Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-10T10:24:39.618Z Has data issue: false hasContentIssue false
  • English
  • Français

Ray Bolger: More than a Scarecrow by Holly Van Leuven. 2019. New York: Oxford University Press. 239 pp., 36 illustrations. $29.95 hardcover. ISBN: 9780190639044.

Published online by Cambridge University Press:  14 August 2019

Barry Brannum
Barry Brannum*
Affiliation:
University of California
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Dance Research Journal , Volume 51 , Issue 2 , August 2019 , pp. 92 - 95
Copyright
Copyright © Dance Studies Association 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Bordman, Gerald. 2001. American Musical Theater: A Chronicle. 3rd ed. New York: Oxford University Press.Google Scholar
Dodds, Sherril. 2011. Dancing on the Canon: Embodiments of Value in Popular Dance. Basingstoke, UK: Palgrave Macmillan.Google Scholar
Emery, Lynne Fauley. 1989. Black Dance from 1619 to Today. 2nd ed. Princeton, NJ: Princeton Book Company Publishers.Google Scholar
Foster, Susan. 1992. “Dancing Bodies.” In Incorporations, edited by Crary, Jonathan and Sanford, Kwinter, 487–502. New York: Zone Books.Google Scholar
Foulkes, Julia. 2003. Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey. Chapel Hill: University of North Carolina Press.Google Scholar
Franko, Mark. 2002. The Work of Dance: Labor, Movement, and Identity in the 1930s. Middletown, CT: Wesleyan University Press.Google Scholar
Gottschild, Brenda Dixon. 1996. Digging the Africanist Presence in American Performance: Dance and Other Contexts. Westport, CT: Praeger.Google Scholar
Gottschild, Brenda Dixon. 2000. Waltzing in the Dark. New York: St Martins Press.Google Scholar
Gottschild, Brenda Dixon. 2012. Joan Myers Brown and the Audacious Hope of the Black Ballerina. Oxford, UK: Oxford University Press.Google Scholar
Hill, Constance Valis. 2000. Brotherhood in Rhythm: The Jazz Tap Dancing of the Nicholas Brothers. New York: Oxford University Press.Google Scholar
Kenrick, John. 2010. American Musical Theater: A History. New York: Continuum Books.Google Scholar
Monroe, Raquel. 2011. “‘I Don't Want to Do African … What About My Technique?’ Transforming Dance Places into Spaces in the Academy.” Journal of Pan African Studies 4 (6): 38–55.Google Scholar
Woll, Allen. 1991. Black Musical Theatre: From Coontown to Dreamgirls. Cambridge, MA: Da Capo Press.Google Scholar