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Object Lessons and Ethnographic Displays: Museum Exhibitions and the Making of American Anthropology
Published online by Cambridge University Press: 03 June 2009
Extract
In the early nineteenth century, many private, well-to-do persons collected rocks, minerals, fossils, insects, skeletons, animal skins, Indian artifacts, and so on, for their aesthetic appeal or mystical connotations. Their fragmentary and miscellaneous collections incited wonder and admiration in those privileged to see them while communicating a narrative of the prestige, esoteric knowledge, and adventurous spirit of the collector. Referring to aesthetic and mystical, rather than scientific criteria, collectors juxtaposed a seemingly incongruous hodge-podge of objects in their cabinets—armadillos and ostrich eggs, quartz crystals and rattlesnake rattles, for example. These collectors sought to celebrate the stability of their belief systems through the commonly understood marginality of the strange freaks and curiosities that sparked their imaginations. The rare, abnormal, bizarre, and the old were especially valued.
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References
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75 Mason, , “The Occurrence of Similar Inventions in Areas Widely Apart,” 534.Google Scholar Goode offered a variation on this theme: Unable to decide whether the correct classification for cultural material was by function or by cultural association, he arranged such items according to a double classification in the halls of his museum. He carefully equipped his exhibit cases with casters and, in a matter of an hour or two, could have the entire display rearranged by either function or cultural association as the need required. However, the triumph of scientific influence is apparent in the fact that he regarded the functional classification as the “permanent” arrangement, and the cultural one as only temporary.
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76 See Wolf, Eric, Europe and the People Without History (Berkeley: University of California Press, 1982);Google ScholarWhite, Richard, The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650–1815 (Cambridge: Cambridge University Press, 1991).CrossRefGoogle Scholar Unlike, however, these modern orientations, Powell maintained an evolutionary perspective that relied on Morgan, Lewis Henry, Ancient Society, or Researches in the Lines of Human Progress From Savagery Through Barbarism to Civilization (New York: Henry Holt, 1877).Google Scholar
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78 Ibid.
79 Ibid.
80 Ibid.
81 Boas, , “Museums of Ethnology and their Classification,” 614.Google Scholar The emphasis upon the singular in nature of course predates Boas. See Stafford, Barbara Maria, “Toward Romantic Landscape Perception: Illustrated Travels and the Rise of ‘Singularity’ as an Aesthetic Category,” Art Quarterly (n.s.), 1 (Autumn 1977), 89–124,Google Scholar and Voyage Into Substance: Art, Science, Nature, and the Illustrated Travel Account, 1740–1860 (Cambridge: The Massachusetts Institute of Technology Press, 1984).Google Scholar
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