber aux conclusions pessimistes sur le sort de l'humanité dans le monde moderne.
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