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Choreographing Empathy: Kinesthesia in Performance

Published online by Cambridge University Press:  18 September 2014

Rachel Fensham
Rachel Fensham*
Affiliation:
University of Melbourne
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Extract

On the cover of both of these two books are photographs of women in loose white pants—arms extended, wrists twisted, each wearing concentrated facial expressions; both seen from front and back as if doubling in a mirror. Perhaps suggested by the reaching gesture, the bodies seem to implore the viewer. It is as if movement is held out and yet in abeyance, incomplete within the image, thus awaiting further fulfillment and explanation. As with the images, both books grapple with the conundrum of how movement communicates to a viewer, and how feelings might be evoked, whether kinesthetically or choreographically. Similar but different—one more historical, the other more fragmented—they also address the timely question of empathy in creative practice.

Type
Review Essays
Information
Dance Research Journal , Volume 46 , Issue 2: Body Parts: Pelvis, Feet, Face, Hips, Legs, Toes, and Teeth , August 2014 , pp. 98 - 104
Copyright
Copyright © Congress on Research in Dance 2014 

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References

Works Cited

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