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Done into Dance: Isadora Duncan in America, by Ann Daly. Bloomington and Indianapolis: Indiana University Press, 1995. xx + 268 pp., photographs, drawings, notes, index. $39.95 clothbound; $18.95 paperbound.

Published online by Cambridge University Press:  22 July 2014

Raphael F. Miller
Raphael F. Miller
Affiliation:
Georgia State University
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Abstract

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Type
Reviews
Information
Dance Research Journal , Volume 30 , Issue 2 , Fall 1998 , pp. 85 - 87
Copyright
Copyright © Congress on Research in Dance 1998

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References

NOTES

1. Nahumck, Nadia Chilkovsky, Isadora Duncan: The Dances (Washington, DC: The National Museum of Women in the Arts, 1994)Google Scholar; Loewenthal, Lillian, The Search for Isadora: The Legend & Legacy of Isadora (Pennington, NJ: Princeton Book Company, 1993)Google Scholar; Splatt, Cynthia, Life into Art: Isadora Duncan and Her World, edited by Duncan, Doree, Prati, Carol, and Splatt, Cynthia (New York: W. W. Norton, 1993).Google Scholar

2. Wanshel, Jeff, Isadora Sleeps with the Russian Navy, premiered American Place Theater, New York City, January 26, 1977 (New York City: Dramatists Play Service, 1977)Google Scholar; Sherman, Martin, When She Danced, premiered Playwright's Horizon, New York City, 1990 (New York: Samuel French, 1988).Google Scholar

3. Blair, Fredrika, Isadora: Portrait of the Artist as a Woman (New York: William Morrow, 1986)Google Scholar; Kendall, Elizabeth, Where She Danced: The Birth of American Art-Dance (New York: Alfred A. Knopf, 1979)Google Scholar; Macdougall, Allan Ross, Isadora: A Revolutionary in Art and Love (New York: Thomas Nelson, 1960).Google Scholar

4. For a thorough examination of the role of dance in American society, see Wagner, Ann's Adversaries of Dance: From the Puritans to the Present (Urbana and Chicago: University of Illinois Press, 1997).Google Scholar

5. Geertz, Clifford, “Thick Description: Toward an Interpretive Theory of Culture,” in The Interpretation of Cultures (New York: Basic Books, 1973).Google Scholar