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Slow Scrape (2012–2015)

Published online by Cambridge University Press:  28 April 2016

Tanya Lukin Linklater
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Extract

How to describe my experience? Some Indigenous peoples have prescribed, specific protocols around introductions, but this is not the case where I'm from. Or, if it was this way in the past, we've lost the knowledge of those introductory protocols. I respect that we should give space to those who have Indigenous ways of introducing themselves. As an Alutiiq woman who lives in a kind of diaspora from my island home of Kodiak in Alaska— and my villages of Port Lions and Afognak—I don't always know how to describe my experience. I am an artist. I live in Canada. I make dance, video, photos, texts.

Type
Choreographers' Statements
Information
Dance Research Journal , Volume 48 , Issue 1: Indigenous Dance Today , April 2016 , pp. 24 - 28
Copyright
Copyright © Congress on Research in Dance 2016 

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References

Works Cited

Coulthard, Glen. 2015. Red Skin White Masks: Rejecting the Colonial Politics of Recognition. Minneapolis, MN: University of Minnesota Press.Google Scholar
Lukin Linklater, Tanya. 2014. “The Harvest Sturdies.” Taos International Journal of Poetry and Art. http://www.taosjournalofpoetry.com/the-harvest-sturdies-excerpts/.Google Scholar
Swensen, Michael. 2013. “Memory is Embodied: Tanya Lukin-Linklater Interview.” Alaska Native Studies Blog. September 27. http://alaskanativestudies.blogspot.com/2013/09/memory-is-embodied-tanya-lukin.html. Accessed January 27, 2015.Google Scholar
Turions, Cheyanne. 2014. “Confronting Movements, Confronting Vocabularies.” http://cheyanneturions.wordpress.com/2014/05/24/confronting-movement-confronting-vocabularies/. Accessed March 19, 2015.Google Scholar