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The Cities of Avignon and Worms as Expressions of the European Community
Published online by Cambridge University Press: 03 June 2009
Extract
At the end of 1978, the German art critic Walter Frentz, introducing a film and public lecture in the city of Worms, postulated that Europeans could breathe new life into the idea of European unity by devoting greater care and attention to the shape and form of European cities. The theme of his remarks that night specifically encouraged the preservation of historic urban cores, but more striking was his general concept linking the development of the European Community with the treatment of the European city. As a growing literature on architectural symbolism and urban imagery suggests, cities take the shapes that are expressions of a total society, reflecting the spectrum of their political, economic and cultural life. As Europeans rebuilt and developed their cities in the period after World War II, they also charted the course of their unification.
- Type
- The Symbolic Economy of Provincial Capitals
- Information
- Copyright
- Copyright © Society for the Comparative Study of Society and History 1989
References
The author gratefully acknowledges the help of a research grant from Central Washington University.
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40 An old nondescript school building had previously occupied the site of the new*city hall and was slated for alteration before the war, see Köhler, Walter, Gedanken über das heutige Worms und seine spütere städtebauliche Entwicklung, Pt. I: Text (Worms, 1941), 20–21Google Scholar. For Social Democratic views, see Stadtratsprotokoll, 21 September 1955. Of designs submitted, the one favored by the jury was thought by the SPD council member, Lucie Kölsch, to be “too conservative and not contemporary.” The leading SPD council member said he favored a more modern design submission for its “clarity and simplicity.” The drawings submitted by the finalists can be found reproduced in Allgemeine Zeitung (Worms), 24 08 1955.Google ScholarPubMed For the jury's recommendations, see ibid. and the document “Tagung des Preisgerichts anlasslich des Wettbewerbs zur Erlangung von Planen für den Neubau eines Rathauses und einer Polizeidirektion in Worms am 19 und 20 August 1955,” Stadtarchiv Worms.
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45 Villinger, Carl, “Die alte und die neue Stephensgasse,” Wormser Monatsspiegel, 08 1964Google Scholar; also Das Kunsthaus Heylshof in Worms und seine Sammlungen (Worms, 1977), 7–8).Google Scholar
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47 See previously cited correspondence between von Heyl, jr. and Listmann, n. 43; Wormser Zeitung, 3 02 1960; Stadtratsprotokoll, 16 Juli 1959. For position of Heyls and Reconstruction Society, see Protokoll uber die Sitzung des Geschäftsfahrenden Vorstandes, 8 Oktober 1959 and 6 September 1960, file Sitzungsberichte, 1956–1961. Further, Ludwig von Heyl, jr. to Baudezernent Willi Hirschbiel, 8 August 1959, file Rathaus, Comelianum; Aufbauverein to Kulturfonds der Wormser Wirtschaft, 14 März 1961, file Heylshof (Stephansgasse), Aufbauverein Papers.Google Scholar
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49 The controversy over the gate went on and on and was not finally settled until 1964, the year after the completion of the Municipal Cultural Institutes: Ludwig von Heyl, jr. to Ludwig von Heyl, sr., 27 August 1960; Kahlert to Villinger, 20 Juli 1961, 13 Dezember 1962; von Heyl, jr. to Oberbürgermeister, 6 Juni 1963; von Heyl, jr. to Villinger, 15 September 1964, file Heylshof (Stephansgasse), Aufbauverein Papers. See also Wormer Zeitung, 1 Juni, 7/8 Juli 1962, 16 August, 31 Oktober/ 1 November 1964.
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