No CrossRef data available.
Published online by Cambridge University Press: 11 February 2009
M. J. Dewar argues that in Georg. 1.511–4 Virgil may have been drawing a disquieting parallel between Orestes, evoked through an imitation of Aeschylus (‘Choeph.’ 1021–5), and Octavian, present a few lines above (498ff.).
Pausanias probably supports this suggestion; he shows that the link Octavian-Orestes existed quite early and in a sense favourable to Octavian, even though it may soon have been used in a negative sense by anti-Caesarian propaganda on account of the dark side of the myth. In front of the temple of Hera in Argos there was still visible in the second century a statue representing Orestes, but identified by the inscription as Augustus. Certainly this parallel Augustus-Orestes was not proposed-and preserved - with polemical purpose in a famous sanctuary and in the Augustan age. Given the resemblance between history and myth and the moral weight of the famous myth itself, it is unlikely that we have to do with the mere re-use of any old statue.
1 ‘Octavian and Orestes in the Finale of the First Georgic’, CQ 38 (1988), 563–5CrossRefGoogle Scholar; ‘Octavian and Orestes again’, CQ 40 (1990), 580–82CrossRefGoogle Scholar.
2 Paus. 2, 17, 3; see Frazer's commentary (1898) ad loc. and 1, 18, 3 about reconversions of ancient statues in favour of living personalities.